Tag Archives: Mike Doyle

Rabbit Hole-2010

Rabbit Hole-2010

Director John Cameron Mitchell

Starring Nicole Kidman, Aaron Eckhart

Scott’s Review #1,115

Reviewed February 23, 2021

Grade: A

Rabbit Hole (2010) is a raw and brutal film. I say that with major praise because it’s also a great film with much humanity and pathos.

The film’s dreariness makes one relate to and empathize with the characters and perhaps recall a loved one who has died.

It’s truly brilliant if the viewer can withstand the sadness. I was able to tolerate the tone and immerse myself in it.

Thankfully, there are snippets of humor to offset the heavy drama.

Every film is not meant to be feel-good and enjoyable, but they all should conjure emotions, and Rabbit Hole succeeds in spades.

Yes, it’s a downer given the topic of the day is the loss of a four-year-old child, but it’s a tragedy worth enduring to experience the powerful acting from its stars.

It’s a gem because it shows how people deal with and recover from loss if there is a way to cope with, live, and feel again without destroying oneself.

Eight months after the accidental death of their son, Howie (Aaron Eckhart) and Becca (Nicole Kidman) struggle to overcome their grief.

He wants to hold on to everything that reminds him of Danny, while she would rather sell their home, relocate, and make a fresh start.

Trauma and conflict begin to appear in the relationship as Howie bonds with a member of his therapy group, and Becca reaches out to a teenage boy with telling facial scars.

The drama is based on David Lindsay-Abaire’s Pulitzer Prize-winning play of the same name, and the film version has the look and feel of a stage production.

Not much is shown before Danny’s death. I love this because it asks that I use my imagination. The cleverness is that Danny was not killed by a drunk driver or a speeding car.

It was an accident, and this point feels genuine.

The pain is watching a once-loving couple crumble from the weight of the devastation they have been dealt. Neither parent is to blame, but do they blame each other? Do they resent each other because each reminds the other of Danny’s death?

A pivotal and necessary story point is watching Becca and Howie become drawn to other people, some of them surprising. Becca bonds with the teenage driver of the car that killed Danny.

Howie nearly is drawn into a lurid affair with Gabby (Sandra Oh), whom he connects with at group therapy.

Is it healthier for Becca and Howie to go their separate ways? Do they stand a chance?

Most can ask themselves the same question as their partners if faced with devastating qualities. How does one pick up the pieces alone as part of a couple?

Kidman is breathtaking in her ability to generate the emotions she does. She was recognized with an Academy Award nomination.

It’s terrific, but Aaron Eckhart, forever an underappreciated actor, missed out on a nomination.

This is a shame because he is just as good as Kidman. Together, they are flawless, building and playing off the emotions and feelings of the other.

A film about grief, Rabbit Hole (2010) bravely tells the story of how an incident can ravage not only a relationship but our inner being, turning us into someone we don’t know.

This is a terrifying thought, and the stellar acting and pacing only make us feel the pain others can suffer.

Oscar Nominations: Best Actress-Nicole Kidman

Gayby-2012

Gayby-2012

Director Jonathan Lisecki

Starring Jenn Harris, Mathew Wilkas

Scott’s Review #441

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Reviewed July 3, 2016

Grade: C+

Gayby (2012) is a sketch-type comedy about two best friends (a gay man and a straight woman) who decide to have a child together.

Both have reached a certain age and are unhappy that they haven’t found the perfect mate. The story is not novel and feels more like a Saturday Night Live sketch than a film.

The film also plays on the success of television comedies like NBC’s Will and Grace and the obvious dynamic between the central characters.

The two leads are quite appealing in a comic way, have wit (Jenn Harris is deliciously neurotic), and have great timing.

The subject matter is interesting, though as years go by and more LGBTQ+ topics are covered, it is becoming rather dated and no longer novel.

The negative is the frenetic, quick pacing of the film, ultimately making it rather off-putting and annoying, to say nothing of the irritating stereotypical supporting characters.

They are written so over-the-top that it is tough to take the film as seriously as it should be taken.

Independent Spirit Award Nominations: Best First Screenplay

Jersey Boys-2014

Jersey Boys-2014

Director Clint Eastwood

Starring John Lloyd Young

Scott’s Review #95

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Reviewed July 5, 2014

Grade: B+

Jersey Boys (2014) is a film version of the hit Broadway show of the same name, directed by Clint Eastwood.

It tells the story of Frankie Valli and his friends (later becoming the Four Seasons) growing up in 1950s mob-laden New Jersey and their journey through hardships and petty crime to musical success.

The film is a mainly feel-good experience as the songs alone resonate with the audience and immediately stick in one’s head as catchy as they are (Sherry, Walk Like a Man, Big Girls Don’t Cry, Can’t Take My Eyes Off of You) are prominently featured throughout the film making it tough not to toe-tap along with the musical numbers.

Most of the boys grow up in a heavily Italian neighborhood, which is a delight as Eastwood’s authenticity is impressive: the food, the fights, gangster mob ties.

Admittedly, I found the first thirty minutes a bit slow, but then, the film takes off.

The cast is good- John Lloyd Young is excellent as Frankie Valli, a role he also portrayed on Broadway, and it is very nice to see Christopher Walken as a kindly mob boss who looks out for the kids.

The film is wonderfully shot and the 1950s nostalgia is apparent via set pieces, costumes, etc.

Is this film edgy? Not in the least. Is it a safe crowd-pleaser? Absolutely!

It is a fun musical experience that does not delve into schmaltz and is lots of fun.