Tag Archives: Steve Carell

The 40-Year-Old Virgin-2005

The 40-Year-Old Virgin-2005

Director Judd Apatow

Starring Steve Carell, Catherine Keener, Paul Rudd

Scott’s Review #1,214

Reviewed December 31, 2021

Grade: B-

I am not a fan of director/producer Judd Apatow. His brand of silly comedy that includes objectification of women, homophobic language, and plain old unfunny attempts at slapstick comedy doesn’t go very far or sit particularly well with me.

His directorial debut is The 40-Year-Old Virgin (2005) which contains a fresh feeling and would ultimately lead to less worthy efforts like Knocked Up (2007) and This is 40 (2012).

Admittedly, the title alone had me and many others brimming with curiosity.

The freshness is mostly because of leading actor Steve Carell in a role that would propel him to film stardom and much better roles in the future.

So, I guess The 40-Year-Old Virgin deserves credit for that.

Typically, in Apatow’s films, the female characters are written as uptight, shrewish, and bitchy whereas the male characters are goofy and fun-loving. The audience is ‘supposed’ to root for the men and dislike the women.

The 40-Year-Old Virgin is no exception.

Still, the film does have a sweet-natured and innocent feeling amid the stereotypes, potty jokes, and obscenity that lie within. We root for the underdog to succeed in life and champion his plight despite it being a carnal and sexual one.

Andy Stitzer (Carell) is a tender yet socially inept man who works a lowly job at a big-box store. Single and living alone, 40-year-old Andy whiles away the days playing video games and admiring his action-figure collection. He is your classic, lovable nerd.

He harbors an embarrassing secret.

Despite his age, Andy has never engaged in sex, so his friends, including his closest friend David (Paul Rudd), encourage Andy to lose his virginity.

While attempting to get over his awkwardness around female customers, Andy meets a local shop owner Trish (Catherine Keener), and they begin an early romance.

With any Apatow film, the rest is highly predictable and the blueprint is formulaic and easy to figure out.

Andy will face humiliation due to his predicament and because of the bumbling yet good intentions of David and his other friend Cal, played by Seth Rogen.

He will inevitably have awkward encounters with a few other female characters, in this case, the aggressive Beth, played by Elizabeth Banks, before finding love with the ‘good girl’ Trish.

They will ride off into the sunset to live happily ever after. Spoiler alert- they have sex!

The best, and arguably only good part of The 40-Year-Old Virgin is Carell’s Andy. The character brings a warmth and a vulnerability that causes the audience to sympathize with his plight. While the majority of the viewers will not relate to being a virgin at his age they can at least relate to having an embarrassing issue to deal with.

I am glad that this film led to meatier roles for Carell. Foxcatcher (2014) and his storied role as Michael Scott in television’s The Office (2005-2013) immediately spring to mind.

Keener, mostly known for her dramatic rather than comedic roles is decent as the main love interest, Trish.

She, like Andy, is a rootable character though we don’t know too much about her. She is fond of Andy so, therefore, we like her and hope she takes Andy’s cherry.

The rest of The 40-Year-Old Virgin is riddled with standard comic setups and situations. When Andy slips and reveals his virginity by the next day his entire store knows his secret. From there, the insulting additions of a transvestite prostitute and a weird speed dating situation arise.

We know all along that Trish is the girl he will be with.

Apatow unwisely gives an interminable two-hour and thirteen-minute running time to his film which feels too long for a situation comedy.

One hour and thirty minutes would have been ideal and more desirable.

The 40-Year-Old Virgin (2005) is not the worst offender of the Apatow collection but it lacks any surprises or attempts at diversity.

It’s a perfect example of a tried and true adult sex romp with, thankfully, a likable central character.

Little Miss Sunshine-2006

Little Miss Sunshine-2006

Director Jonathan Dayton, Valerie Faris

Starring Greg Kinnear, Steve Carell

Scott’s Review #697

Reviewed November 23, 2017

Grade: A

A film that became a sleeper hit at the time of release in 2006 and went on the achieve recognition with year-end award honors galore, Little Miss Sunshine holds up quite well after over ten years since its debut.

Combining family humor with heart, audiences will fall in love with the antics of the dysfunctional Hoover family, warts and all, as they strive to persevere endless obstacles to enable precociously, seven-year-old daughter, Olive, a chance at competing in a beauty pageant hundreds of miles away.

The film is a comedic treat with charm and contains uproarious fun.

Directors  (and husband and wife team) Jonathan Dayton and Valerie Faris start right to work kicking off the humor in style as the one hour and forty-one-minute film introduces depressed Uncle Frank (Steve Carell) to the rest of the Hoovers as he comes to live with the family after a failed suicide attempt.

Frank, who is gay and has recently been dumped, is Sheryl Hoover’s (Toni Collette) brother and has a dry sense of humor.

He fits in well with the other peculiar members of the clan- Dad Richard (Greg Kinnear), a struggling motivational speaker, Grandpa Edwin, a vulgar, irritable man, brother Dwayne, angry and refusing to speak, and finally, pudgy-faced, Olive.

The brightest spots in Little Miss Sunshine are the exceptional writing and the nuanced, non-one-dimensional characters. Each character is both good yet troubled in their way and the overall message of the film is an important one.

The plot of the film encompasses a beauty queen pageant and the lifestyle this involves- hypocrisy and plastic nature is the main theme.

When the family stops at a roadside cafe for breakfast, Olive hungrily orders ice cream and is shamed by a member of the family- she must watch her figure, she is told.

Other members instead encouraged Olive to be herself.

Little Miss Sunshine poses an interesting dissection of the pressures very young people face to be perfect, especially in the beauty pageant business, and the message society sends.

Shocking is a scene where many of the contestants, all under the age of ten, appear in sexy, glamorous makeup, and bikinis.

Little Miss Sunshine is a very funny film and this undoubtedly is due to the chemistry that exists among the cast of talented actors. Quite the ensemble, all five of the principal characters have an interesting relationship with each other.

Too many film comedies suffer immensely from forced jokes or typical “set-up” style humor, plot devices created to elicit a response from the audience- which I call “dumbing down”.

Little Miss Sunshine, however, feels authentic and fresh- a situation becomes funny because there is an honest reaction by the characters.

The film is a slice of the life experience of an average blue-collar family.

A standout scene to mention is the hysterical one in which the Hoovers are pulled over by a highway police officer. To say nothing of the fact that the Hoovers are “escorting” a corpse to their destination, along with pornographic magazines, their classic, beat-up, yellow Volkswagen bus barely runs and contains a malfunctioning horn that beeps at inopportune times.

These hilarious scenes work on all levels as the comic timing is palpable and leads to a laugh-out-loud response.

Furthermore, the climactic “beauty pageant” scene is fraught with physical humor.

Olive, the oddball in a group of hypersexualized, young starlets, takes inspiration from her grandfather to simply “be herself”. She does so in a hilarious version of “Super Freak” that is R-rated, both shocking the audience and celebrated by others- specifically her entire family.

Olive successfully proves that she can be herself and happily does so.

How wonderful and refreshing to find a comedy with honest, ample humor and real integrity that can shine many years after its first release and retain the richness and zest that originally captured legions of viewers.

As proven over time with many independent films, wonderful writing and directors sharing a vision, go a long way in achieving a quality piece of filmmaking.

Oscar Nominations: 2 wins-Best Picture, Best Supporting Actor-Alan Arkin (won), Best Supporting Actress-Abigail Breslin, Best Original Screenplay (won)

Independent Spirit Award Nominations: 4 wins-Best Feature (won), Best Director-Jonathan Dayton and Valerie Faris (won), Best Supporting Male-Alan Arkin (won), Paul Dano, Best First Screenplay (won)

Despicable Me-2010

Despicable Me-2010

Director Pierre Coffin, Chris Renaud

Starring Steve Carell, Jason Segel

Scott’s Review #526

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Reviewed November 25, 2016

Grade: B-

My immediate reaction upon seeing Despicable Me (2010) is that it’s a cute film, just custom-made for the masses- children and families alike. This is fine, but I was honestly hoping for something a bit edgier or of more substance, but I did enjoy it at the same time.

The film is a fun, family-style affair for all ages with a nice story.

It tells of a villain, named Gru, who is in competition with other super-villains and hatches a plan to shrink and steal the moon.

He is reformed through three orphans (Margo, Edith, and Agnes) he first uses in his plan, but later comes to love and eventually adopts.

The orphans predictably reform Gru and bring out the nice man within him.

They change his life for the better.

There is nothing wrong with this film, nor is there anything tremendous about it either. I know some people loved it.

To me, Despicable Me (2010) was decent, but I wanted a bit more and perhaps a more complex or interesting plot, but that is just my taste talking.

Date Night-2010

Date Night-2010

Director Shawn Levy

Starring Steve Carell, Tina Fey, Mark Wahlberg

Scott’s Review #481

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Reviewed September 17, 2016

Grade: D+

Date Night is a perfect example of mediocrity in modern filmmaking.

We have two current comedic actors here- Steve Carrell and Tina Fey- circa 2010- at the top of their game.

The filmmaker’s idea is to pair these two and make an appealing romantic comedy appealing to the masses.

The main issue with this film is that the result is generic and quite an average offering.

And the entire film is incredibly plot-driven with no character development to speak of. If I am being too harsh, admittedly there is rather nice chemistry between the two leads, but it is wasted because of sloppy writing.

A couple from the New Jersey burbs, Carrell and Fey portray husband and wife, Phil and Claire Foster. Saddled with two kids and their romance reaching dullsville, Phil decides to take Claire to a ritzy Manhattan restaurant.

When they arrive, they cannot get a table but pretend to be another couple (the Tripplehorns) to obtain their table after the other couple’s no-shows. This leads to a tale of mistaken identity as the Tripplehorns possess a flash drive that a mobster (Ray Liotta) wants.

This then leads to a chase throughout Manhattan to outrun and outwit their pursuers. Wahlberg plays a hunky client of Claire’s, always shirtless, who is meant to threaten Phil and Claire’s marriage.

Several others of the current Hollywood elite- Kristen Wiig, James Franco, Mila Kunis, and Mark Ruffalo, make small and somewhat pointless appearances. Specifically, Franco and Kunis as a stoner-type bickering couple are silly and unnecessary to the story.

Carrell and Fey are quite funny as individuals and as a duo- Date Night, though, does not capitalize on nor showcase their respective talents. The film tries too hard to come up with scenario after scenario of the two on the run and encountering one problematic situation after another.

As the plot of Date Night wears on, I find myself noticing that each situation that occurs is a measure of convenience.

Conveniently, Claire has a client in town (Wahlberg), who is a security expert. They go to him for help and, predictably, his hunkiness bothers Phil and piques Claire’s interest- though of course, we know full well Phil and Claire will end up together- that is how these mainstream films go.

In another scene. Phil and Claire can break into an office building unnoticed, trigger the alarms, conveniently find a needed file, and escape, miraculously all before the police arrive minutes later.

Very plot-driven.

The lead actors in Date Night are appealing and even charming together, but the silly, inane plot makes it unappealing to watch and the slew of stars that somebody decided would be a great addition to a lukewarm film is odd.

The roles written have little bearing on the central plot so it was apparent why they were added.

Date Night (2010) is a film we have seen time and time again with other actors in similar roles.

Hope Springs-2012

Hope Springs-2012

Director David Frankel

Starring Meryl Streep, Tommy Lee Jones

Scott’s Review #434

70230548

Reviewed June 30, 2016

Grade: B

Hope Springs (2012) is a cute, lighthearted romantic comedy-drama with enormous talent (it is tough to go wrong with heavyweights like Meryl Streep and Tommy Lee Jones).

The story tells of a middle-aged, married couple who reach the point of boredom in their long marriage. They decide to go away on a retreat to repair their marriage and add some spark.

That’s the movie in a nutshell.

There are no surprises to speak of and I expected a bit more from this film given the talent involved. It has safely written all over it, and while nice, it could have been much more.

What’s the reason for the conflict? They suddenly reach a point of boredom for no reason.

Props to Steve Carell for an against-type performance.

Hope Springs (2012) has great acting all around, but too safe of a story.

The Way, Way Back-2013

The Way, Way Back-2013

Director Nat Faxon, Jim Rash

Starring Steve Carrell, Toni Collette

Scott’s Review #40

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Reviewed June 18, 2014

Grade: B-

The Way, Way Back (2013) is a cute, summery, “coming of age” story about a teen misfit struggling to fit in.

It contains the basic stereotypical characters (boozy neighbor, overbearing step-father type), but kudos to great performances by Allison Janney and Steve Carell who make the film much more than it would have been otherwise.

The film feels like something that has been done many times before but contains a charming, feel-good quality.

Still, I would have enjoyed it more if some risks had been taken and the characters delved into more.

It is a one-dimensional film that ultimately disappoints.