Million Dollar Baby-2004
Director Clint Eastwood
Starring Clint Eastwood, Hilary Swank
Scott’s Review #798
Reviewed August 2, 2018
Grade: A
Million Dollar Baby (2004) is arguably Clint Eastwood’s best-directed film of his career.
Rivaling Mystic River (2003) by a hair, the film has a raw emotional appeal, empathetic, richly drawn characters, and a mainstream sensibility.
These combined elements resulted in huge box office success and Oscar wins for Picture, Director, Actress, and Supporting Actor in the year of its release.
Frankie Dunn (Clint Eastwood) is a hardened boxing coach who owns a run-down Los Angeles gym. He works with his best friend and assistant, Eddie (Morgan Freeman).
When an aspiring female boxer, Maggie (Hilary Swank), arrives and begs Frankie to train her, he initially declines, but at Eddie’s urging, eventually relents and leads her to great success as a top female boxer.
Frankie and Maggie forge a close-knit, father/daughter relationship, a substitute for the damaged one he has with his daughter.
The final portion of Million Dollar Baby takes a very dark turn, as Maggie is illegally punched during a fight by a fellow boxer, causing her to develop quadriplegia. These events change the film’s tone from a very good sports drama to a great tale of morality.
Many emotions and debates ensued after this film was released, and the common question “What would you have done?” gripped viewers for months, throughout awards season.
The heartbreaking effects of the story events raise the film head and shoulders above most typical sports films.
Too often, Eastwood creates films that are palpable, but in a way generic, and very Hollywood.
Grand Torino (2008) and Invictus (2009) are good examples of this, especially Invictus, given its sports-drama element.
Some assumed that Million Dollar Baby was to be a female Rocky (1976), and the film was indeed marketed as such. For this reason, some felt robbed or duped, but I celebrate this film as leaning firmly left of center with a refreshing, progressive approach.
The performances are amazing all around, even by Eastwood, who is ever known for his acting talent. The characters are written as character-driven, but not caricatures.
Wounded, grizzled, and flawed, in his senior years, Frankie sees that his life has passed him by, having achieved nothing.
Never has Eastwood portrayed a character as complex and reserved as Frankie.
Swank deserved her second Oscar (1999’s Boys Don’t Cry was her first) for simply becoming a boxer- her pre-filming prep schedule reportedly was insane. More than the muscle and toning she achieved, are the raw acting talent and wounded emotions she possesses.
The character is portrayed as pained and vulnerable, yet very strong.
She has achieved little in her life, working as a waitress in Missouri and stealing scraps of leftovers to survive. Her family is trash through and through, only wanting her eventual riches for themselves.
The character is inevitably championed as we empathize with her plight emotionally.
Finally, Freeman deserves recognition for being the ultimate supporting actor. Eddie Dupris, a former fighter blind in one eye, is the central figure of the story and frequently narrates others’ actions, often offering a glimpse into individuals’ psyches.
The voice of reason, he is observant and analytical, almost knowing Freddie better than Freddie knows himself. They quarrel and disagree, but are forever friends and loyal to a fault.
Freeman possesses a reserve that makes the audience curious about his past life.
Million Dollar Baby (2004) is Eastwood’s best film- Mystic River comes a close second, however. A seemingly formulaic story and genre are woven into a web of humanism, emotions, and power.
The film is about the characters, which makes it succeed.
Eastwood has not quite surpassed this beautiful story, but has thankfully received dripping praise and accolades for a film not soon forgotten.
Oscar Nominations: 4 wins-Best Picture (won), Best Director-Clint Eastwood (won), Best Actor-Clint Eastwood, Best Actress-Hilary Swank (won), Best Supporting Actor-Morgan Freeman (won), Best Adapted Screenplay, Best Film Editing
