Theeb-2015
Director Naji Abu Nowar
Starring Jacir Eid
Scott’s Review #459
Reviewed August 4, 2016
Grade: B+
An Arabic-spoken foreign language film that received a 2015 nomination for Best Foreign Language Film, Theeb is an old-world film set in 1916 during the Ottoman Empire.
The event is World War I as an Englishman battles Arabs and nobody can be trusted.
The film is largely shot in the smoldering Arabian desert (in Jordan) and told from the perspective of a child named Theeb.
Despite the slow pace, the moments of action are even more important. It has a grainy quality to it that makes it somewhat of a bizarre Arabian western.
Theeb lives in a small village run by his father and older brother, Hussein. One night a mysterious Arab man and an Englishman arrive seeking a guide to take them to a Roman well, close to the Ottoman railway.
The mission is feared a dangerous one, as the trail they must take is riddled with bandits, not to mention, the Englishman owns a box containing gold, making him a vulnerable target.
Theeb, left behind because he is so young, follows and joins them, much to the group’s chagrin. Predictably, trouble ensues and Theeb must fend for himself.
What I enjoyed about this film is its unpredictability in what happens after the group faces danger. Sure, when the foursome sets out on a trail led by camels, we know bad stuff will happen.
But, finally left to his own devices, I was intrigued as to how Theeb would face his new challenges, having up until now been protected by his family.
In ways, Theeb reminded me of another adventure film, Life Of Pi (2012), though Theeb is much darker. Both feature a young, non-American male of Indian or Middle Eastern background, forced to survive largely alone.
The John Boorman classic, Deliverance (1972), also came to mind during one dark scene, as Theeb and Hussein cower amongst rocky caves while their devilish pursuers taunt and whistle at them mockingly from below.
The hunter vs. victim component is front and center and it is killed or be killed.
Later, an interesting bond develops between Theeb and one of the raiders (Hassan) as both mistrust each other. Will they forge the bond or will one betray the other?
The answer to this question emerges during the final moments and the buildup is compelling. I became aware of the father and son dynamic mixed in with the friend and enemy.
When Theeb treats Hassan’s wounds there is tenderness on the exterior, but is Theeb fully kind to Hassan?
A slight negative for me existed in that I did not buy that the period was the early Twentieth century, but rather, everyone looked and acted so modern as if they were merely dressed up for their parts….as they were. Perhaps it had to do with the hairstyles or mannerisms.
Shot entirely in Wadi Rum, Jordan, a gorgeous part of the world, the desert and big sky lend much to the ambiance this creates. It was almost like being in the old, wild west and an ode to old Western films, only set in the Arabic world.
The entire cast, save for the Englishman, are non-actors, an amazing achievement, and a measure that creates an obvious level of realism that rehearsed actors cannot always bring to the table.
Originally meant to be a short film only, Theeb emerged as a full-length feature and I am glad it did, as it has enough meat to warrant a longer duration.
The film is a cinematic wonder with a psychological edge.
Oscar Nominations: Best Foreign Language Film
