Category Archives: 1938 Movie reviews



Director-William Wyler

Starring-Bette Davis

Scott’s Review #236


Reviewed April 18, 2015

Grade: B+

A wonderful showcase for the young and lovely Bette Davis, Jezebel (1938) is a very early film role for Davis that has many similarities to Gone with the Wind, a film that Davis reportedly lost out to Vivian Leigh. One wonders how she would have made the character of Scarlett O’Hara her own and Jezebel is a journey exploring that possibility.

Directed by acclaimed director William Wyler, Jezebel is set in 1852 (pre Civil War) New Orleans. Davis plays spoiled southern belle, Julie Marsden. Julie is engaged to wealthy banker Preston Dillard, played by Henry Fonda. After a dispute in which Julie selfishly feels her needs are not being catered to, she shockingly wears a red dress to a sophisticated ball where unmarried women are expected to wear white. This causes a scandal that results in Preston dumping Julie and leaving town. Cocky Julie expects Preston to return to town and grovel for her forgiveness, but when he does return with a life-changing twist, the drama unfolds. Circumstances include a savage duel, longing love, and atonement.

Fans of Davis will love Jezebel for the sheer excellence that she brings to the screen. Mesmerizing with those soulful, big eyes, and wonderful mannerisms, she exudes confidence and sophistication. Admittedly this is my earliest Davis experience and she shimmers on-screen. Bette Davis is perfectly cast. Interesting to note are the innocent qualities early Davis possessed. Later afflicted with a hoarse, deep voice and ravaged beauty after years of alcohol and cigarette abuse, Davis in Jezebel is virginal and debutante looking.

Interesting to me is Julie’s wardrobe choices- her horseback riding outfit, the vixen-like red dress, the virginal white dress, and the dark raven cape at the climax of the film, and various lighting techniques that Wyler used to showcase Davis’s face- almost look like candlelight.

The film itself has several similarities to Gone with the Wind (which is preceded by a year). Julie, like Scarlett, is a rich, selfish girl who likes to manipulate men and both films feature a love triangle prevalent to the story as well as broken hearts. The slaves in both films resemble each other though are a bit more glamorous in Jezebel. The introduction of the yellow fever storyline and the sick and weak lying around in droves is similar to the wounded and dying soldier scene in Gone with the Wind where the sick and dying lie in pain. The periods, triangle, and southern charms all heavily play in both. It is impossible not to compare the two films.

Melodrama done very well, Jezebel (1938) is to be admired as it is a film featuring a strong female character something lacking in the film then (1938) and shamefully still lacking in film today! Jezebel is a true “ambitious woman’s movie”.

Oscar Nominations: Outstanding Production, Best Actress-Bette Davis (won), Best Supporting Actress-Fay Bainter (won), Best Scoring, Best Cinematography

Rebecca of Sunnybrook Farm-1938

Rebecca of Sunnybrook Farm-1938

Director-Allan Dwan

Starring-Shirley Temple

Scott’s Review #113


Reviewed July 16, 2014

Grade: B

Rebecca of Sunnybrook Farm (1938) is one of a heap of Shirley Temple films to be released in the 1930s and 1940s.

In this story, Rebecca (Temple) is a confident child singer auditioning for a New York City radio gig with her opportunist Uncle in tow. Through a series of mishaps, Rebecca winds up on a farm outside of the city with her aunt and various other people who live on or near the farm.

The race is on for the radio people to find Rebecca in time and make her a star. Other romantic sub-plots involving the supporting characters occur.

The film is very innocent and cutesy and one needs to be a Shirley Temple fan to truly enjoy the film. If not, one might find it contrived and schmaltzy. It felt somewhere in the middle for me- I enjoyed the Shirley Temple musical numbers and the talent of the star, but the story was, of course, predictable and no surprises were in store. It felt more like a pleasant trip down memory lane.

The film is harmless and contains the standard Temple curls, smile, and joyfulness. The supporting cast includes Jack Haley (The Wizard of Oz) and Gloria Stuart (Titanic-1997).