2013 Films, Brie Larson, Destin Daniel Cretton, Drama, Independent, Independent Drama, Kaitlyn Dever, LaKeith Stanfield, Melora Walters, Rami Malek

Short Term 12-2013

August 6, 2014 scottmet99 Leave a comment

Short Term 12-2013

Director Destin Daniel Cretton, Lakeith Stanfield

Starring Brie Larson

Scott’s Review #149

Reviewed August 6, 2014

Grade: C+

Having just viewed Short Term 12 (2013), I am not sure I am getting all of the “this movie is brilliant” or “beyond amazing”, or glowing praise surrounding the film.

The film is set in a group home for troubled teens and centers around the supervisor of the home named Grace (Brie Larson). Grace runs the home with her boyfriend and other twenty-something, mostly former troubled youths.

The film’s focal point is Grace and both her problems (she is pregnant and her abusive father is being released from prison) and her relationships with the teens currently staying in the group home.

The film is fairly engaging but seems a bit forced and not gritty enough given the subject matter.

I enjoyed the relationship between Grace and a new charge, Jayden, whom she befriends. The group of teens is almost too perfectly cast, however- with a mix of races and stereotypes, the kids did not come across as genuine.

I would have liked to see more backstory for some of the kids besides the two that were given one.

Subjects were introduced but not followed through with- Why was Grace’s father never introduced onscreen? Where was the mother? Her childhood issues were mentioned only in passing. Some of Grace’s actions were unrealistic and out of character for a counseling supervisor.

Would she smash the windows of one of the teen’s father’s cars out of anger and not consider the repercussions? And what was with the constant poop jokes, especially in the first ten minutes?

That was dumb and out of place.

The film feels glossed over and I didn’t feel the realism- almost like a CBS television drama with swear words added to seem harsher. The subject was brave, but many more details could have been delved into and explored in Short Term 12 (2013).

Independent Spirit Award Nominations: 1 win-Best Female Lead-Brie Larson, Best Supporting Male-Lakeith Stanfield, Best Editing (won)

1956 Films, John Ford, John Wayne, Merian C. Cooper, Natalie Wood, Western

The Searchers-1956

August 5, 2014 scottmet99 Leave a comment

The Searchers-1956

Director John Ford

Starring John Wayne, Natalie Wood

Scott’s Review #148

Reviewed August 5, 2014

Grade: B+

The Searchers is an example of a classic film, considered to be one of the greatest movies ever made, that took me a few viewings to appreciate and that I now admire more and more with each subsequent viewing.

I now understand why it is on many Best Films of All Time lists.

To be clear, I do not think it’s quite that great but understand the outstanding qualities that it possesses. And while admittedly, I am neither a fan of the Western genre nor of John Wayne, both are top-notch in The Searchers.

It tells the story of a Civil War veteran (Wayne) named Ethan Edwards, whose brother and his sister-in-law, whom Ethan is in love with, are brutally murdered by a Comanche Indian tribe.

Ethan’s two nieces are kidnapped and for the remainder of the film, Ethan, along with his best friend, searches for the missing girls.

Two aspects that initially bothered me about the film were the overt racism involved in this film towards any Indians- the treatment of one Indian woman is cruel, and my disdain for the character of Ethan.

The fact that I am not a fan of John Wayne- way overrated in the acting department, in my opinion, may have something to do with this. But the character of Ethan is racist and it is tough to root for a character like that.

One could make the argument that he is also self-loathing due to lusting after his sister-in-law.

Over time, though, I have come to appreciate this Western drama more and more, mainly due to the direction of John Ford the sweeping cinematography of the old West, and the, now-understood, complexity of the character of Ethan.

He is confident, masculine, and even mean, but wounded and, in some way, sympathetic to viewers.

The Searchers also captures what the real West was probably once like.

An epic western that I have grown to admire.

2013 Films, Amy Adams, Bill Hader, Brian Cox, Chris Pratt, Drama, Independent, Independent Drama, Joaquin Phoenix, Kristen Wiig, Olivia Wilde, Romantic Drama, Rooney Mara, Scarlett Johansson, Science Fiction, Spike Jonze

Her-2013

August 5, 2014 scottmet99 Leave a comment

Her-2013

Director Spike Jonze

Starring Joaquin Phoenix, Scarlett Johannson

Scott’s Review #147

Reviewed August 5, 2014

Grade: A-

Her (2013) is a very unique film directed by Spike Jonze.

The film tells the tale of a lonely, depressed man named Theodore, played by Joaquin Phoenix, who lives in a beautiful high-rise in futuristic Los Angeles.

He works as a writer for a company that creates intimate cards for people in relationships. Having suffered a recent divorce, he falls in love with his computerized operation system named Samantha, played by Scarlett Johansson- voice only.

Conflicts emerge as the relationship deepens and intensifies. Her is a love story uniquely crafted, but also a story of loneliness and the world of technology we now live in.

It portrays human relationships as troubled and unsuccessful yet several characters have wonderful relationships with computers.

Is this what the future may bring with human beings? How many people have fallen in love with a fantasy or a voice on the phone?

The film ponders why relationships have been changed due to technological advances and wonders what will happen further into the future. Technology, while wonderful, has changed our interpersonal relationships and this film successfully delves deeply into that aspect.

The conversation is a lost art and Her features the joys and the tragedies of technology.

Visually, the film is successful because it portrays Los Angeles in a sophisticated, ultra-sleek, modern way that is fascinating.

Several technological games are featured (the Alien child is brilliantly comical) and the “Mom points” is fascinating in its irony.

Her is a deep film that raises questions and I applaud this in modern cinema.

Her is a slow-moving film, but a questioning one.

It won the 2013 Best Original Screenplay Oscar and I am so glad the academy recognized the originality of this film.

Oscar Nominations: 1 win-Best Picture, Best Original Screenplay (won), Best Original Score, Best Original Song-“The Moon Song”, Best Production Design

1974 Films, Camp, Comedy, Dark Comedy, Divine, Edith Massey, Independent, Independent Comedy, John Waters, Mink Stole

Female Trouble-1974

August 4, 2014 scottmet99 Leave a comment

Female Trouble-1974

Director John Waters

Starring Divine

Scott’s Review #146

Reviewed August 4, 2014

Grade: A

Female Trouble (1974) is a deliciously naughty treat by famous Independent film legend, John Waters.

Not exactly family-friendly, it is a gem for those desiring more left-of-center fare with depravity and gross-out fun mixed in for good measure.

Water’s theme of the film is “crime is beauty” and the film is dedicated to Manson family member, Charles “Tex” Watson.

Meant for adult, late-night viewing, the film tells the story of female delinquent Dawn Davenport, who angrily leaves home one Christmas morning after not receiving her desired cha-cha heels as a Christmas present.

Her parents, religious freaks, disown her and she is left to fend for herself on the streets of Baltimore.

The film then tells of her life story of giving birth and subsequently falling into a life of crime in the 1960s. Her friends Chicklet and Concetta are in tow as they work various jobs and embark on a career of theft.

Female Trouble stars Waters regulars Divine, Mink Stole, Edith Massey, Cookie Mueller, and others.

Interestingly, Divine plays a dual role- Dawn Davenport (in drag, of course) and also the father of her bratty child- Earl Peterson. Dawn and Earl have a less-than-romantic interlude on a dirty mattress on the side of the road when he picks her up hitchhiking, which results in the birth of Taffy.

Also featured is the hilarious feud between Dawn and her love interest’s (Gator) Aunt Ida, as the women engage in tactics such as acid throwing and chopping off of limbs as they constantly exact revenge on each other.

Favorite scenes include Dawn’s maniacal nightclub act in which she does her rendition of acrobatics and then begins firing a gun into the crowd. Another is of Dawn’s dinner party with Donald and Donna Dasher- serving a meal consisting of spaghetti and chips, Taffy’s tirade hilariously ruins the evening.

This film is not for the prudish, squeamish, or uptight crowd, but a ball for all open-minded, dirty fun-seekers. The film contains one over-the-top, hilarious scene after another.

The line “just cuz you got them big udders don’t make you somethin’ special” is a Waters classic.

Female Trouble is one of a series of outrageous, cult-classics featuring the legendary camp star, Divine.

Not meant to be overanalyzed or some might say, analyzed at all, Female Trouble (1974) is unabashedly trashy and makes no apologies for its outrageousness.

2013 Films, Alexandra Daddario, Gunnar Hansen, Horror, John Dugan, John Luessenhop, Marilyn Burns, Slasher

Texas Chainsaw 3D-2013

July 31, 2014 scottmet99 Leave a comment

Texas Chainsaw 3D-2013

Director John Luessenhop

Starring Alexandra Daddario, Dan Yeager

Scott’s Review #145

Reviewed July 31, 2013

Grade: B-

If you are a horror buff (as I am) the reality that one must accept is that classic horror films will be remade or some incarnation of them will be made over time.

That is the harsh reality. They will never hold a candle to the originals. That is also a reality. One can either accept them for what they are or resist them.

Once again, another version of the classic 1974 Texas Chainsaw Massacre comes upon us.

It is present times (2013), and the main character, Heather (Daddario), takes a road trip with her friends to Texas to collect an inheritance from a long-lost Grandmother she has never known.

An interesting twist is the film begins where the original left off- the fact that sequels were made in between seems to be forgotten.

I enjoyed how the film picks up where the original left off and brings history to the story.

Unfortunately, the timeline makes no sense and is a complete impossibility- the heroine would chronologically be thirty-nine years old, but the character is in her early twenties.

In typical horror fashion, the characters are all one-dimensional (sex-starved), and a token minority is thrown in for good measure, which has become standard in modern horror.

The Texas police are portrayed as corrupt.

Happily, there are brief cameos by two original cast members (Gunnar Hansen and Marilyn Burns) from the 1974 version, which is a great touch.

Otherwise, this is a by-the-numbers modern horror film and quite forgettable, yet enjoyable for the ninety-minute length.

Texas Chainsaw 3D (2013) does not hold a candle to the original, but what would?

1981 Films, Comedy, Dark Comedy, Horror, Horror-Camp, Sam Raimi

The Evil Dead-1981

July 31, 2014 scottmet99 Leave a comment

The Evil Dead-1981

Director Sam Raimi

Starring Bruce Campbell

Scott’s Review #144

Reviewed July 31, 2014

Grade: B+

For its time The Evil Dead was a unique, creative, visually impressive horror classic and far different from the wave of mediocre slasher films from this time (1981).

In the story, five teenagers head to a remote cabin in Tennessee for spring break.

From the beginning of the trip, there is trouble- they are almost killed in a head-on collision, their car almost falls into a rickety bridge, and finally, at the cabin, they stumble upon a haunted book.

From this point, even stranger events begin to develop and the haunting, crazy action begins.

Director Sam Raimi does an excellent job from a visual standpoint- the camera racing through the woods from the demon’s point of view is very effective and scary.

The ambiance is creepy- fog, mist, smoke, and the lighting are great.

The film has all the elements- darkness, remote cabin, and woods coming alive for a genuinely scary horror flick.

Yes, the film seems a bit campy to watch now, but at the time the special effects were brilliant.

My personal favorite is the long shot of the twitching dismembered body and the various, hysterically funny chattering and gibberish among the demons.

The ending of the film is very well done.

2014 Films, Comedy, Independent, Independent Comedy

The Grand Budapest Hotel-2014

July 30, 2014 scottmet99 Leave a comment

The Grand Budapest Hotel-2014

Director-Wes Anderson

Starring-Ralph Fiennes, F. Murray Abraham

Scott’s Review #143

Reviewed July 30, 2014

Grade: B+

The Grand Budapest Hotel is a witty and unique film by Director Wes Anderson, who has also directed similarly quirky films- most notably the Monsoon Kingdom and The Royal Tenenbaums.

The famous story of the history of the Grand Budapest Hotel is recounted, over dinner, by the current owner named Zero (played by F. Murray Abraham), and an inquisitive guest (Jude Law).

The film then goes back to the 1930s and shares the story of the actual history of the hotel.

The main story centers on the head concierge, Gustave, (Ralph Fiennes), and his antics involving older wealthy blonde women, a murder, stolen art, and a missing will.

Gustave is a ladies’ man, and bisexual, who spends time with the rich women who stay at the hotel. Fiennes does an excellent job as the quick-witted, almost manic Gustave. This sets off a series of interesting, mysterious events for the remainder of the film that turns into a whodunit yarn.

The visual aspects usurp the story in my opinion- the art direction is amazing. The sets are constructed so perfectly and ingeniously that they almost look like animated sets or like a dollhouse.

The costumes and makeup are flawless.

The story tends to be tough to follow at times and is just not as strong as the other aspects of the film, although this is not to be interpreted as the story is not good- it is entertaining, but nothing more.

It’s just that the other aspects of the film are magnificent and the story secondary. It’s an odd film, certainly, but unique and interesting.

A slew of well-known Hollywood stars appears- Tilda Swinton, Edward Norton, Adrien Brody, Willem Defoe, and Harvey Keitel among others.

Oscar Nominations: Best Picture, Best Director-Wes Anderson, Best Original Screenplay, Best Original Score (won), Best Production Design (won), Best Cinematography, Best Makeup and Hairstyling (won), Best Costume Design (won), Best Film Editing

2013 Films, Baz Luhrmann, Carey Mulligan, Drama, Elizabeth Debicki, Isla Fisher, Jason Clarke, Joel Edgerton, Leonardo DiCaprio, Romantic Drama, Tobey Maguire

The Great Gatsby-2013

July 29, 2014 scottmet99 Leave a comment

The Great Gatsby-2013

Director Baz Luhrmann

Starring Leonardo DiCaprio, Tobey Maguire

Scott’s Review #142

Reviewed July 29, 2014

Grade: A

Despite some mixed reviews of this movie, I loved it.

Having read the classic novel, The Great Gatsby, by F. Scott Fitzgerald, I was familiar with the story of excess and scandal during one sweltering summer in the well-to-do Long Island, NY community during the 1920s.

Directed by Baz Luhrmann (Moulin Rouge) I found the look of the film lavish, realistic, and gorgeous- perfect ambiance and a dream-like quality.

I loved the casting of Leonardo Dicaprio as Gatsby, Carey Mulligan as Daisy, and Tobey Maguire as Nick Caraway.

The chemistry among the three leads is apparent and visually the film is spectacularly dressed, from costumes to gorgeous sets, and the speech patterns of the era- “old sport”, and “row”, is used frequently and seem authentic.

Many complained about the mixing of modern rap music with a film set in the 1920s, which does sound strange on paper, but I enjoyed that aspect of it and feel it gave a contemporary edge to the film.

There are slight adjustments from the novel, but I thought it was a very successful transition to the big screen.

Oscar Nominations: 2 wins-Best Production Design (won), Best Costume Design (won)

2012 Films, David France, Documentary, LGBTQ+ Documentary, LGBTQ+ Films

How To Survive a Plague-2012

July 29, 2014 scottmet99 Leave a comment

How To Survive a Plague-2012

Director David France

Starring Bill Bahlman, David Barr

Scott’s Review #141

Reviewed July 29, 2014

Grade: A

A wonderful thing about documentaries is that they can be a learning experience and a teaching tool.

How to Survive a Plague (2012) is one such type of documentary. It is an authentic, real, gritty piece of work and that’s what makes it so powerful.

The AIDS epidemic in the 1980s was a monumental and devastating time in social history and this documentary chronicles a group of advocates tirelessly fighting to convince the Government (at that time less than sympathetic towards victims of the disease) to approve and administer drugs to combat AIDS.

This organization was named ACT UP and it brought the gay community together as well as sympathetic members of the straight community. Good people fighting against the establishment for change.

Nearly all the footage from the film is from the period in question and the activism is both heartbreaking and inspiring to witness.

The Pope, Ronald Reagan, and George H.W. Bush are not portrayed in a positive light, but rather as uncaring and unwilling to help those dying from the disease.

A moving and inspirational film that teaches one never to give up or back down from what you stand for.

How to Survive a Plague (2012) was deservedly nominated for the 2013 Best Documentary Oscar.

Oscar Nominations: Best Documentary-Feature

Independent Spirit Award Nominations: Best Documentary Feature

2008 Films, Gideon Raff, Gore, Horror, Thora Birch

Train-2008

July 28, 2014 scottmet99 Leave a comment

Train-2008

Director Gideon Raff

Starring Thora Birch

Scott’s Review #140

Reviewed July 28, 2014

Grade: C-

Train (2008) is a horror, torture film that has very similar elements to Hostel (Americans alone in an eastern country- in this case, northern Russia) and plotted films that were all the rage at this time.

The premise is fairly interesting- the college wrestling team misses a train in northern Russia due to late-night partying and has to take another one where they are systematically accosted, tortured, and dismembered by a strange Russian gang and have their body parts implanted in needy people who are passengers on said train.

However, the film fails on many levels. The bottom line is the film is not very compelling. It is purely plot-centered and has no character development.

Who are the athletes? What do they care about?

In the horror genre, one can make the argument that who cares about the characters, but it would have been nice to have a little background on them.

Also with horror, suspension of disbelief is mandatory, and I can almost buy the villains legitimately doing the surgical transplants for money (one bad guy’s claims that they are torturing the athletes to help save people is silly), but why they rape and torture the athletes before removing their body parts is never explained.

The film has an incredible amount of plot holes- why is the wrestling team male and female? Why do they perform the transplants on a train? How can an eye transplant recipient need no recovery time before he can inexplicably walk around with perfect eyes?

The list goes on and on.

I will give props to the torture scenes, which are cringe-worthy in their gross-out aspect. I didn’t think Thora Birch was successful as the lead actress in the film- a shame since she had so much career promise in American Beauty in 1999.

Train (2008) is a pale retread of the Hostel franchise, but nowhere near as interesting.

2012 Films, Aaron Paul, Drama, Independent, Independent Drama, James Ponsoldt, Mary Elizabeth Winstead, Mary Kay Place, Megan Mullally, Nick Offerman, Octavia Spencer, Romantic Drama

Smashed-2012

July 28, 2014 scottmet99 Leave a comment

Smashed-2012

Director James Ponsoldt

Starring Mary Elizabeth Winstead, Aaron Paul

Scott’s Review #139

Reviewed July 28, 2014

Grade: B

Smashed is an independent film made in 2012, as a showcase for Mary Elizabeth Winstead, who impressed me enormously as an actress.

She gives a fantastic portrayal of a twenty-something elementary school teacher who is an alcoholic.

Known for either crappy or supporting roles (or both) in bombs like The Thing (2011) and Live Free or Die Hard (2007), Winstead comes into her own with her performance and is the main reason to see the film.

I am always amazed when an actor who previously has not been given great material that allows them to shine, finally goes indie and takes a risk.

Aaron Paul plays her husband, who is also an alcoholic. They both love music and partying. When she decides to sober up, conflict emerges in their marriage.

Despite the subject matter of alcoholism, the film is not a downer. It borders on romantic comedy with drama thrown in and is not depressing.

My one criticism would be the side effects of alcoholism are glossed over. There is not much grittiness in the film-she becomes an alcoholic, struggles a bit, and recovers, almost television movie-like.

The true, horrific battles are not shown.

Octavia Spencer and Megan Mullally appear in small roles.

Independent Spirit Award Nominations: Best Female Lead-Mary Elizabeth Winstead

2011 Films, Drama, Esai Morales, Harmony Santana, Independent, Independent Drama, Judy Reyes, LGBTQ+ Drama, LGBTQ+ Films, Rashaad Ernesto Green

Gun Hill Road-2011

July 27, 2014 scottmet99 Leave a comment

Gun Hill Road-2011

Director Rashaad Ernesto Green

Starring Esai Morales, Harmony Santana, Judy Reyes

Scott’s Review #138

Reviewed July 27, 2014

Grade: A-

Gun Hill Road (2011) is a very small, independent film set in the Bronx, New York, hence the title, which is a famous street there.

It tells the story of a Hispanic family, the father, Enrique, (wonderfully played by Esai Morales) being recently released from prison and adjusting to clean living.

His wife Angela (Judy Reyes) has moved on emotionally and physically, and his teenage son Michael (Harmony Santana) is going through a sexual identity crisis and defines himself as a female.

Each of the three characters is sympathetic and motivation well understood.

The most interesting facet of the film is the father/son relationship as Enrique must eventually come to terms with Michael’s sexuality and gender definition, which is not portrayed as easy in the Latino community.

There is a rawness and realness to this film.

Gun Hill Road is a dysfunctional family drama, character-driven, sometimes difficult to watch, and quite captivating, though the ending is slightly disappointing, as events were left open-ended.

Santana was nominated for the 2012 Independent Spirit Award for Best Supporting Female.

I only wish this film had received wider recognition and acclaim, as it’s a marvel.

Independent Spirit Award Nominations: Best Supporting Female-Harmony Santana

2012 Films, Drama, French, Independent, Independent Drama, International, International Drama, Jacques Audiard, Marion Cotillard, Matthias Schoenaerts, Romantic Drama

Rust and Bone-2012

July 26, 2014 scottmet99 Leave a comment

Rust and Bone-2012

Director Jacques Audiard

Starring Marion Cotillard, Matthias Schoenaerts

Scott’s Review #137

Reviewed July 26, 2014

Grade: B+

Rust and Bone (2012) is a French language film that tells the difficult love story of a successful, cultured, whale trainer (Stephanie) who is seriously injured in an accident and left without legs.

She has an unlikely romance with an unemployed former boxer (Ali), who leads a troubled life providing for his young son.

Marion Cotillard and Matthias Schoenaerts give outstanding performances as the two leads. Their powerhouse acting is simply the main reason to watch this film. They are amazingly convincing and Cotillard’s performance alone is astonishing.

Cotillard, who has already won an Oscar for La Vie En Rose (2007), is one of the best younger actresses around, and Schoenaerts showed great promise in 2011’s Bullhead.

The film is character-driven as both lead to difficult, challenge-filled existences. Ali attempts to return to boxing and Stephanie attempts to cope with life after losing limbs. Together they slowly bond and a love story blossoms.

Slow-paced, realistic, and complex, the relationship between the two is at the heart of the film.

The one negative I found with the film is how the story direction meanders to several different plots, some even unnecessary to the main story, so much so that it becomes unclear what the main story is supposed to be.

This results in an uneven viewing experience.

Still, beyond that flaw, Rust and Bone (2012) are well worth the price of admission for the superb acting and wonderful love story told.

Independent Spirit Award Nominations: Best International Film

2012 Films, Action, Albert Finney, Daniel Craig, James Bond, Javier Bardem, Judi Dench, Naomie Harris, Ralph Fiennes, Sam Mendes

Skyfall-2012

July 26, 2014 scottmet99 Leave a comment

Skyfall-2012

Director Sam Mendes

Starring Daniel Craig, Javier Bardem, Judi Dench

Scott’s Review #136

Reviewed July 26, 2014

Grade: B+

Skyfall is the latest (and twenty-third) installment in the decades-long running James Bond franchise (1962’s Dr. No was the first one) and this one receives major kudos from me.

When one looks back upon all of the Bond films, they have had to adjust to keep up with the times and Skyfall does this very successfully.

In addition, Skyfall brings a good, old-fashioned, compelling story to the table.

An attack on MI6 is initiated by a former agent, Raoul Silva, beautifully portrayed by Javier Bardem, who has a personal vendetta against M, played by Judi Dench.

Bardem gives a complex, powerful representation of the villain and is not overly cartoonish.

He appears crazy!

James Bond, of course, must come to the rescue and save the day.

The story finally gives M. a chance to shine as the main plot revolves around her. The relationship between M. and Raoul is interesting and layered with history, which makes for a compelling story.

Standard with Bond films, exotic locales are used. This time we get Shanghai, London, Scotland, and Macau.

James Bond’s past is also explored- He grew up in Scotland. The Bond family estate is a major backdrop for the action.

The reintroduction of two famous Bond characters- Moneypenny and Q is like a breath of fresh air added to the franchise, although I was not crazy about the casting choice of Q.

Also, one minor flaw with this film is there is no clear “Bond girl” to root for.

Skyfall (2012) provides a successful return to its Bond roots and will hopefully allow the Bond franchise to continue for many films to come.

Oscar Nominations: 2 wins-Best Original Score, Best Original Song-“Skyfall” (won), Best Sound Editing (won), Best Sound Mixing, Best Cinematography

2011 Films, Drama, Éric Toledano, François Cluzet, French, International, International Drama, Olivier Nakache, Omar Sy

The Intouchables-2011

July 26, 2014 scottmet99 Leave a comment

The Intouchables-2011

Director Olivier Nakache, Eric Toledano

Starring Francois Cluzet, Omar Sy

Scott’s Review #135

Reviewed July 26, 2014

Grade: C

The Intouchables (2011) is a French comedy-drama that tells the story of a wealthy, intelligent quadriplegic man named Philippe (Olivier Nakache), who hires a poor, angry black man, named Driss (Omar Sy), who is uninterested in the position, as his caregiver.

The film is a story of their bond and friendship and is a buddy movie.

What starts as simply an employer/employee relationship turns into something much deeper.

The Intouchables received rave reviews and was a huge hit in France, but, for me, it disappoints, and I am not getting the love for this movie.

I found the message and theme of the story dated- yet another film about a wealthy sophisticated white man taking a working-class, volatile black man under his wing and the black man helping him achieve some sort of self-fulfillment.

The Blind Side (2009) and Driving Miss Daisy (1989) have done this before along with countless other films.

Yes, they become close friends, but the stereotypical racial dynamic is prevalent. How many more times must this dynamic be shown in modern film?

This is not to say that the film is poorly made. The relationship between the two men and the mixtures of each of their respective cultures is charming and, at times, heartwarming.

The way that Driss helps Philippe garner the courage to meet a woman he has been having a letter-writing relationship with is nice.

The views of Paris are lovely and plentiful.

But, overall The Intouchables (2011) comes across as a stereotypical, safe, predictable film.

2011 Films, Best Documentary Feature Oscar Winners, Daniel Lindsay, Documentary, Sports, T. J. Martin

Undefeated-2011

July 25, 2014 scottmet99 Leave a comment

Undefeated-2011

Director Daniel Lindsay, T.J. Martin

Starring Montrail “Money” Brown

Scott’s Review #134

Reviewed July 25, 2014

Grade: B

Undefeated (2011) is an emotional documentary, a true story of a high school football coach brought into a struggling, poor, suburban Memphis area high school and leading the team to a championship title.

The story of the coach taking various students under his wing, father figure style, and helping them succeed in, not only football but scholastics as well is inspiring and heartwarming.

The coach’s passion shines through to the viewer in this story.

As wonderful a story as it is, I felt slightly let down by it as, yet again, the slant on the story is of an affluent white family swooping into a poor black neighborhood and saving the black kids with their mighty influence.

Why can’t we see a film that is the reverse?

In the twenty-first century, this is becoming slightly offensive and one-sided. It is The Blind Side (2009) with real people!

With that rant made, the documentary is pretty awe-inspiring and the coach is portrayed as a fantastic, truly caring human being. I laughed, cried, and rooted for the struggling football team to victory.

The portion on what has since happened to the football players is interesting to see.

Undefeated won the Best Documentary Oscar in 2012.

Oscar Nominations: 1 win-Best Documentary-Feature (won)

2013 Films, Amanda Seyfried, Biography, Bobby Cannavale, Chloe Sevigny, Chris Noth, Drama, Eric Roberts, Hank Azaria, Independent, Independent Drama, James Franco, Jeffrey Friedman, Juno Temple, LisaGay Hamilton, Peter Sarsgaard, Rob Epstein, Robert Patrick, Sharon Stone, Wes Bentley

Lovelace-2013

July 24, 2014 scottmet99 Leave a comment

Lovelace-2013

Director Rob Epstein, Jeffrey Friedman

Starring Amanda Seyfried, Peter Sarsgaard

Scott’s Review #133

Reviewed July 24, 2014

Grade: B

Lovelace (2013) is an account of famous 1970’s porn star, Linda Lovelace, and her rise to stardom and inevitable fall from the spotlight, difficult family life, abusive relationships, and her attempt to escape the porn world for good.

The film portrays the story from Lovelace’s point of view based on her tell-all autobiography and spins her in a very sympathetic way.

Whether all of her abuse and struggles that Lovelace claimed are to be believed is up to the viewer.

Lovelace, the film, comes across as similar to Boogie Nights (1997)- even the 1970s soundtrack is eerily alike, but inferior to that masterpiece.

The only character whose past is fully delved into is Linda Lovelace who is the sole focal point; the others are simply an extension of her character.

One major issue I found with the film is the casting of Amanda Seyfried as Linda Lovelace.

Seyfried does not have the plain Jane or girl next door characteristics that the actual Lovelace had. She comes across as soft and gentle, much too much for this particular role.

Conversely, the casting of Sharon Stone and Peter Sarsgaard is excellent as each is dynamic in their respective roles. Stone should have received much more acclaim than she did for her role.

As Lovelace’s mother, she is gritty, steely, and unsympathetic.

The film contains a whos who of Hollywood names involved in small roles.

Another issue is the film seems like a made-for-television movie and considering the subject matter is the porn industry, it seems awfully watered down and not harsh enough.

Lovelace (2013) is entertaining enough to keep one’s interest but is not riveting or in-depth enough to be a major success.

2013 Films, Adam Bakri, Arabic, Drama, Hany Abu-Assad, International, International Drama, Leem Lubany

Omar-2013

July 24, 2014 scottmet99 Leave a comment

Omar-2013

Director Hany Abu-Assad

Starring Adam Bakri, Eyad Hourani

Scott’s Review #132

Reviewed July 24, 2014

Grade: B

Omar is a 2013 Best Foreign Language Film Oscar nominee.

Omar tells the story of a young Palestinian man living in the political unrest of Israel, personally conflicted, and a freedom fighter, sympathetic to the other side.

He is in love with a young girl whose brother is a leader in the freedom fight and their romance eventually becomes a love triangle.

Once Omar is arrested on suspicion of murdering a soldier, a series of events take place that makes the audience wonder what side of the fence he is on and who his allegiance lies with.

The film starts slowly and has too much emphasis on the romantic story- seemingly endless scenes of Omar and Nadia professing their love and passing notes to each other.

The film seems to know not what it wants to be a political thriller or a romance film. Approximately, thirty minutes into the film it kicks into high gear as the arrest and the political cat-and-mouse aspects come to the forefront.

The ending of the film is unexpected and rather excellent.

At times, though, the story is a bit unrealistic and implausible, especially in some prison scenes. Would a Palestinian traitor be given a second chance and not killed instantly? Would the prisoner and interrogator become friends?

Certain aspects of the film seemed plot-driven and too convenient to be realistic, but I was enraptured with the story overall, minus the romance, which seemed overextended and sappy.

Oscar Nominations: Best Foreign Language Film

2011 Films, Drama, Gael García Bernal, Hani Furstenberg, Independent, Independent Drama, Julia Loktev

The Loneliest Planet-2011

July 24, 2014 scottmet99 Leave a comment

The Loneliest Planet-2011

Director Julia Loktev

Starring Hani Furstenberg, Gael García Bernal

Scott’s Review #131

Reviewed July 24, 2014

Grade: B-

The Loneliest Planet is an independent film that contains incredibly gorgeous cinematography of the Georgian landscape (geographically, outside of Russia), where the entire movie is set.

The story centers around a young couple, Alex (Gael García Bernal) and Nica (Hani Furstenberg), on a backpacking excursion through the mountains.

Their relationship is tested along the way, mainly because of the existence of their camping guide, a man who comes between them as the plot slowly unfolds and a romantic triangle begins to emerge.

All three characters are complex, likable at times, and annoying at other times, so that is a satisfying part of the film. The dynamic between the three individuals is interesting when any action takes place, which leads me to my major gripe with The Loneliest Planet.

The huge negative is that the story moves at a painfully slow pace, and while I do not mind slow-moving films, with the extremely long sequences of simply watching the three characters trek across the countryside with backpacks and absolutely no dialogue, nothing happens!

When the story does intermittently develop, the audience empathizes with each of the characters.

The ending is abrupt and ultimately unsatisfying.

As a film with lavish footage of picturesque landscaping of land, few are fortunate enough to see, I’d give this film a solid A, but for the compelling storytelling, the film is lackluster as a whole.

Independent Spirit Award Nominations: Best Director-Julia Loktev

1988 Films, Camp, Debbie Harry, Divine, Independent, Jerry Stiller, John Waters, Mink Stole, Musical, Pia Zadora, Ric Ocasek, Ricki Lake, Sonny Bono

Hairspray-1988

July 23, 2014 scottmet99 Leave a comment

Hairspray-1988

Director John Waters

Starring Ricki Lake, Divine

Scott’s Review #130

Reviewed July 23, 2014

Grade: B+

Hairspray (1988) is one of director John Water’s later and much more mainstream comedies.

Influencing the Broadway musical of the same name that was created years later and inspiring a successful remake in 2007, the film is a wonderful watch one late at night accompanied by spirits.

It is fun, fun, fun.

The film tells the story of a cute, yet insecure, overweight teenager named Tracy Turnblad, wonderfully portrayed by Rikki Lake. Tracy lives in Baltimore in the racially conflicted 1960s, and she battles to appear on a local talent show.

With Waters directing, one might expect comedic raunchiness, but Hairspray is quite tame. It is the only Waters film to be rated PG, the others are rated X.

Not to be outdone, however, Hairspray does contain its share of light naughtiness.

The film itself, while campy and over the top, is important since it does its best to break down racial barriers, including interracial relationships, and sends an important message.

Tracy and her best friend Penny Pingleton judge people for who they are, not on race, income, or anything else.

Those characters in Hairspray who are written as racist or less than welcoming to interracial cohabitation (again the film is set in the early 1960s) look like buffoons and not with the progressive social times.

The supporting cast is high caliber- Divine and Jerry Stiller are perfectly cast as Tracy’s open-minded yet cautious and concerned parents.

Famous musicians appear in cameos- most notable are Debbie Harry, Ric Ocasek, and Sonny Bono in small but zesty roles.

The musical dance numbers are plentiful and perfectly fit the time of the film.

Hairspray (1988) is entertaining, relevant, and free with a powerful message mixed in with the entertainment.

Independent Spirit Award Nominations: Best Feature, Best Director-John Waters, Best Female Lead-Ricki Lake, Best Supporting Male-Divine, Best Supporting Female-Debbie Harry, Best Screenplay

1957 Films, Drama

The Strange One-1957

July 23, 2014 scottmet99 Leave a comment

The Strange One-1957

Director Jack Garfein

Starring Ben Gazzara, Pat Hingle

Scott’s Review #129

Reviewed July 23, 2014

Grade: B

The Strange One is a very strange (no pun intended) obscure psychological drama from 1957 starring a very young Ben Gazzara and George Peppard.

The setting is a military academy where bullying and intimidation run rampant between the young cadets and some of the staff.

The sadistic lead bully is Gazzara who is mesmerizing to watch in his low-key yet frightening portrayal as a macho guy who gets what he wants and decides to destroy his victims.

The film reminds me of a long Twilight Zone episode as it feels like a television thriller but is effective as a shot in black and white.

Gazzara is the standout in the cast as a charming, sadistic, bully in a military academy who terrorizes and manipulates anyone in his path, though a major flaw is there is no explanation for his behavior- How did he become so terrorizing? Was he abused? What is his motivation?

In a sense, however, this makes it all the more fascinating.

There are some homoerotic scenes, which is surprising to find in films in 1957 when the Production Code was so strict.

The Strange One is an interesting little film.

2013 Films, Ethan Hawke, Horror, James DeMonaco, Lena Headey

The Purge-2013

July 23, 2014 scottmet99 Leave a comment

The Purge-2013

Director James DeMonaco

Starring Ethan Hawke, Lena Headey

Scott’s Review #128

Reviewed July 23, 2014

Grade: A-

On paper, the premise of the film The Purge (2013) is very intriguing. It immediately caught my attention and I was compelled to see it.

The government, fed up with the overwhelming crime and prison overcrowding, decides to initiate a once-a-year purge, where anything goes.

It’s like Christmas for the criminals and the insane.

All emergency and police will shut down on this night and citizens are left to their own devices as a way to purge the violent and aggressive instincts from human systems.

An affluent family, led by a security systems genius (Ethan Hawke), nestles in their lavish home.

Of course, events go awry and chaos ensues.

The film contains suspense, thrills, frights, and a bit of humor, containing questions of class distinction and raises societal questions- Why are the wealthy better off than the poor? Do they deserve to be?

I enjoyed the setting of the wealthy, gated Los Angeles community and the eerily Stepford wife-like atmosphere of the neighborhood where housewives delivered casseroles and other dishes to each other for the big night.

Throughout this sunny environment, the viewer could sense a too-good-to-be-true cheerfulness and the darkness to follow anticipated as sunset emerged.

I found this film to be unpredictable and the edge of your seat and the film delved into a home invasion thriller, which was effective.

I could not predict what might happen next and that is incredibly entertaining.

I am unsure if some of the humor in the film was intentional or not- some of the kills were over the top and contained one-liners, but The Purge (2013) is a crisp, fun, summer popcorn horror film.

1960 Films, British, British Horror, Horror, Michael Powell, Moira Shearer, Scott's Top 100 Films, Scott's Top 20 Horror Films

Peeping Tom-1960

July 22, 2014 scottmet99 Leave a comment

Peeping Tom-1960

Director Michael Powell

Starring Nigel Davenport

Top 100 Films #60 Top 20 Horror Films #16

Scott’s Review #127

Reviewed July 22, 2014

Grade: A

Peeping Tom is a brilliant horror film from 1960 directed by Michael Powell.

It is a British film and was released the same year as Psycho and they sort of resemble each other as both have a more character-driven villain than many other contemporary horror films.

Both feature male killers with a sympathetic (to them) female.

Set in London, it tells the story of an assistant cameraman who kills his victims by using a camera with a spike on the end of it as he is videotaping the fear in their eyes, which he later plays back for his own psychological needs.

The killer has emotionally damaged himself and the film explores this aspect in depth; his father tormented him as a child with weird, traumatic experiments used on the boy for research.

I love this aspect of the film in contrast to most films of the genre, where the killer typically has no sympathetic aspects and whose motivations are usually explored minimally.

The audience has sympathy for this killer, which, strangely, is absurd and shocking.

Way ahead of its time, viewers were initially turned off by the film at the time of release, and director Michael Powell’s (ironically playing the terrible father in videotape scenes) career was ruined.

Anna Massey (later to appear in the Hitchcock masterpiece Frenzy) plays the sweet-natured, girl next door who develops a crush on the killer. Her blind and boozy mother is a fascinating character as she suspects and strangely bonds with the killer.

The film has an erotic and voyeuristic quality that has been unmatched in horror.

Peeping Tom (1960) is now considered a masterpiece and I certainly agree with that assessment. It is one of the most interesting and unique horror films ever made.

2012 Films, Alicia Vikander, Bill Skarsgård, Drama, Emerald Fennell, Joe Wright, Jude Law, Keira Knightley, Kelly Macdonald, Leo Tolstoy, Michelle Dockery, Romantic Drama

Anna Karenina-2012

July 22, 2014 scottmet99 Leave a comment

Anna Karenina-2012

Director Joe Wright

Starring Keira Knightley, Jude Law

Scott’s Review #126

Reviewed July 22, 2014

Grade: B+

Anna Karenina (2012) is the film adaptation of the classic Leo Tolstoy novel. Shamefully, having not read the novel, but being familiar with the story I was not sure how successful the transition from novel to film would be.

The transition proved to be quite successful, as it would turn out.

Being a fan of director Joe Wright, who did wonderful work on his direction of Atonement in 2007, he is a master of costumed period pieces and Anna Karenina is no different in that regard.

It is vastly different, however, in the way it is shot. The film is non-traditional and is shot with jarring, quick camera movements interspersed with musical numbers.

It resembles Moulin Rouge (2001) in this style and is not for everyone’s tastes. I enjoy this technique and, combined with the wonderful art direction/costumes, makes for modern, unique storytelling.

Keira Knightley is as adequate as Anna, but nothing special. I have to wonder if she was cast simply because she is typically the lead in Joe Wright films.

It is a tragedy, of course, and a tale of a lonely love-torn young woman conflicted between two high-class men. On a broader scale, it’s a story of the romantic entanglements of the high-class world and their trials and tribulations, centering on Anna.

The look of the film is what impressed me most, more than the story did.

Oscar Nominations: 1 win-Best Original Score, Best Production Design, Best Cinematography, Best Costume Design (won)

1984 Films, Corey Feldman, Crispin Glover, Horror, Jason Voorhees, Kimberly Beck, Slasher, Tom Savini

Friday the 13th: Part 4: The Final Chapter-1984

July 21, 2014 scottmet99 Leave a comment

Friday the 13th: The Final Chapter-1984

Director Joseph Zito

Starring Kimberly Beck, Corey Feldman

Scott’s Review #125

Reviewed July 21, 2014

Grade: B

Being the 4^th chapter in the popular Friday the 13^th saga, and the shameless marketing of this installment as being the final chapter, obviously a fib since the ending of the film sets up another sequel, I have a soft spot for this Friday the 13th sequel.

If I am being honest, with each viewing I realize more and more it’s not nearly as good as the first three.

From a storyline and technical perspective, it is a crappy movie.

It now seems incredibly dated and of its time- the acting is mediocre at best but fans of the franchise will love it.

It’s predictable, much like eating at McDonald’s, you know exactly what you will get and that is fine for a certain audience.

A gathering of horny, pot, and beer-induced teens flock to Camp Crystal Lake for a weekend of revelry. Apparently not knowing, or caring, that dozens of other teens have been slaughtered there before, they begin their partying.

For horror fans, there is comfort in this film. We know the youths will be killed- we just don’t know how or when. That’s the fun and beauty of it.

Will someone be decapitated? Lose a limb? Will the murder weapon be an ax or a machete? Who will be the last remaining victim?

The introduction of the twins is a nice touch and a very young Crispin Glover appears.

The addition of Corey Feldman to this one adds child feistiness. Otherwise, it’s pretty formulaic, and not much separates it from any of the others. Fans of the franchise will love Friday the 13th: The Final Chapter (1984), all others stay away.

Welcome to my blog! 1,400 + reviews posted so far! My name is Scott Segrell and I reside in Stamford, CT. My blog is a diverse site featuring tons of film reviews I have written since I launched my site in 2014. I hope you enjoy perusing the site for latest or greatest films or to search for your own favorites to see how we compare. Please take a look at my featured sections at the top of the page which change often! Utilize the tags and category links.