Your Sister’s Sister-2011

Your Sister’s Sister-2011

Director Lynn Shelton

Starring Emily Blunt, Rosemarie DeWitt

Scott’s Review #448

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Reviewed July 9, 2016

Grade: C+

Your Sister’s Sister is a small 2011 independent film with a central cast of only three characters: the two sisters mentioned in the title and a young man (Mark Duplass) who is a rival for their affections.

The story tells of a love triangle, of sorts, between two sisters and one man.

I admire the improvisational method that is used in the dialogue, à la Robert Altman style, where the characters merely have conversations and discuss issues rather than a structured dialogue.

This works well in the film.

The standout is Rosemarie DeWitt (“Mad Men”). I also enjoy the remote cabin setting, which creates a claustrophobic experience.

Emily Blunt’s performance, though, feels bland to me, and I didn’t find her character very relatable.

The ending of the film leaves everything up in the air, and no clear conclusions are drawn, something I could see coming from miles away.

I admired the style of Your Sister’s Sister (2011) but was unsatisfied with the outcome.

Independent Spirit Award Nominations: Best Supporting Female-Rosemarie DeWitt

End of Watch-2012

End of Watch-2012

Director David Ayer

Starring Jake Gyllenhaal

Scott’s Review #447

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Reviewed July 8, 2016

Grade: B+

End of Watch (2012) impressed me much more than I was expecting. I expected a safe, by-the-numbers buddy/action movie, since the previews promoted it as such.

It was worlds better than that and threw me for a loop, in a good way.

The film stars Jake Gyllenhaal and Michael Peña as two detectives patrolling the streets of grizzled central Los Angeles, which are riddled with drug and gang violence.

The viewer is brought along for the ride as we see a day in the life, if you will, of their cop beat.

The one knock I’ll give the film is the implausibility factor of a cop videotaping everything. This seems silly and unrealistic.

Wouldn’t he be incredibly distracted? That said, some of the filmings were amazing, including the opening sequence.

The film has a realistic grittiness, and the Los Angeles locale is very effective.

End of Watch (2012) feels painstakingly real, isn’t always happy, and the dynamic between Jake Gyllenhaal and Michael Peña is evident; their friendship feels real.

The movie feels like a day in the life of an LA cop, sparing no edgy detail, and it doesn’t gloss over the lifestyle as many cop films do.

Independent Spirit Award Nominations: Best Supporting Male-Michael Peña, Best Cinematography

The Witch-2016

The Witch-2016

Director Robert Eggers

Starring Anya Taylor Joy, Ralph Ineson, Kate Dickie

Scott’s Review #446

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Reviewed July 7, 2016

Grade: B+

The Witch is a slow-build 2016 horror film that plods with sinister wickedness and leaves viewers thinking well beyond the credits.

Is it a message movie?

Good versus evil, with a definite religious umbrella encompassing the entire film, is God against the devil. Guess which one wins out?

To be transparent, this film will undoubtedly offend the staunch religious.

Set in 1600s New England and entitled “The Witch—A New England Folktale,” the story follows a Puritan family banished from the village they inhabit.

They are forced to begin a life on their own and build a farm, struggling to survive by secretly selling family heirlooms. William and Katherine are the parents, followed by a teenage daughter, Thomasin (Anya Taylor-Joy), a son, Caleb, and youngsters, Mercy and Jonas.

Their recent addition to the family, Samuel, is snatched by a mysterious creature in the shape of a witch. We only see her draped in red as she sneaks into the woods holding the infant.

From the family’s perspective, they do not know who (or what) has taken Samuel) and tell themselves that it was a wolf, but soon they are not so convinced, and Thomasin is assumed to be a witch.

I adore the fact that this film is not set in modern times, which undoubtedly turns off some viewers. The thick English dialect is almost Shakespearean at times and challenging to follow at others, but it is also rich in culture.

The period and the absolute purity of the family are unsettling. Is it too good to be true? Unlike many horror films, much of the film is shot in the daytime, which adds to the tension.

It is combined with the creepy musical score- strings are used.

At one hour and thirty-two minutes, the very short film feels longer- it truly does move at a snail’s pace, but the final act makes up for this as something told me it would.

It has a creepy feel, and nightmarish events occur at the film’s finale.

Some of The Witch is open to interpretation. Sometimes, I suspected one family member or another of perhaps evil, but the film is not that straightforward, and some complexities arise.

For instance, do spirits possess animals? When Thomasin milks a goat and blood runs out, is this supposed to represent female menstruation?

A thinking man’s horror film, which is refreshing within the horror genre or any other genre for that matter, The Witch (2016) is unorthodox and thought-provoking, which makes it a winner in my book.

Independent Spirit Award Nominations: 2 wins-Best First Screenplay (won), Best First Feature (won)

Once Upon a Time in Anatolia-2011

Once Upon a Time in Anatolia-2011

Director Nuri Bilge Ceylan

Starring Muhammet Uzuner

Scott’s Review #445

Reviewed July 4, 2016

Grade: B+

Once Upon a Time in Anatolia is a Turkish film that, circa 2011, received notice and recognition during awards season.

The film is very slow-moving and requires some patience, but it is worth the effort, and I found myself savoring the experience by the end.

It is a cerebral, thoughtful experience about life and human nature, with a philosophical message. The main characters reflect on their lives while searching for a mysterious dead body in the plains of Turkey in the middle of the night.

The cinematography is wonderful, and some of the camerawork is amazing.

It’s quite a unique film.

The only drawback is its extremely slow pace, but upon its conclusion, it will leave you pondering for some time.

No bombs and no car chases are involved, just honest, truthful dialogue.

Independent Spirit Award Nominations: Best International Film

The Fog-2005

The Fog-2005

Director Rupert Wainwright

Starring Tom Welling, Maggie Grace

Scott’s Review #444

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Reviewed July 4, 2016

Grade: D

The Fog is a 2005 remake of the 1980 film The Fog, and overall, it is not very good.

It sucks.

Why the original creators, John Carpenter and Debra Hill, had anything to do with it is completely beyond me, unless they needed some fast cash.

It is so modernized that it loses the mystique that the original had.

The credit it does deserve is for a few good scares and for keeping with the same characters as the original. Otherwise, it is largely a disaster.

For starters, the ending is completely different from the original and includes some ridiculous, silly fantasy elements that don’t work at all.

An interesting actress in the television series Lost (2004-2010), Maggie Grace, attempting to embark on a film career, is wooden and one-dimensional.

There is no good acting in the entire movie. Not that I expect great acting in a horror film, but it just adds to the mess of storytelling and writing.

A big fail.

Ruby Sparks-2012

Ruby Sparks-2012

Directors Jonathan Dayton, Valerie Faris

Starring Paul Dano

Scott’s Review #442

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Reviewed July 4, 2016

Grade: B

Ruby Sparks is a smart, creative, indie film released in 2012.

The film explores fantasy versus reality, as the main character is a troubled writer who imagines a character he created as real.

Is she real or isn’t she?

The film centers around a writer (Paul Dano) with writer’s block who creates an imaginary dream girl (Zoe Kazan), who magically comes to life one day.

This is an interesting premise, and the film has some big-name actors (Annette Bening, Eliot Gould, Antonio Banderas) in small roles, which is a delight to see.

The chemistry between the two leads is lacking, and the film leans too heavily into a typical romantic comedy.

Additionally, the film never explains whether it aims for seriousness or is purely the writer’s imagination, but I admire its creativity and thoughtful premise.

Independent Spirit Award Nominations: Best Screenplay

Gayby-2012

Gayby-2012

Director Jonathan Lisecki

Starring Jenn Harris, Mathew Wilkas

Scott’s Review #441

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Reviewed July 3, 2016

Grade: C+

Gayby (2012) is a sketch-type comedy about two best friends (a gay man and a straight woman) who decide to have a child together.

Both have reached a certain age and are unhappy that they haven’t found the perfect mate. The story is not novel and feels more like a Saturday Night Live sketch than a film.

The film also plays on the success of television comedies like NBC’s Will and Grace and the obvious dynamic between the central characters.

The two leads are quite appealing in a comic way, have wit (Jenn Harris is deliciously neurotic), and have great timing.

The subject matter is interesting, though as years go by and more LGBTQ+ topics are covered, it is becoming rather dated and no longer novel.

The negative is the frenetic, quick pacing of the film, ultimately making it rather off-putting and annoying, to say nothing of the irritating stereotypical supporting characters.

They are written so over-the-top that it is tough to take the film as seriously as it should be taken.

Independent Spirit Award Nominations: Best First Screenplay

Safety Not Guaranteed-2012

Safety Not Guaranteed-2012

Director Colin Trevorrow

Starring Mark Duplass, Aubrey Plaza

Scott’s Review #440

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Reviewed July 3, 2016

Grade: B-

Safety Not Guaranteed is similar in style to another 2012 independent film, Ruby Sparks, in that both pose the question, “Is this fantasy or reality?”

The film explores time travel.

The story centers on a magazine journalist who, along with two interns, follows a man convinced he is building a time-travel machine.

The story then develops into a romantic comedy of sorts, and the audience is unsure whether the guy is crazy or a true genius.

It’s an interesting concept, intelligently written, and Aubrey Plaza and Mark Duplass are both quite likable in the lead roles.

The one flaw for me was, at times, the movie dove into slapstick territory with a silly secondary story of a stereotypically written Indian character attempting to lose his virginity.

Besides that, Safety Not Guaranteed (2012) has intriguing intentions.

Independent Spirit Award Nominations: 1 win-Best First Screenplay (won), Best First Feature

House at the End of the Street-2012

House at the End of the Street-2012

Director Mark Tonderai

Starring Jennifer Lawrence

Scott’s Review #438

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Reviewed July 2, 2016

Grade: B

House at the End of the Street (2012) is a perfect example of a horror/thriller film that has excellent effects and great potential, but the storytelling brings it down.

It is also a film starring Jennifer Lawrence before she became an Oscar-winning star. Her performance is adequate, and she does what she can in the lead role.

Lawrence is likable in this role and is clearly the film’s hero.

The film itself looks great. It has all of the necessary horror elements: a creepy house in the woods, darkness, and sudden scares.

The buildup in the first half is very interesting, and the audience isn’t quite sure what’s to come or what mysteries and secrets lurk in the title house.

During the final thirty minutes, however, when the twist is revealed, the film becomes predictable, by the numbers, and disappoints.

The story becomes so convoluted it hardly matters anymore.

The first half is great, but the second half fails.

I was happy to see Elisabeth Shue in this movie, as she has been out of the limelight for years; her character, though,  is quite one-dimensional.

Film summary: great-looking horror film, with mediocre writing.

Arbitrage-2012

Arbitrage-2012

Director Nicholas Jarecki

Starring Richard Gere

Scott’s Review #437

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Reviewed July 1, 2016

Grade: B+

Arbitrage (2012) is an exciting, interesting, little indie thriller starring Richard Gere as a successful but troubled CEO whose life begins to unravel around him through a series of circumstances.

He is a billionaire, but he risks losing everything because of shady dealings and fraud.

The film keeps the audience guessing and never feels predictable. The plot slowly unravels into a tense pot-boiler.

Richard Gere stands out, delivering a wonderful, believable performance. Once known as little more than a hunky Hollywood star, Gere has blossomed in recent years, taking on more compelling and complex roles.

Arbitrage (2012) has some Hitchcock elements throughout its complexity, though Gere’s character is an anti-hero, whereas Hitchcock’s were often good guys in bad circumstances.

The car crash scene is brilliantly done.

I wish this movie had received more attention, as it is a fun, thrilling ride.

Marina Abramovic: The Artist Is Present-2012

Marina Abramovic: The Artist Is Present-2012

Directors Matthew Akers, Jeff Dupre

Starring Marina Abramovic

Scott’s Review #436

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Reviewed July 1, 2016

Grade: B+

The wonderful thing about documentary features is that they can introduce the viewer to a world of knowledge or offer an experience you might not ordinarily encounter.

This is the case for me with Marina Abramovic: The Artist Is Present (2012).

Knowing nothing about this inspiring artist beforehand, I had no idea who she was and had no exposure to performance art.

The film does a great job of telling Marina’s career history, extreme discipline, and the honesty of her work.

The documentary is also a biography, as it gives a history lesson of who she is and the various obstacles she has hurdled in her life.

Marina is portrayed as an extreme artist, and it was a wonderful experience learning about her.

Seeing a video of The Museum of Modern Art in nearby New York City was a treat since I have been to the museum before.

Independent Spirit Award Nominations: Best Documentary Feature

Compliance-2012

Compliance-2012

Director Craig Zobel

Starring Dreama Walker

Scott’s Review #435

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Reviewed June 30, 2016

Grade: A

Compliance (2012) is a riveting ninety-minute experience that will leave you thinking, talking, and feeling for days or weeks after you watch it.

The film is that intense.

The fact that it is based on true events is even more startling. It is, at times, quite disturbing and unsettling to watch, and if one likes their movies happy and wrapped in a bow, this will not be for you.

If you want a truly emotional experience, check it out.

At times I wanted to scream at the characters, look away from the screen, and shake my head in disbelief.

A truly riveting experience.

Major props to actress Ann Dowd, who does a bang-up job as the restaurant manager and main character. What an amazing talent she is.

My range of emotions toward this character (sympathy, confusion, anger, disbelief) blew me away.

Compliance (2012) is one of the best modern films of late.

Independent Spirit Award Nominations: Best Supporting Female-Ann Dowd

Hope Springs-2012

Hope Springs-2012

Director David Frankel

Starring Meryl Streep, Tommy Lee Jones

Scott’s Review #434

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Reviewed June 30, 2016

Grade: B

Hope Springs (2012) is a cute, lighthearted romantic comedy-drama with enormous talent. It is hard to go wrong with heavyweights like Meryl Streep and Tommy Lee Jones.

The story tells of a middle-aged, married couple who reach the point of boredom in their long marriage. They decide to go away on a retreat to repair their marriage and add some spark.

That’s the movie in a nutshell.

There are no surprises to speak of, and I expected a bit more from this film given the talent involved.

It has ‘safe’ written all over it, and while nice, it could have been much more.

What’s the reason for the conflict? They suddenly reach a point of boredom for no reason.

Props to Steve Carell for an against-type performance.

Hope Springs (2012) has great acting all around, but it’s too safe a story.

Oz The Great and Powerful-2013

Oz The Great and Powerful-2013

Director Sam Raimi

Starring James Franco

Scott’s Review #433

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Reviewed June 30, 2016

Grade: B

As a huge fan of the original The Wizard of Oz epic classic from 1939, I was interested in seeing this extension of the original.

While it has its moments of charm and good old-fashioned adventure, it is ultimately good, but nothing great.

James Franco is fantastic as the Wizard of Oz, the highest point of the film,  and has great charisma in the role. He brings a fun flair and is quite appealing.

The witch characters are okay, but not terribly interesting or deeply explored. More character depth might have helped, as I didn’t find much to root for in either of them.

On a positive note, I loved the first sequence, which was in black and white, true to the original, and the twister scene is impressively done.

The set/art design in this sequence, and once the setting was Oz, was beautifully done.

Toward the end of the film, though, the story becomes more of a silly fantasy action series that draws away from the heart of the original.

The first half of Oz the Great and Powerful (2013) excels, while the second half disappoints.

Dirty Grandpa-2016

Dirty Grandpa-2016

Director Dan Mazer

Starring Robert De Niro, Zac Efron

Scott’s Review #432

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Reviewed June 29, 2016

Grade: D-

It’s a sad day when the only interesting aspect of a film is the gratuitous nudity of one of its stars, but that is precisely the case with Dirty Grandpa (2016).

Zac Efron bravely bares all for the sake of art….or a big paycheck, whichever the case may be.

Otherwise, Dirty Grandpa is complete drivel.

It is crass, rude, mean-spirited, and blatant in its raunch. It also aspires (successfully) to be politically incorrect, quite surprising in these times of fairness and equality for all.

If the film intends to be outrageous, it succeeds in spades.

Unfortunately, there is not much comedy, and the film is quite bad, even where dumb comedies are concerned.

Starring one of the film’s most extraordinary talents of all time, Robert DeNiro, one wonders why he would sign on to appear in this film. Perhaps it has to do with playing a role he has yet to do. We will probably never know unless we ask him.

DeNiro plays Dick Kelly, a retired Army veteran, recently widowed after forty years of marriage. Faithful for decades, he embarks on a road trip to Daytona Beach, Florida, with his grandson, Jason (Efron).

Dick’s goal is to conquer a slutty college girl he and Jason meet while they are eating at a roadside diner.

Lenore (Aubrey Plaza) is a college girl with her friend Shadia (Zoey Deutch). Shadia knows Jason from school. To complicate matters, Jason is engaged to self-absorbed Meredith. This sets off a chain of circumstances in which each pair falls in love while arguing various trivial issues.

Thrown in are scenes of partying, acting silly, and outrageous crude remarks and behavior. The standard bathroom humor is not spared.

Dirty Grandpa’s subject matter is not uncharted territory; the “road trip/buddy movie” has been done many times in film history.

My gripe is not so much with the film’s raunchiness, but it is not funny. Over the top in raunch comedy, it has worked many times- think Pink Flamingos (1972) and other John Waters films.

But those films had characters to root for and who were interesting.

DeNiro’s character is the pits; Efron’s not so bad. The motivation of Dick Kelly is to have sex- almost like the guys in American Pie (1999), but with them, it was cute.

DeNiro plays a man in his 70s.

That is fine, but he is so blunt about his need for sex and whines about not having sex for fifteen years because of his wife’s cancer. So, the audience is to think of him as a nice guy because he waits for his wife to die to score on spring break.

Lame.

Efron is my favorite character. As mentioned above, he has a lot of skin, which is the most appealing aspect of this sorry film.

The chemistry between Efron and DeNiro is not terrible, and I bought them as a grandfather and grandson.

Efron is unafraid to poke fun at his beefcake image and deserves praise. He has a fantastic, chiseled body, and showing it off is good for him.

Efron has the talent. Does anyone recall The Paperboy (2012)? He was superlative in that underrated independent gem. In Dirty Grandpa, he plays the straight man and is the only “normal” character.

He is the voice of reason, if you will.

The supporting characters are as stereotypical as possible.

It is almost as if the film intends to offend but with no good reason. Dirty Grandpa has the dumb jocks, the horny teen girl, the weak, effeminate gay character, the Hispanic drug dealer, and so forth.

Danny Glover’s brief cameo appearance as a horny wheelchair-bound nursing home resident (and old buddy of Dick) is as much laughable (not in a good way) as forgettable.

Most characters are thinly written.

Dirty Grandpa (2016) appeals to unsophisticated moviegoers who find crude, mean-spirited characters funny and deem stock characters acceptable. Every other sensible person will dislike this film.

The Dark Knight Rises-2012

The Dark Knight Rises-2012

Director Christopher Nolan

Starring Christian Bale

Scott’s Review #431

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Reviewed June 23, 2016

Grade: C+

The Dark Knight Rises (2012) is a sequel to the exceptional The Dark Knight (2008) and, unfortunately, is a complete letdown, especially compared to that film.

Perhaps my expectations were too lofty. It is a sequel after all, and sequels typically disappoint.

To be fair, the film looks great and has a fast-paced, modern feel- slick and action-packed.

A summer popcorn film.

The story, though, is uninteresting; the villains aren’t compelling, which is a major miss in a film like this, where the villains are crucial.

Tom Hardy as Bane is miscast. Anne Hathaway’s Catwoman is underdeveloped and one-dimensional. We never really know much about what makes these characters tick.

I did enjoy the twist at the end involving Marion Cotillard, which impressed me and I did not see coming throughout the story.

I might have rated The Dark Knight Rises even lower than a C+ had it not been for the group of top-notch actors appearing in the film.

Having loved the most recent Batman film, I expected more and received less.

The Tale Of The Princess Kaguya-2014

The Tale Of The Princess Kaguya-2014

Director Isao Takahata

Starring (Voices) Chloë Grace Moretz, Darren Criss

Scott’s Review #430

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Reviewed June 23, 2016

Grade: B+

The Tale Of The Princess Kaguya is a Japanese animated film released in 2014.

It is a unique film- mixing elements of fantasy and drama- stunning to experience and appreciate from a creative perspective. Unusual still is the lengthy running time of two hours and seventeen minutes- animated films are typically on the short side.

This is not to say that it drags, although I found it helpful to view it in segments.

Originally made in Japanese, the film has been dubbed in English and features recognizable voices such as Mary Steenburgen, Lucy Lui, and James Caan.

A bamboo cutter, Miyatsuko, discovers a baby girl inside a bamboo tree one day. He and his wife consider her a divine presence and keep her as their own, naming her Princess Kaguya.

Mysteriously, she begins to grow and develop at an alarming rate and is the wonder of the village. Kaguya develops a playful crush on Sutemaru, a handsome peasant.  Kaguya, led by her parents, is taken into a life of nobility and wealth as her destiny.

Her governess attempts to mold her into a regal Princess, but Kaguya is a wandering, free spirit, and rejects the formalities of this life. Her myriad of wealthy suitors counters her feelings for Sutemaru.

From a story perspective, the film shines, as the conflict over wealth versus poverty is explored. Kaguya’s parents are not greedy, but they want her to receive just desserts and a life free of hardship- as they are used to.

They want something better for her.

One can relate to the parent’s views, but Kaguya feels differently. She wants freedom, love, and happiness, not a life of rules, procedures, smoke and mirrors.

The filmmakers present the viewpoint of someone “other-worldly”  observing and analyzing planet Earth, warts and all, so the film has a message. It is not cliched or overbearing in its approach though-merely honest and sincere.

Every frame in the film appears to be a gorgeous drawing- not conventional, fast-paced animation, but classic, muted, pastel-type colors are used, giving it a softer touch, which astounded me.

If one is not into the story (tough to imagine), one could easily sit back and marvel at the spectacle.

The growing trend in animated films seems to be a return to traditional drawings- think Rudolph the Red-Nosed Reindeer from the 1960s- as evidenced by The Tale Of The Princess Kaguya and Anomalisa (2015), two recent animated features receiving critical acclaim.

This is music to my ears as these are far superior to the redundant, CGI-laden films.

Oscar Nominations: Best Animated Feature Film

The Woman in Black-2012

The Woman in Black-2012

Director James Watkins

Starring Daniel Radcliffe

Scott’s Review #429

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Reviewed June 21, 2016

Grade: C

The Woman in Black (2012) is an example of a recent trend in modern horror films.

The positives include great effects (shadows, lighting, ghosts, some scares), but the story is uncompelling and makes no sense, which is a negative.

The eerie setting of foggy London and a creepy seaside village are perfect.

The cinematography instantly elicits dread, coldness, and a sense of secrets.

From that point, the story sinks into a chaotic mess of unbelievable twists that, instead of being compelling, only confuse the viewer until he or she no longer cares.

That is a shame.

I give Daniel Radcliffe credit for trying to shake his Harry Potter image by going the horror route.

I suspect that is the entire point of the film, since it centers on Radcliffe, but it still felt like I was watching a Harry Potter movie.

Nice effects, but poor story.

The Woman in Black (2012) will be forgotten before long.

Ted-2012

Ted-2012

Director Seth MacFarlane

Starring Mark Wahlberg

Scott’s Review #428

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Reviewed June 21, 2016

Grade: D-

So many times I will watch a comedy deemed “the funniest movie of the year”, or some other grand touting, and be disappointed in it.

This is the case with Ted (2012).

To be fair to the creators, I did enjoy the 1980s references, and the teddy bear has a charming, gruff, witty, crude personality that was funny at times, but that’s it for the positives.

The main storyline (a loyal male slacker with a successful girlfriend) has been done to death, and this was one of the most predictable, sappy movie endings I’ve ever seen, so I don’t get why people think it is so great.

Think happily ever after, as if the result was ever in question.

Ted was filled with stereotypical characters, specifically Asian stereotypes, and a myriad of dumb situations.

The actors could handle stronger material.

Raunchy comedies need not have a surprise ending, but the sappy love story was too lame to take at times.

At least the film should have taken some risks and given it an edge.

And Lord help us if there is an inevitable sequel to Ted (2012).

Oscar Nominations: Best Original Song-“Everybody Needs a Best Friend”

The Paperboy-2012

The Paperboy-2012

Director Lee Daniels

Starring Matthew McConaughey

Scott’s Review #427

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Reviewed June 21, 2016

Grade: A-

The Paperboy (2012) is an exceptional film by acclaimed director Lee Daniels (Precious-2008, The Butler-2010), who has become one of my favorite directors in recent years.

His latest film is raw and violent, with elements of black comedy, and arguably features Nicole Kidman and John Cusack at their best.

They both play troubled, insecure characters who have major issues.

Set in the Deep South during the 1960s, it has film noir leanings. The film is tough to classify, but the drama covers it well.

Racism, homosexuality, and deceit are subject matters covered in this complex yet fascinating experience.

Gritty and disturbing at times, The Paperboy (2012) is an important film that fans of true artistic cinema must see.

Pina-2011

Pina-2011

Director Wim Wenders

Starring Pina Bausch

Scott’s Review #426

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Reviewed June 21, 2016

Grade: C-

Pina (2011), a documentary, is a dedication to famed German choreographer Pina Bausch.

Unfortunately, the documentary and the way it is made are a major disappointment.

I respect that Pina is a tribute to a talented artist, but as a documentary itself, it is a complete bore. I learned nothing about the art of dance or Pina Bausch herself.

The entire one hour and forty-five minutes (quite lengthy by documentary standards) consists of a troupe of dancers performing a series of numbers with little or no explanation of what they are doing or what the dances mean.

Mixed in with the dances are brief snippets of commentary from the dancers expressing how sorry they are that Pina Bausch has died.

Nice tribute, but any viewer attempting to learn about the art form or artist is left clueless.

Oscar Nominations: Best Documentary-Feature

Evil Dead-2013

Evil Dead-2013

Director Fede Álvarez

Starring Jane Levy, Shiloh Fernandez

Scott’s Review #425

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Reviewed June 21, 2016

Grade: B

Having recently seen the original Evil Dead, directed by horror master Sam Raimi, from the early 1980s, I found the remake fine but not as compelling as the original.

It’s hardly the most terrifying film you will ever experience either.

While the original was quite a low-budget film, the remake is modern and glossy-looking, though with only a tiny cast.

The film is set almost entirely inside a cabin in the middle of nowhere at night, has a wonderful mood, and includes all the necessary horror elements.

A Book of the Dead is unearthed, and evil spirits possess the youngsters one by one.

The film is entertaining, has lots of well-done gore (loved the bathroom face-cutting scene), and, while over-the-top, doesn’t feel overly cartoonish.

It has fresh energy.

It takes some liberties (in reality, someone with a torn-off limb wouldn’t keep walking around as if nothing happened).

A silly drug-addiction subplot feels unnecessary.

There are some genuine scares, and all in all, Evil Dead (2013) is an enjoyable horror movie-going experience.

Paranormal Activity 4-2012

Paranormal Activity 4-2012

Directors Henry Joost, Ariel Schulman

Starring Kathryn Newton

Scott’s Review #424

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Reviewed June 19, 2016

Grade: B

Circa 2012, and at this point in the Paranormal Activity film franchise (with part 5 on its way), one pretty much knows what to expect.

To me, the plot is almost secondary.

In the story, the newborn from the first installment is now aged 7 and living next door to the family at the center of the film.

What makes these films entertaining is the camera angles and the occasional scares.

The ending to Paranormal Activity 4 is effective and a bit scary.

The original Paranormal Activity (2007) was a huge hit and a novel idea at the time (though The Blair Witch Project in 1999 originally did the hand-held videotape) and was a water-cooler movie.

I’m not sure how much life remains in the franchise, but for fans of it and horror fans seeking some good thrills, this one is worth checking out.

That’s My Boy-2012

That’s My Boy-2012

Director Sean Anders

Starring Adam Sandler, Andy Samberg

Scott’s Review #423

70220030

Reviewed June 19, 2016

Grade: D

That’s My Boy (2012) is an incredibly bad film, yet something strangely kept my attention.

With oodles of stereotypes and either sexist, homophobic, or racist jokes throughout the film, it should have made me angry, but somehow it did not.

This movie was so completely over the top that it couldn’t possibly be taken seriously.

One laughable aspect that I did enjoy was the, albeit odd, cameos by Vanilla Ice and Todd Bridges who seem to have no problem degrading themselves, and the references to the 1980s.

Otherwise, That’s My Boy is pretty rock bottom for filmmaking.

This isn’t a knock on the dumb comedy genre, as other recent similar films are well written (like This is 40-2011).

But alas, That’s My Boy (2012) isn’t one of those films and will not go down in history as such.

True to form, the ending is predictable and uninteresting.

Seven Psychopaths-2012

Seven Psychopaths-2012

Director Martin McDonagh

Starring Colin Farrell, Sam Rockwell

Scott’s Review #422

70241756

Reviewed June 19, 2016

Grade: B-

Seven Psychopaths (2012) is a film that I truly wanted to like more than I did.

It started well with a Quentin Tarantino-style that was appealing, and the film does contain an interesting premise.

Colin Farrell plays the straight man in a cast of offbeat, quirky characters and tries to complete a screenplay entitled “Seven Psychopaths” based on them.

Sounds great, but halfway through the movie, it stopped delivering. I found myself slightly bored.

The film has a unique concept, to be sure, but fizzles during the second act, so much so that it stopped making much sense and lost my interest.

I did admire the creativity, though, and the chemistry among the cast is great, but the overall story in Seven Psychopaths (2012) disappointed me.

Independent Spirit Award Nominations: Best Supporting Male-Sam Rockwell, Best Screenplay

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