Tag Archives: Woody Harrelson

Game Change-2012

Game Change-2012

Director Jay Roach

Starring Julianne Moore, Woody Harrelson, Ed Harris

Scott’s Review #1,094

Reviewed December 23, 2020

Grade: B

Sarah Palin is an idiot. John McCain is not. We didn’t know that in 2008. We do now.

Somehow their different worlds collided as partners in crime for the 2008 United States Presidential election, she was the vice-presidential nominee to his.

McCain’s people wanted a fresh face, someone with charisma, who could help defeat the surging U.S. Senator from Illinois, named Barack Obama.

Game Change (2012), an HBO film, chronicles how an unknown female governor from Alaska was chosen as McCain’s running mate without proper vetting, leading to one of the biggest political fiascos of the twenty-first century.

The production is a well-acted, well-paced affair that makes even the most liberal viewer (me!) sympathize, ever so slightly, with Palin, who was thrust into the spotlight at lightning speed.

Julianne Moore takes center stage, giving the political figure empathy and some heart. Supporting turns by Woody Harrelson as the campaign’s senior strategist, Steve Schmidt, and Ed Harris as John McCain provide levity.

The acting is the best part of the film. Otherwise, the film might have been best served as a documentary (more about that below).

As believable as Moore, Harrelson, and Harris are, they feel like performances rather than authenticity. They try to give their best interpretations of the players instead of immersing themselves in their bodies.

Maybe that’s the point of the film?

I love how the film opens.

In 2010, after the debacle has ended, Steve Schmidt sits uncomfortably before Anderson Cooper from CNN. He asks Schmidt if Palin was chosen as the VP candidate because she would make the best vice president or because she could win the election.

The question is quite poignant and the basis for the entire film.

Another excellent sequence is set during the Republican National Convention. Palin’s speech is well received, bombastic even, and energetic, catapulting her as the potential saving grace of the party.

Sadly, for her, the campaign becomes concerned that she is ignorant about many political issues and grossly unprepared. These scenes are the weakest- the audience laughably realizes she believes Korea is one country, and many other gaffs follow.

But, unless you’ve been hiding under a rock, this is common knowledge.

Game Change makes a mistake by editing too many snippets of real-life interviews and other news media moments. This detracts from the dramatization that is the intention and makes me wonder why a solid documentary wasn’t made instead.

Jay Roach, who directs Game Change, revels in close-ups, especially of Palin, perhaps as a nod to her being thrust onto every television station in the United States.

Danny Strong screen writes the project.

The duo sets up the predictable situations nicely. Palin’s disagreements with McCain, the woman, not his choice. For reference, he wanted Joe Lieberman, a moderate from Connecticut who was considered “boring”.

Let’s give the most credit to Moore. The actress doesn’t exactly embody Palin. She is more like a dressed-up impersonator, hardly Charlize Theron flawlessly playing Aileen Wuornos.

But what she does do is successfully make the audience care about her and feel sorry for her. Palin had no idea what she was in store for, nor knew what she signed up for. Moore portrays the emotions well.

Moore carries the film. Palin became a source of venom and mockery after her embarrassing interview with Katie Couric in which she was unable to name any magazines.

She quickly became the whipping girl rather than the ‘it” girl.

The message is competent without feeling preachy or overpowering, but there is something a bit dull about Game Change. Schmidt and Nicole Wallace chose Palin, making the enormous mistake of knowing very little about the woman.

Game Change (2012) is recommended for those who want to be entertained or who desire a history lesson without seeing the real people.

I still think a documentary would have worked better.

A Prairie Home Companion-2006

A Prairie Home Companion-2006

Director Robert Altman

Starring Meryl Streep, Kevin Kline, Woody Harrelson, Lily Tomlin

Scott’s Review #1,033

Reviewed June 16, 2020

Grade: B

The final film by legendary and influential director Robert Altman is not his greatest work. If I were to compare A Prairie Home Companion (2006) to another of Altman’s pictures it would be Nashville (1975) both having grassroots entertainment similarities.

The latter combines satire amid a political rally in a southern city while the former celebrates behind-the-scenes events at a long-running radio show in Minneapolis.

Difficult to criticize anything a genius does, my expectation was much more than was given.

The film plods along with little excitement or juiciness ever happening so the experience is to enjoy the standard Altman fixtures like a huge cast, overlapping dialogue, and witty chatter.

A melancholy effort since no new material will ever be released by the cinema great, but a chance to celebrate his achievements all the same.

Set in present times, events take place in Saint Paul, Minnesota, a chilly city in the United States mid-west. A long-running live radio variety show, A Prairie Home Companion, prepares for its final broadcast.

The radio station’s new parent company has scheduled the show’s home, the storied Fitzgerald Theater, for demolition and dispatched “the Axeman” (Tommy Lee Jones) to judge whether to save the show. Prospects are grim as radio shows are deemed a thing of the past and irrelevant.

The many radio stars revel and reminisce in memories as they prepare for cancellation.

Led by the singing Johnson Girls, Yolanda (Meryl Streep) and sister Rhonda (Lily Tomlin), and daughter Lola (Lindsay Lohan) who are most prominent, other characters include cowboy duo Dusty (Woody Harrelson) and Lefty (John C. Reilly); pregnant PA Molly (Maya Rudolph) and the show’s creator and host, Garrison Keillor.

A spirit known as “Dangerous Woman” (Virginia Madsen) also joins the group.

Star power is not the issue here and it pleasing is to witness a bevy of A-list Hollywood stars duke it out for screen-time. Anyone possessing knowledge of Altman knows that he was an actor’s director, meaning he let his actors truly shine and interpret what the motivations of the characters were.

Garrison Keillor, who wrote the piece, follows Altman’s lead in this area letting the cast try and bring to life what is on the written page.

Unfortunately, they fail.

While meandering greatly, A Prairie Home Companion has an earthy and humanistic theater troupe quality. The stars of the radio show are like family and cling to each other for moral support during uncertainty.

This feels nice to the viewer as common compassion is endearing, many of the individuals have spent decades together. Their stories and experiences resonate warmly, and one can’t help but be sucked into their lives.

The problem with this is that the stories go on and on and quickly seem pointless. There is little doubt whether the show will close. While the people are enamoring nothing much really happens in the film and it becomes a bore.

The character interactions lack any energy and do not carry the film in any direction. They merely are what they are.

I can appreciate a slow build if there eventually is a payoff. A Prairie Home Companion (2006) never achieves full-throttle or hits the gas pedal so the film exists but doesn’t shine.

With masterpieces such as The Long Goodbye (1973), Nashville (1975), and 3 Women (1977) my expectations were soaring so that may be a part of my letdown.

Prairie Home is not included in my go-to catalog of Altman greats and would teeter at the bottom of a master ranking of his films.

Independent Spirit Award Nominations: Best Director-Robert Altman

No Country for Old Men-2007

No Country for Old Men-2007

Director Ethan Coen, Joel Coen

Starring Tommy Lee Jones, Javier Bardem, Josh Brolin

Scott’s Review #745

Reviewed April 19, 2018

Grade: A

No Country for Old Men, made in 2007,  is arguably Joel and Ethan Coen’s greatest work save for the amazing Fargo (1996).

Achieving the Best Picture Academy Award and appearing on numerous Top Ten lists for its year of release, the film is one of their most celebrated.

Containing dark humor, offbeat characters, and fantastic storytelling, adding in some of the most gorgeous cinematography in film history, No Country for Old Men is one of the decade’s great films.

The time is 1980 and set in western Texas as we follow dangerous hitman, Anton Chigurh, played wonderfully by Javier Bardem.

He escapes jail by strangling a deputy and is subsequently hired to find Llewelyn Moss (Josh Brolin), a hunter who has accidentally stumbled onto two million dollars in a suitcase that Mexican smugglers are desperate to find.

In the mix is Sheriff Tom Bell (Tommy Lee Jones), who is pursuing both men. Moss’s wife, Carla Jean (Kelly Macdonald) in turn becomes an important character as she is instrumental in the web of deceit the chain of events creates.

The film subsequently turns into an exciting cat-and-mouse chase with a dramatic climax.

The crux of the story and its plethora of possibilities is what makes the events so exciting to watch. As characters are in constant pursuit of each other the viewer wonders who will catch up to whom and when.

One quality that makes the film unique with an identity all its own is that the three principal characters (Moss, Bell, and Chigurh) seldom appear in the same scene adding a layer of mystery and intrigue.

The hero and most well-liked of all the characters is, of course, Sheriff Bell- a proponent of honesty and truth while the other two characters are less than savory types, especially the despicable Chigurh.

My favorite character in the story is Chigurh as he is the most interesting and Bardem plays him to the hilt with a calm malevolence- anger just bubbling under the surface.

One wonders when he will strike next or if he will spare a life- as he intimidates his prey by offering to play a game of chance- the toss of a coin to determine life or death- he is one of cinema’s most vicious villains. With his bob-cut hairstyle and his sunken brown eyes, he is a force to be reckoned with by looks alone.

True to many other Ethan and Joel Coen films the supporting or even the glorified extras are perfectly cast and filled with interesting quirkiness.

Examples of this are the kindly gas station owner who successfully guesses a coin toss correctly and is spared his life. My favorite is the matter-of-fact woman at the hotel front desk, with her permed hair, she gives as good as she gets, and her monotone voice is great.

It is these smaller intricacies that truly make No Country for Old Men shine and are a staple of Coen Brother films in general.

Many similarities abound between Fargo and No Country for Old Men, not the least of which is the main protagonist being an older and wiser police chief (Marge Gunderson and Tom Bell, respectively).

Add to this a series of brutal murders and the protagonist being from elsewhere and stumbling upon a small, bleak town. Of course, the extreme violence depicted in both must be mentioned as comparable.

Having shamefully only seen this epic thriller two times, No Country for Old Men (2007) is a dynamic film, reminiscent of the best of Sam Peckinpah classics such as The Getaway (1972) or The Wild Bunch (1967).

The Coen brothers cross film genres to include thriller, western, and suspense that would rival the greatest in Hitchcock films.

I cannot wait to see it again.

Oscar Nominations: 4 wins-Best Picture (won), Best Director-Joel and Ethan Coen (won), Best Supporting Actor-Javier Bardem (won), Best Adapted Screenplay (won), Best Sound Editing, Best Sound Mixing, Best Cinematography, Best Film Editing

Zombieland-2009

Zombieland-2009

Director Ruben Fleischer

Starring Jesse Eisenberg, Woody Harrelson

Scott’s Review #586

Reviewed January 6, 2017

Grade: B

Zombieland (2009) is a fun, entertaining, popcorn-style flick. The film is not designed to be taken very seriously given the subject matter of zombies- nor should it.

Rather, the film goes over the top frequently to elicit a good time and plays for laughs. Sometimes it is successful, adding dark comedy to the story, other times the film comes across as silly.

The story takes place during a time when zombies have overtaken the world, and humans are left to fend for themselves and survive.

The film is a more cartoon version of the popular television series, The Walking Dead, despite pre-dating it. It lacks the heavy drama of the series.

Still, for 2009, the film is a novel idea and the movie works more often than not.

Woody Harrelson is amusing and charismatic. Jesse Eisenberg is falling into the Ben Stiller and Will Farrell trap of playing the same character over and over again, and I am personally a big fan of Abigail Breslin and she does not disappoint in this film.

Zombieland (2009) will likely only be remembered as a fun midnight, Saturday night fluff film if that.

Seven Psychopaths-2012

Seven Psychopaths-2012

Director Martin McDonagh

Starring Colin Farrell, Sam Rockwell

Scott’s Review #422

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Reviewed June 19, 2016

Grade: B-

Seven Psychopaths (2012) is a film that I truly wanted to like more than I did.

It started well with a Quentin Tarantino style that was appealing and the film does contain an interesting premise.

Colin Farrell plays the straight man in a cast of offbeat, quirky characters and is attempting to complete a screenplay entitled “Seven Psychopaths” based on these characters.

Sounds great, but halfway through the movie stopped delivering. I found myself slightly bored.

The film has a unique concept, to be sure, but fizzles during the second act, so much so that it stopped making much sense and lost my interest.

I did admire the creativity, though, and the chemistry among the cast is great, but the overall story in Seven Psychopaths (2012) disappointed me.

Independent Spirit Award Nominations: Best Supporting Male-Sam Rockwell, Best Screenplay