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Toy Story 4-2019

Toy Story 4-2019

Director Josh Cooley

Voices: Tom Hanks, Tim Allen, Annie Potts

Scott’s Review #966

Reviewed December 10, 2019

Grade: B

Toy Story 4 (2019) is the fourth installment in the Pixar/Disney-produced Toy Story series, now nearly twenty-five years old!

The glitter is beginning to fade on a once-endearing franchise, and hopefully, this is the last one- additional segments are not needed unless desperation develops.

After a slow start and too many retread moments, the film shows bombast and familiar heart and tenderness in the finale, presumably wrapping up the long story with a neat bow.

The animation is vivid and colorful, almost astounding, and makes up for an otherwise unnecessary story.

In a flashback sequence, nine years after Toy Story 2, Bo Peep (Annie Potts) is donated to a new owner, and Woody (Tom Hanks) begrudgingly decides to maintain his loyalty to the owner, Andy.

Years later, and now a teenager, Andy donates a forgotten Woody to a young child named Bonnie, who lacks the affection for the toy that Andy had. When Bonnie makes and bonds with Forky, a toy made of plastic, Woody struggles to convince Forky that each is more than garbage.

When Bonnie and her parents embark on a summer road trip to an amusement park, Woody and other familiar faces are along for the ride.

The group meets other forgotten toys, some benevolent and some sinister, at the park and a nearby antique store. Woody’s dear friend and comic relief, Buzz (voiced by Tim Allen), is in the mix and helps all the toys realize that they are not forgotten and that they can still bring joy to children.

The film provides an unwieldy list of celebrities in major and minor roles. The incorporation of characters like Chairol Burnett, Bitey White, and Carl Reineroceros (voiced naturally by Carol Burnett, Betty White, and Carl Reiner) may not be necessary.

Still, it’s fun to watch the credits roll and see who’s who from the cast.

The minor characters are little more than window dressing, but the creativity is admirable.

The main story of abandonment, loyalty, and discarding of one’s toys is ample and pleasant, but has occurred in every segment thus far in the series.

Do we need to see this again? Yes, it is an essential message for both children and adults, but why not simply watch the first three installments of Toy Story, each brilliant in their own right?

Toy Story 4 plays by the numbers with little surprises.

One glaring notice is how almost every single adult is either incompetent or played for laughs.

I understand that the main draw is the toys and outsmarting the adults is half the fun, but when Bonnie’s father assumes his navigation system is on the fritz, rather than catching on to the fact that one of the toys is voicing the system, one must shake one’s head.

Suspension of disbelief is increasingly required in these types of films.

Toy Story 4 picks up steam in the final twenty minutes with a thrilling adventure through the amusement park and a cute romance between Woody and Bo Peep.

When the long-forgotten toy Gabby Gabby (Christina Hendricks) emotionally rescues a lost child, she is rejuvenated and breathes new life into both the child’s life and her own.

In a darling moment, Forky meets another creation named Knifey. Knifey suffers from the same existential crisis as Forky once did, and Forky immediately becomes smitten with her, both realizing that even though they are odd-looking, they still matter.

The nice lesson learned is that even toys from the 1960s and 1970s can provide warmth and comfort to a young child and are more than “of their time”.

This is a clear and bold message that resonates with human beings and acknowledges that advanced age does not come with an expiration date.

Everyone matters and brings importance. The underlying theme is heartwarming and central to the film, bringing it above mediocrity.

What should certainly be the final chapter in a tired franchise that continues to trudge along, the bright message and strong animations remain, but the film feels like a retread.

Given that Toy Story 3 was released in 2010, Toy Story 4 (2019) needs to bring the series to a conclusion before installments 5, 6, 7, or 8 result in a dead-on-arrival sequel.

Oscar Nominations: 1 win-Best Animated Feature Film (won), Best Original Song-“I Can’t Let You Throw Yourself Away”

Marriage Story-2019

Marriage Story-2019

Director Noah Baumbach

Starring Adam Driver, Scarlett Johansson

Scott’s Review #959

Reviewed November 14, 2019

Grade: A

Marriage Story (2019) is a film that could have been generic, melodramatic, or contrived. Before its release, it was described as an excellent” version of Kramer vs. Kramer (1979) or Terms of Endearment (1983).

Those are excellent films, but marginally sappy and overwrought. Marriage Story excels at being a brilliant, powerful, and realistic portrayal of a marriage disintegrating, painting a picture of how good people can turn ugly under certain circumstances.

Believe the hype of how good this film is.

Taking place in both New York City and Los Angeles, we meet Charlie and Nicole Barber (Adam Driver and Scarlett Johansson), a theater director and his wife, an actress who stars in his plays.

They fill notebook paper with what they love most about each other, and the list is lengthy.

Appearing to be madly in love, the audience soon realizes that the couple is amid an amicable separation, the writings a result of an assignment by a “separations counselor”, hired to make things easier.

Charlie and Nicole share an eight-year-old son named Henry. Nicole returns to Los Angeles to resume her acting career and spend time with her mother (Julie Hagerty) and sister (Merritt Wever). Adam, successful in New York City, plans to stay and reside with his son.

Nicole hires a tough lawyer, Nora (Laura Dern), while Charlie begrudgingly hires semi-retired attorney Bert Spitz (Alan Alda), and later Jay (Ray Liotta). Nicole and Charlie are sensible, planning to work things out on their own, only needing representation for formalities, or so they think.

The situation escalates, spinning out of control as their divorce becomes increasingly hostile, as custody of their young son ups the ante. Qualities they once loved about each other become hate-filled arguments as the couple fights and feuds, as their attorneys scramble for a leg up.

Can the couple save themselves as secrets bubble to the surface, and situations be used against each other?

The film is a lengthy two hours and sixteen minutes, so the plot takes time to capture its viewer. When it eventually takes hold, it never lets go, forcefully enrapturing the watcher.

We care for both Charlie and Nicole, and while sympathizing with each other at different times, both characters are written as benevolent.

There is no villain except the divorce itself.

The key to success is in the writing. Director, Noah Baumbach, known for The Squid and the Whale (2005), and Frances Ha (2012) knows how to craft witty and clever dialogue, weaving comedy and drama intricately together.

He can make the viewer laugh and cry within the same scene.

The screenplay is the best part of the film because it is laden with crackling words and interesting situations.

Marriage Story reminds me of a Woody Allen film. Feeling improvised, unsure if any of the dialogue is, the characters speak lengthy soliloquies and engage in endless chatter with each other or themselves.

This results in a powerful medium of self-expression and a “talkie” movie.

The banter between characters is not drivel nor gibberish but contains significant, emotionally rich meaning and flavor.

The film belongs to Driver and Johansson, each delivering a home run. Driver is the stronger of the two, but not by much, and this is only because his emotional scenes feel rawer than hers do.

When the actors engage in a knock-down, drag-out fight, the scene is lengthy and exceptionally well-acted, with each taking turns verbally attacking the other. Vicious rage and emotional fury come to the forefront.

This is the best scene in the film.

Dern, Alda, and Liotta are terrific, bringing respect to the film. Each has been on the Hollywood scene for a long time, and each plays an attorney. While Dern’s and Liotta’s characters are sharks, Alda is a reasonable and realistic older man who has seen it all.

Burt lays down the facts for Charlie, making him realize how much is at stake. Dern shines as the sexy blonde attorney who wears revealing clothes and legs for miles. Grizzled Liotta plans to win at all costs. What a delight to see these veterans bring electricity to each scene.

Lastly, I adore the bi-coastal locales of New York City and Los Angeles. The big cities burst with meaning and are as different as day and night, as the film explains.

Charlie is a New Yorker, and Nicole is a California girl at heart. The numerous scenes shot on location in both cities lend the film richness and texture.

With Marriage Story (2019), Baumbach creates his best and most personal film.  Rumored to be partly autobiographical, he takes a subject matter that most assume has already been exhausted and spins the story in a different direction, making it feel fresh.

The aspects all come together in an experience that is emotional, powerful, and intelligent. The film is a treasure and a shining example to young filmmakers that good writing always prevails.

Oscar Nominations: 1 win-Best Picture, Best Actor-Adam Driver, Best Actress-Scarlett Johansson, Best Supporting Actress-Laura Dern (won), Best Original Screenplay, Best Original Score

Independent Spirit Award Nominations: 2 wins-Best Feature, Best Screenplay (won), Robert Altman Award (won)

Toy Story 3-2010

Toy Story 3-2010

Director Lee Unkrich

Starring Tom Hanks, Tim Allen

Scott’s Review #562

Reviewed December 26, 2016

Grade: B+

It’s not easy for sequels to succeed in the creativity or originality categories, but surprisingly, Toy Story 3 (2010) is a fresh, imaginative, fun film.

The characters are charming, interesting, and heartwarming, and the film avoids a sappy result.

Pixar has another hit.

Andy, now grown up and headed off to college, sees no reason to keep any of his childhood toys, now irrelevant and headed for the scrap box.

At least that is what Woody, Buzz Lightyear, and friends fear will happen as the dreaded day approaches.

They must scheme to avoid their fate.

Many interesting new toys are introduced to this franchise with unique personalities, giving a fresh approach while not forgetting the past.

I adore how Toy Story 3 has many dynamic themes (loneliness, abandonment, togetherness) that play very well together with a nice message.

On a deeper level, the film reflects the modern era.

People are so easily thrown out, forgotten, and abandoned, whether through a job, relationship, etc., so that makes this film a sad reality if one chooses to look at it that way, which most won’t.

Great movie for kids and adults alike with a meaningful, relevant message. The film is not a sugar-coated affair and offers a cold reality while remaining accessible.

Oscar Nominations: 2 wins-Best Picture, Best Adapted Screenplay, Best Animated Feature Film (won), Best Original Song-“We Belong Together” (won), Best Sound Editing