Category Archives: 80’s Horror

The Shining-1980

The Shining-1980

Director Stanley Kubrick

Starring Jack Nicholson, Shelley Duvall

Top 250 Films #21

Top 40 Horror Films #6

Scott’s Review #313

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Reviewed December 31, 2015

Grade: A

The Shining is one of the great horror masterpieces of all time.

Released in 1980, and atypical of the slasher craze that was rampant at that time, the film is a psychological ghost story with frightening elements, including a musical score, long camera shots, and a haunting, grandiose hotel set in a deserted locale.

Without the brilliant direction of Stanley Kubrick, The Shining would not be the masterpiece it is, to say nothing of Nicholson and Duvall’s talents in the lead roles.

Based on the popular horror novel by Stephen King.

Nicholson plays Jack Torrance, an author and alcoholic, who takes his wife Wendy (Duvall) and son Danny to serve as caretakers at the vast Overlook hotel, for the winter in snowy Colorado.

The lavish hotel will be deserted for the season, and Jack looks forward to months of peace that will enable him to complete his novel.

Unfortunately, the hotel is haunted by spirits of the past, and the added burden of the previous caretaker going mad and chopping his family to bits with an ax.

The real success of The Shining is that the hotel itself is a character with its own nuances. The hotel is deathly quiet as the Torrances take over for the season-long hallways are featured, and the forbidden Room 237 takes on a life of its own.

Creepy images of two young girls and red blood gushing from the elevators take over. Young Danny can communicate with the chef without speaking to each other. Jack imagines a gorgeous nude woman in the bathtub, only to discover she is a shriveled old hag.

The film’s cinematography, coupled with the looming, morose musical score, goes hand in hand and, in my opinion, is the reason for the film’s success.

Throughout the film, there is a sense of dread and a forbidden presence that works beautifully.

The first scene is an aerial shot of the Torrances driving along a mountainous road as they are interviewed for the caretaker position. The vast land and mountains, as we eventually see the Overlook, immediately convey a sense of isolation, which is really what the film is about.

These exterior scenes are also gorgeous to marvel at.

The crisp, gloomy winter scenes and the endless maze of animal shrubbery come into play in the film’s final act as Jack, now completely mad, chases Danny along snowy paths that seem to lead nowhere.

The catchphrase, “Here’s Johnny!”, that is uttered from an ax-wielding Nicholson, is permanently ensconced in the relics of pop culture.

Nicholson and Duvall have such dynamic and palpable on-screen chemistry that makes the film work from a character perspective. There is something slightly off about each character, readily apparent from the outset, but it has more to do with each actor’s rather non-traditional appearance.

I can imagine no other actors in these roles.

Author Stephen King, who reportedly despised the film version of his novel, has since grown to respect the film and Kubrick’s direction a great deal.

The Shining (1980) is one of my favorite horror films and one of my favorite films of all time.

Terror Train-1980

Terror Train-1980

Director Roger Spottiswoode

Starring Jamie Lee Curtis

Scott’s Review #1,098

Reviewed January 5, 2021

Grade: B+

Terror Train (1980) is a creepy slasher film released during the genre’s heyday. It embraces a familiar formula of teenage party victims.

Still, it adds a helping of red herrings/whodunit twists, which catapult it above mediocrity and will keep audiences engaged until the finale.

Helpful is the casting of the “scream queen” of the time, Jamie Lee Curtis, who is the main attraction and the “final girl”. Her casting adds credibility and star power.

The film is a puzzle, with a hard-to-predict ending and plenty of twists and turns along the way—a perfect watch for a snowy New Year’s Eve, when it is set.

Events begin three years before the happenings in the main story, naturally, at a New Year’s Eve fraternity party, inhabited by a group of energetic pre-medical students looking for a good time.

Alana Maxwell (Curtis) is coaxed into participating in a cruel joke meant to lure an insecure pledge, Kenny (Derek MacKinnon), to a bedroom with the promise of sex.

Instead of becoming a light-hearted prank the group later laughs about, the joke spirals Kenny into insanity and a long stay at a mental institution.

Reunited for another party, this time on a train, bitterly cold and snowy New Year’s Eve is again the setting. The same group, now forgetting all about the prank, unwittingly boards the train for a night of booze, laughs, and partying.

This time, a costume party is on the menu, which is convenient for a disguised killer intending to spend the night murdering the partygoers. He first kills Ed (Howard Busgang) on the tracks and takes his Groucho Marx costume to confuse everyone else.

A mysterious magician and assistant are aboard to provide entertainment.

The film belongs to Curtis since the idea was to create “Halloween on a Train”.

While Halloween (1978) is superior and scarier, Terror Train is cleverer. Many a red herring appears throughout the story, so that a deduction about the killer’s identity can quickly be called into question.

Curtis, a popular star with the younger set in 1980, inevitably led fans to the movie theaters to see Terror Train. The comparisons to Halloween are apt- both feature disguises, masks, costumes, and mayhem.

The casting of Ben Johnson as Carne, the train conductor, an actor making films since the 1930s, and who won an Oscar for The Last Picture Show in 1971, provides the patriarchal character as Donald Pleasance did in Halloween.

Despite the vulnerability of being on a train speeding through the middle of nowhere on a frigid winter night with a killer on board, having a father figure and a voice of reason is reassuring. And the casting agents were lucky to get him.

The vibe in Terror Train is great, and the setting works wonderfully. In an ode to Hitchcock, the train is an effective setting for suspense or murder. The victims have few places to hide and a long tube with dark seats and hidden compartments, while they disappear one by one, which is perfect horror fodder.

The gripe is that the killer’s identity is painfully obvious. Spoiler alert- it’s who you think it is!

After the film, I was left feeling tricked and bamboozled. But, just like the mysterious magician, all is not what it seems.

Newcomer director, Roger Spottiswood, casts real-life magician, David Copperfield, for good effect, and the star does a fairly good job of adding tension and looking sinister. When the big revelation is upon us, a cool gender-bender treat awaits, but the killer is predictable, nonetheless.

A quick nod to the inclusion of some diversity, few and far between in the 1980 slasher fare. One of the fraternity brothers is a black male. The character is handsome and arrogant, and he gets his comeuppance quickly, but the addition is worth noting.

Terror Train (1980) is an atmospheric and surprisingly good holiday-themed slasher film that flies under the radar. Snuggle under a warm blanket, open the midnight champagne, and enjoy the claustrophobic, frightening post-Christmas trimmings.