Stage Fright-1950

Director Alfred Hitchcock

Starring Jane Wyman, Marlene Dietrich, Michael Wilding

Scott’s Review #1,160

Reviewed July 9, 2021

Grade: A-

Stage Fright (1950) is a British film directed by Alfred Hitchcock before his American invasion.

The film feels like a hybrid British/American project with the leading lady, Jane Wyman, being American, but otherwise, it is set in London with many British actors.

Hitchcock mixes plenty of film noir influences with the typical thrills and suspense, creating an excellent film that flies under the radar compared to his other films.

Wyman is cast as an attractive aspiring actress who works on her craft by going undercover to solve a mystery. The film has elements of Nancy Drew, and it’s fun to watch Wyman, who would become Mrs. Ronald Reagan before he entered politics and later became President of the United States.

She reportedly divorced him because she had little interest in entering the political spectrum by association.

The action gets off to a compelling start with two characters driving in a car in apparent peril. Hitchcock loved driving scenes like these. It is learned that the police think actor Jonathan Cooper (Richard Todd) is a murderer, and now they’re on his tail.

He seeks shelter with his ex-girlfriend Eve (Wyman), who drives him to hide with her father, Commodore Gill (Alastair Sim).

He explains that it was his lover, the famous and snobbish actress Charlotte Inwood (Marlene Dietrich), who killed the victim (not coincidentally, her husband). Convinced that Jonathan is innocent, Eve plays detective and assumes multiple disguises, slowly developing feelings for Detective Inspector Wilfred O. Smith (Michael Wilding).

Once embroiled in a web of deception, she realizes that Shakespeare was right and that all the world is a stage.

Wyman is the Hitchcock brunette as opposed to his later fascination with the blonde bombshell. Therefore, her role is more sedate and astute than the sex appeal that would come with Hitchcock’s later characters.

Eve closely resembles Charlie, the character Teresa Wright played in 1943’s Shadow of a Doubt. They are both astute and investigative, with a mystery to unravel. Interestingly, they both fall for detectives.

All the glasses! Hitchcock’s fetish for women wearing glasses is on full display, especially with the character of Nellie, a cockney opportunist played by Kay Walsh. Look closely, and one can spot several minor or background ladies sporting spectacles, and even Eve dons a pair as a disguise.

The director’s daughter, Pat Hitchcock, plays a small role as she would in Strangers on a Train (1951) and Psycho (1960).

Speaking of Strangers on a Train, there are similarities to mention.

Both involve a tit-for-tat exchange in which one character requests another kill someone for a payoff or other motivation.

Marlene Dietrich is as sexy as ever in Charlotte’s pivotal role. She is also self-centered, self-absorbed, and thoughtless. She constantly mispronounces Eve’s fictitious name and barely notices that she is covering for her regular maid/dresser.

But is she evil and capable of killing her husband?

Stage Fright has a thrilling finale. In the climax, the audience finally finds out who has been telling the truth, who has been lying, and what explanations are revealed. There is a pursuit, an attempted killing, and a shocking death by way of a falling safety curtain in the theater, naturally.

What one would expect from a Hitchcock final act.

The focus on theatrical stage actors is a nice topic and adds to the existing drama, as the implications of playing various roles are prominent. So is the prominence early on of the Big Ben landmark in London and other location trimmings.

Stage Fright (1950) doesn’t get the love saved for other Hitchcock masterpieces, and that’s a shame because the film is excellent.