Tag Archives: Leighton Meester

Date Night-2010

Date Night-2010

Director Shawn Levy

Starring Steve Carell, Tina Fey

Scott’s Review #481

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Reviewed September 17, 2016

Grade: D+

Date Night is a perfect example of mediocrity in modern filmmaking.

We have two current comedic actors here- Steve Carell and Tina Fey- circa 2010- at the top of their game.

The filmmaker’s idea is to pair these two and make an appealing romantic comedy for the masses.

The main issue with this film is that the result is generic and quite an average offering.

The entire film is incredibly plot-driven, with no character development to speak of.

If I am being too harsh, admittedly there is nice chemistry between the two leads, but it is wasted by sloppy writing.

A couple from the New Jersey burbs, Carrell and Fey portray husband and wife, Phil and Claire Foster. Saddled with two kids and their romance reaching dullsville, Phil decides to take Claire to a ritzy Manhattan restaurant.

When they arrive, they cannot get a table, so they pretend to be another couple a get one after the other couple no-shows. This leads to a tale of mistaken identity as the other couple possesses a flash drive that a mobster (Ray Liotta) wants.

This leads to a chase through Manhattan as they try to outrun and outwit their pursuers.

Wahlberg plays a hunky client of Claire’s, always shirtless, who threatens Phil and Claire’s marriage.

Several others of the current Hollywood elite- Kristen Wiig, James Franco, Mila Kunis, and Mark Ruffalo- make small and somewhat pointless appearances. Specifically, Franco and Kunis as a stoner-type bickering couple are silly and unnecessary to the story.

Carrell and Fey are quite funny as individuals and as a duo. Date Night, though, does not capitalize on or showcase their respective talents.

The film tries too hard to come up with scenario after scenario of the two on the run and encountering one problematic situation after another.

As the plot of Date Night wears on, I notice that each situation is a matter of convenience.

Conveniently, Claire has a client in town (Wahlberg), who is a security expert. They go to him for help and, predictably, his hunkiness bothers Phil and piques Claire’s interest- though, of course, we know full well Phil and Claire will end up together- that is how these mainstream films go.

In another scene. Phil and Claire can break into an office building unnoticed, trigger the alarms, conveniently find a needed file, and escape, miraculously all before the police arrive minutes later.

Very plot-driven.

The lead actors in Date Night are appealing and even charming together, but it falls flat. Still, the inane plot makes it unappealing to watch, and the slew of stars that somebody decided would be a great addition to a lukewarm film is odd.

The roles written have little bearing on the central plot, so it was apparent why they were added.

Date Night (2010) is a film we have seen time and time again with other actors in similar roles.

That’s My Boy-2012

That’s My Boy-2012

Director Sean Anders

Starring Adam Sandler, Andy Samberg

Scott’s Review #423

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Reviewed June 19, 2016

Grade: D

That’s My Boy (2012) is an incredibly bad film, yet something strangely kept my attention.

With oodles of stereotypes and either sexist, homophobic, or racist jokes throughout the film, it should have made me angry, but somehow it did not.

This movie was so completely over the top that it couldn’t possibly be taken seriously.

One laughable aspect that I did enjoy was the, albeit odd, cameos by Vanilla Ice and Todd Bridges who seem to have no problem degrading themselves, and the references to the 1980s.

Otherwise, That’s My Boy is pretty rock bottom for filmmaking.

This isn’t a knock on the dumb comedy genre, as other recent similar films are well written (like This is 40-2011).

But alas, That’s My Boy (2012) isn’t one of those films and will not go down in history as such.

True to form, the ending is predictable and uninteresting.

The Judge-2014

The Judge-2014

Director David Dobkin

Starring Robert Downey Jr., Robert Duvall

Scott’s Review #261

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Reviewed August 2, 2015

Grade: B+

The Judge (2014) is a formulaic courtroom drama we have all seen many times before, but I found it rather enjoyable.

The main reason for this is the casting of Robert Downey Jr. and Robert Duvall in the pivotal central roles. The two actors play estranged father and son.

The clichés are numerous, but the excellent acting makes the story feel fresh, fun, and compelling, if not innovative. As seen by only a few, The Judge was on my radar only because of Duvall’s Oscar nomination for his role.

Hank Palmer (Downey Jr.) is a big-shot attorney from Chicago. Highly successful, he is selfish, driven, and a downright prick.

Going through a messy divorce with his gorgeous, athletic wife, he has a close bond with his daughter, despite not being home very often.

Suddenly, Hank’s mother dies tragically, and he must return to small-town Carlinville, Indiana, a place he despises, not simply because the town is in the sticks, but because he has bad memories.

When he arrives, he reconnects with his two brothers and his father (Duvall), the local judge. While staying at the family house, Hank once again butts heads with his father and runs into an old girlfriend (Vera Farmiga), who now owns the local diner.

On his way out of town for good, Hank is asked to defend his father when he is arrested and charged with murder.

The Judge is a family drama that contains suspense and a few twists.

The film reminds me of a slew of 1990s-era courtroom dramas based on John Grisham novels (A Time to Kill, The Client, The Firm), so I expected a bland, dated film.

I love the chemistry between Downey Jr. and Duvall, which I think is the film’s strongest aspect, along with the family-style drama and the trials and tribulations thrown in.

Hank is smarmy and ruthless, but has a humorous side and tells it like it is. I smiled at his wry wit.

Judge Parker is equally stubborn, and the battles are wonderful to watch. Conversely, the film also has tender bonding moments between the two men, which are sentimental and warm.

One scene, in particular, is tender and heartbreaking: one a cares for the other while he’s sick.

An interesting aspect is Indiana’s small-town sense of community, which I found charming. Everyone gravitates towards the cute diner in the center of town owned by Hank’s high school sweetheart.

The film has a nice, wholesome, small-town appeal.

I half expected a county fair or apple-pie-baking scene.

The film feels wholesome and comfortable- a slick, mainstream drama. Movie comfort food, if you will.

The relationships among the three brothers- Hank, Glen, a middle-aged man regretting never having moved from Carlinville, and Dale, a sweet-natured autistic man, determined to one day become a filmmaker- are interesting.

They are so different but stick together, bicker, and bond. Similar to real-life families.

The negatives are that the courtroom scenes sometimes run too long, and the film brings nothing new or exciting to cinema, playing it safe throughout.

Still, I was pleasantly surprised to be treated to a film above mediocrity, though it isn’t a reinvention of the wheel.

It is worth seeing for the simmering performances of the entire cast, especially film stalwarts Duvall and Downey Jr., who bring life and wit to an otherwise traditional film.

Oscar Nominations: Best Supporting Actor-Robert Duvall