Three Billboards Outside Ebbing, Missouri-2017
Director Martin McDonagh
Starring Frances McDormand
Scott’s Review #703
Reviewed December 4, 2017
Grade: A
Frances McDormand takes control of Three Billboards Outside Ebbing, Missouri, and never lets go. In the Martin McDonagh-directed 2017 vehicle, she rivetingly portrays an angry Midwestern woman seeking justice.
The up-and-coming director has also created such films as 2008’s In Bruges and 2012’s Seven Psychopaths.
Similar to these films, Three Billboards Outside Ebbing, Missouri, is peppered with dark comedic moments and vile, bitter characters. The film is a measured success because it is not your standard Hollywood production and is quite left-of-center.
The action begins as we meet McDormand’s Mildred Hayes, sitting alone in her beat-up station wagon, brooding by the side of the road, gazing at three tattered billboards.
She is both pissed off and thoughtful as she formulates a plan to purchase a year’s worth of billboards, questioning the local police’s ineptitude in finding her daughter’s rapist and killer.
Woody Harrelson portrays the Ebbing police chief, Sheriff Bill Willoughby, and Sam Rockwell plays the racist and dim-whited officer Jason Dixon, both displeased with Mildred’s activities.
Other casting decisions in small yet essential roles are Lucas Hedges as Mildred’s adolescent and depressed son, Robbie, and John Hawke as her ex-husband, Charlie, who is dating an eighteen-year-old ditz.
Peter Dinklage is well-cast as James, a local car salesman who is an earnest dwarf with a crush on Mildred.
Supporting roles are prevalent throughout the film, and small-town locales like Jason’s mother and Red, the owner of the advertising agency who rents the billboards to Mildred, shape the experience.
The casting in Three Billboards Outside of Ebbing, Missouri, is a strong point of the film.
The town of Ebbing is portrayed as dreary, blue-collar, and racist, which is just perfect for setting the tone of the film.
I suspect residents of the Midwest or the southern United States of America may have some issues with character representations. Jason is written as both racist and not too smart, and he encompasses numerous characters in the film.
Enough cannot be said for Rockwell’s performance, transforming from a hated character during the film’s first two-thirds to suddenly almost becoming the hero towards the end.
Props are also deserved by Harrelson’s Chief Willoughby- bordering on hick and racist, he also has a heart and cares about Mildred’s predicament- when a shocking event occurs, he becomes an even richer character.
It is worth pointing out and impressive to me as a viewer that the three prominent black characters—Willoughby’s replacement, Abercrombie, Mildred’s best friend and co-worker, Denise, and a kindly billboard painter—are each written as intelligent and sensitive, a fact I found to perfectly balance the other less sympathetic characters.
In this way, a nasty film becomes more satisfying.
Three Billboards Outside of Ebbing, Missouri, though, belongs to McDormand. She is successful at portraying a myriad of different emotions. From her sly eye-winking as she crafts a good verbal assault on whoever crosses her path, to an emotional breakdown scene towards the end of the film, McDormand embodies the character with depth.
In a gorgeous scene, she has a sweet conversation with a peaceful deer grazing nearby, and for a second, she imagines it could be her dead daughter reincarnated. The scene richly counterbalances other violent and brutal scenes.
McDormand manages to look downright homely in some scenes and beautiful in others.
A film will indeed divide viewers. Some will champion the film’s crisp writing and witty dialogue. Still, others will undoubtedly be turned off by some of the character’s foul language and nasty nature.
I found Three Billboards Outside Ebbing, Missouri (2017), sarcastic, gritty, and well-told. It is a versatile affair rich with layers and brimming with enjoyment.
Oscar Nominations: 2 wins-Best Picture, Best Actress-Frances McDormand (won), Best Supporting Actor-Sam Rockwell (won), Woody Harrelson, Best Original Screenplay, Best Original Score, Best Film Editing
Independent Spirit Award Nominations: 2 wins-Best Female Lead-Frances McDormand (won), Best Supporting Make-Sam Rockwell (won), Best Screenplay
