Category Archives: International Fantasy

Pan’s Labyrinth-2006

Pan’s Labyrinth-2006

Director Guillermo del Toro

Starring Ivana Baquero, Sergi López

Scott’s Review #1,156

Reviewed June 25, 2021

Grade: A

Pan’s Labyrinth (2006) is a treasure of a film. I would classify it as a masterpiece for creativity alone.

It is not for children! The fact that it has some fantasy trimmings and tells its story from a child’s perspective is misleading. The film deals with some heady and heavy stuff that will both frighten and be lost on the younger crowd.

A clue is that Guillermo del Toro directs the film, he of well-known note for creating films such as Hell Boy (2004), Hell Boy II: The Golden Army (2008), and The Shape of Water (2017) the latter winning the coveted Best Picture Oscar Award.

I adore that Pan’s Labyrinth is Spanish-Mexican. Somehow that makes the experience a bit mysterious and exotic right off the bat.

The frightening period of 1944, directly post World War II is also key to the good story since war and mayhem are themes.

The main character, Ofelia, meets several strange and magical creatures who become central to her story, leading her through the trials of the old labyrinth garden.

Young Ofelia (Ivana Baquero) and her pregnant and sick mother Carmen (Ariadna Gil) arrive at the post of her mother’s new husband (Sergi López), a sadistic army officer who is trying to prevent a guerrilla uprising.

Lonely and feeling lost, Ofelia explores an ancient maze, encountering the faun Pan, who tells her that she is a legendary lost princess and must complete three dangerous tasks to claim immortality.

She is completely and utterly spellbound and intrigued all at once. Finally, she can escape the ravages of real life and immerse herself in a fantasy world all her own. She hates her stepfather, worries for her mother, and can’t wait to traverse her new world. If only life were that simple.

In a fairy tale, Princess Moanna, who Ofelia becomes, visits the human world, where the sunlight blinds her and erases her memory. She becomes mortal and eventually dies. The king believes that eventually, her spirit will return to the underworld, so he builds labyrinths, which act as portals, around the world in preparation for her return.

Enter Ofelia.

About that creativity, I mentioned earlier. Pan’s Labyrinth is Alice in Wonderland for adults, taking some similar points and adding the horrors of both reality and fantasy blended into an extraordinary, spellbinding fable.

The darkness of the forest is the best and most memorable part.

The art direction is astonishing to see. Bewildering forest trimmings and haunting lighting make their appearance as Ofelia immerses herself in her new world. The viewer sees her new world through her eyes, that is through the eyes of a child.

So authentic are the sets and ruins that it is impossible not to be thrust full-throttle into the fantasy sequences.

The story can be downright horrifying at times. Carmen eventually dies and Ofelia is taken under the wing of Mercedes (Maribel Verdú), Ofelia’s stepfather’s housekeeper, and also a revolutionary harboring dangerous secrets.

Ofelia and Mercedes team up to save Ofelia’s baby brother from the hands of the dastardly.

The strange fantasy world may confuse some viewers. It’s simply not the imagination of Ofelia (or is it?) because Vidal, Mercedes, and the baby all play a part in the eerie labyrinth.

Guillermo del Toro creates a world so imaginative and magnificent that we see this world through the eyes of a child but also the clear glasses of the adults.

Scenes of torture mix with scenes of innocence so well that it is impossible not to be transported to a magical world where reality often disrupts the pleasurable fairy tale.

Pan’s Labyrinth (2008) is a visionary film and must be experienced to be believed.

Oscar Nominations: 3 wins-Best Original Screenplay, Best Foreign Language Film, Best Art Direction (won), Best Cinematography (won), Best Makeup (won), Best Original Score

The Young Girls of Rochefort-1967

The Young Girls of Rochefort-1967

Director Jacques Demy

Starring Catherine Deneuve, George Chakiris

Scott’s Review #252

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Reviewed June 30, 2015

Grade: B

The Young Girls of Rochefort (Les Demoiselles de Rochefort) is a musical fantasy set in a small French town outside of Paris.

The story focuses on a set of gorgeous twin sisters, Delphine and Solange, played by real-life sisters Catherine Deneuve and Francoise Dorleac, who yearn to escape their small town for the bright lights of Paris and hope for romance in their lives.

The twins can have any man they want, but enjoy the thrill and excitement of conquests and being chased and sought after by seemingly all available French men. They spend their spare time discussing and fretting over various loves.

The film is so French and pure musical fantasy and logic are not the main focus. Much of it does not make much sense in fact, nor does it need to. It is pure fantasy.

The film excels by being dreamlike, bright, and sunny. The vivid, bursting colors and lovely sets enhance the look of the film.

In particular, the coffee shop set is a dream. All the central characters gravitate to the café for drinks, gossip, and song and dance.

A great deal of the action takes place here, which is a major plus to the film.

The Young Girls of Rochefort, which was made in 1967, is very state-of-the-art in terms of art direction and colors.

The loose plot, which is not at all the reason to watch this film, is silly. The twins, longing for love, meet several men, all possible suitors, but their true motivation is to get out of Rochefort and find real excitement in the big city of Paris.

One cannot help but realize that the men are a means to an end for the girls.

The heartfelt part of the story belongs to that of the twin’s mother, Yvonne, who also longs for love. Yvonne runs the café and still pines for a long-lost love whom she jilted because of a funny last name. She now regrets her decision and the audience’s roots for her to find happiness.

She is a wholesome character whereas Delphine and Solange are selfish and are attempting to further their careers as musical artists.

My main criticism of the film is the casting of Gene Kelly as one of the love interests of the sisters. Far too old and well past his prime at this point, the casting just doesn’t work. Yes, he is an amazing dancer, but the age is too great to be believable.

In the end, the main reason to watch The Young Girls of Rochefort (1967) is to escape, let loose, and enjoy a bright, cheery, fantasy film.

Certainly not to be analyzed, the film succeeds in providing good escapist cultured, French fare.

Oscar Nominations: Best Score of a Musical Picture- Original or Adaptation