Tag Archives: Whoopi Goldberg

2023 Films, Aunjanue Ellis-Taylor, Blitz Bazawule, Colman Domingo, Danielle Brooks, Drama, Fantasia Barrino, Halle Bailey, Louis Gossett Jr., Musical, Musical Drama, Oprah Winfrey, Quincy Jones, Steven Spielberg, Taraji P. Henson, Whoopi Goldberg

The Color Purple-2023

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The Color Purple-2023

Director Blitz Bazawule

Starring Fantasia Barrino, Danielle Brooks, Taraji P. Henson

Scott’s Review #1,423

Reviewed March 16, 2024

Grade: B+

In 2023, director Blitz Bazawule recreated the famous 1985 cinematic version of The Color Purple by Steven Spielberg with mostly good results though it won’t be remembered like Spielberg’s is.

Bazawule is also a visual artist, rapper, singer-songwriter, and record producer so his version differs greatly from Spielberg’s in style and production design.

The ‘new’ version feels closer to what a feel-good Broadway stage version might feel like with incorporated musical numbers breaking up the drama and sometimes the comedy.

The Color Purple was a stage version and before that a much bleaker novel by Alice Walker so I’m not averse to comparing the 2023 version to all that preceded it.

Since we are talking cinema, although I’m more partial to the 1985 version mostly because that one packed a much greater emotional punch I think the numbers are a wise move and are choreographed well.

My favorite by far is ‘Hell No!’ an aggressive and anthemic stomp performed by a defiant Sofia (Danielle Brooks) and later reprised when mousy Celie (Fantasia Barrino) finds a set of balls.

We all probably know the story but here is a brief synopsis for those unfamiliar with the plot.

Set in the Deep South (Georgia) from the early 1900s until the 1940s, the main story follows the shy and put-upon Celie. She is raped and forced to bear the children of her father who then sells the babies. She is sent to marry and live with ‘Mister’ (Colman Domingo) who beats her and sets his sights on Celie’s sister Nettie (Halle Bailey).

Nettie and Celie are the best of friends but through circumstance lose touch for years.

The decades march on as Celie finds her voice and independence thanks to Sofia, jazz singer Shug Avery (Taraji P. Henson), and other kind folks.

The Color Purple is a lovely look at perseverance, extraordinary strength, and hope in the unbreakable bonds of sisterhood during a difficult time in history.

Black women especially were not always treated well.

The casting is uneven. I wasn’t completely won over by Barrino as Celie. The one-time ‘American Idol winner can sing and was Celie on Broadway in 2007 but I kept musing how exceptional Whoopi Goldberg was in the part in 1985.

Speaking of Goldberg, she appears in a cameo role early on as a midwife.

Henson, as Shug, has a tremendous voice and confidence providing the glamour and outrageousness needed for the role. However, she is supposed to be a drop-dead gorgeous woman who Celie is madly in love with and Henson doesn’t have the looks.

As my apt husband announced, Beyonce Knowles would have been a brilliant casting choice.

The standout is Brooks as Sofia, justifiably receiving the sole Academy Award nomination. The instant she appears on screen bullying her meek husband Harpo she has the audience wrapped around her finger giving as good a performance as Oprah Winfrey did in 1985.

While the musical numbers incorporate more of the Broadway-style they also contain a musical rock video vibe that takes away a bit of the cinematic production.  The dance moves are so perfect that they make the film feel ‘fun’ when it should feel ‘tragic’.

Even though Spielberg’s version was accused of excessive sappiness, it’s downright raw compared to the 2023 version. The finale is overly sentimental and the reunion of Celie and Mister, Mister now suddenly converted to a saint, is unrealistic.

Everything ends up so perfect for Celie and that’s all well and good but the fairy tale ending offsets some of the anguish she goes through early in the film.

Finally, Sofia’s big scene when she punches the mayor and other white townsmen lack the emotional heartbreak that the 1985 version did.

Held on its own merits, the film is a success. The Color Purple (2023) never drags and entertains from the first scene to the last. It’s a crowd-pleaser so those looking for a gooey experience will enjoy this version.

It’s safe waters without languishing towards dull or ineffectual.

Oscar Nominations: Best Supporting Actress-Danielle Brooks

1992 Films, Andie MacDowell, Best Feature- Independent Spirit Award Winners, Bruce Willis, Comedy, Dark Comedy, Dean Stockwell, Drama, Gary Busey, Gina Gershon, Independent, Independent Drama, Jeff Goldblum, Joel Grey, Julia Roberts, Lyle Lovett, Nick Nolte, Peter Gallagher, Richard E. Grant, Robert Altman, Satire, Scott Glenn, Sydney Pollack, Tim Robbins, Vincent D'Onofrio, Whoopi Goldberg

The Player-1992

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The Player-1992

Director Robert Altman

Starring Tim Robbins, Peter Gallagher

Scott’s Review #601

Reviewed January 11, 2017

Grade: A

The Player (1992) ranks up there with other Robert Altman classics such as Gosford Park (2001), Nashville (1975), and Short Cuts (1993).

The film is an excellent piece of Hollywood satire and centers around a jaded movie executive, played by Tim Robbins, who does an incredible job with his role.

Robbins plays Griffin Mill, a man with no scruples. Feeling usurped by a younger executive, played by Peter Gallagher, as well as receiving death threats, he goes on the hunt for the person he feels responsible for, which leads to murder.

The audience is unsure whether to love or hate Mill, thanks to Robbin’s performance. He is snarky, but also vulnerable and a tad sympathetic.

The film contains a slew of real Hollywood celebrities (Cher, Malcolm McDowell, Bruce Willis) playing themselves and is largely improvised (as many of Altman’s films are).

Whoopi Goldberg and Lyle Lovett star as odd police detectives.

The plot is nothing that hasn’t been done before, but it’s the realness and the direction that make this movie a must-see, especially for Robert Altman fans.

The Player (1992) is a hidden gem.

Oscar Nominations: Best Director-Robert Altman, Best Screenplay Based on Material Previously Produced or Published, Best Film Editing

Independent Spirit Award Nominations: 1 win-Best Feature (won)

2010 Films, Animated, Best Animated Feature Oscar Winners, Bonnie Hunt, Children, Disney, Don Rickles, Estelle Harris, Joan Cusack, John Ratzenberger, Laurie Metcalf, Lee Unkrich, Michael Keaton, Ned Beatty, Tim Allen, Timothy Dalton, Tom Hanks, Whoopi Goldberg

Toy Story 3-2010

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Toy Story 3-2010

Director Lee Unkrich

Starring Tom Hanks, Tim Allen

Scott’s Review #562

Reviewed December 26, 2016

Grade: B+

It’s not easy for sequels to succeed in the creativity or originality categories, but surprisingly, Toy Story 3 (2010) is a fresh, imaginative, fun film.

The characters are charming, interesting, and heartwarming, and the film can avoid a sappy result.

Pixar has another hit.

Andy, now grown up and headed off to college, sees no reason to keep any of his childhood toys, now irrelevant and headed for the scrap box- at least that is what Woody, Buzz Lightyear, and friends, fear will happen as the dreaded day approaches.

They must scheme to avoid their fate.

Many interesting new toys are introduced to this franchise with unique personalities, thereby giving a fresh approach, yet not forgetting the past.

I adore how Toy Story 3 has many dynamic themes (loneliness, abandonment, togetherness), that play very well together with a nice message.

On a deeper level, the film reflects the modern era. People are so easily thrown out, forgotten, and abandoned, whether through a job, relationship, etc. so that makes this film a sad reality if one chooses to look at it that way, which most won’t.

Great movie for kids and adults alike with a meaningful, relevant message. The film is not a sugar-coated affair and offers a cold reality while remaining accessible.

Oscar Nominations: 2 wins-Best Picture, Best Adapted Screenplay, Best Animated Feature Film (won), Best Original Song-“We Belong Together” (won), Best Sound Editing

1999 Films, Angela Bettis, Angelina Jolie, Brittany Murphy, Clea DuVall, Drama, Elisabeth Moss, James Mangold, Jared Leto, Jeffrey Tambor, Vanessa Redgrave, Whoopi Goldberg, Winona Ryder

Girl, Interrupted-1999

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Girl, Interrupted-1999

Director James Mangold

Starring Winona Ryder, Angelina Jolie

Scott’s Review #461

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Reviewed August 8, 2016

Grade: B+

Girl, Interrupted is a film that I had viewed twice when it came out (1999) and recently viewed again in 2013.

The film is a star-making performance for Angelina Jolie (unknown before this) and warrants a watch just for that alone. Jolie completely steals the show as she portrays a damaged mental patient during the 1960s.

The film itself is interesting as its intended star is Winona Ryder, at this point in her heyday, but completely usurped by Jolie- glaringly so.

Ryder was in prime form when she was the “it” girl during the 1990s. Sadly, her star has since faded.

Besides the “who is the real star of Girl, Interrupted” saga, the film itself is very good, though it has a glossy, happily ever after, Hollywood, vibe to it.

It is not as gritty as it could have been.

Throughout, the film has a very safe feel- even in moments of peril, as when one girl commits suicide, or another suffers from burns, it feels light.

I did not buy Whoopi Goldberg as the kindhearted nurse. Her performance was okay, but nothing special.

Ryder and Jolie are tops.

Despite the subject matter, the film suffers from a chick-flick, cliché, happy ending sort of style, but despite all of this, I still immensely enjoy the film.

Oscar Nominations: 1 win-Best Supporting Actress-Angelina Jolie (won)

1985 Films, Best Film of the Year, Danny Glover, Drama, Laurence Fishburne, Margaret Avery, Oprah Winfrey, Steven Spielberg, Whoopi Goldberg

The Color Purple-1985

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The Color Purple-1985

Director Steven Spielberg

Starring Whoopi Goldberg, Oprah Winfrey

Scott’s Review #358

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Reviewed January 9, 2016

Grade: A

Steven Spielberg, admittedly a director who focuses more on sentimentality, mixes heartbreak with the courage to blend a recipe that makes for a perfect, mainstream film from 1985.

It is a different direction for him- far extreme from the summer blockbusters he was known for until this time.

Exceptional acting and cinematography lend themselves to The Color Purple, a film based on the much darker novel by Alice Walker. Certainly, one of the best films of the 1980s.

A relative unknown when the film was made, Whoopi Goldberg gives an astounding performance in the lead role.

The film spans approximately forty years in the early twentieth century and is set in rural Georgia.

Celie Harris (Goldberg) is an oppressed black woman, her sister and best friend Nettie is sent away, leaving Celie a virtual prisoner with a man, Albert Johnson (Danny Glover), whom she is forced to marry and care for in addition to his children.

Raped and beaten, Celie is left with little self-worth until two women, rotund, feisty, Sophia (Oprah Winfrey), and Shug (Margaret Avery) inspire her to be something better.

The Color Purple is a very sentimental film filled with inspiration for anyone beaten down or otherwise abused by people or by society.

The depiction of southern life for blacks, especially black women is depicted well, though softened I have no doubt. Liberties must be taken for the sake of film as black men, in particular, are not portrayed well- surely there must have been some decent black men in this time?

But, despite Spielberg being a male, The Color Purple is told from a definite female perspective.

Her role of Celie is Goldberg’s finest and hers is a case of the Academy getting it all wrong; she should have won an Oscar for this performance instead of a conciliation win a few years later for her secondary (and unremarkable) role in Ghost.

Goldberg never achieved any roles as great as Celie.

Her expressions and mannerisms spoke volumes and her occasional wide, beaming smile would melt the coldest heart.

Winfrey, equally brilliant as Sophia (and also robbed at Oscar’s time), is a completely different character. Angry, abrasive, and outspoken, she fills Sophia with life and energy, which makes her big scene heartbreaking to watch.

Defying a white man she is beaten and arrested and reduced to living out her days as a limping maid to a white woman- who she swore she would never serve.

The cinematography and direction of The Color Purple are grand.

Spielberg does a believable job of depicting time accurately. The costumes worn by the cast and the lighting, in general, are bright and colorful, and I think this gives the film a flavor that is nice to watch.

Again, Walker’s novel and the real-life experience were undoubtedly much darker, but for the film’s sake, this adaptation (numerous stage versions preceded and followed) makes for a wonderful film.

Oscar Nominations: Best Picture, Best Actress-Whoopi Goldberg, Best Supporting Actress-Margaret Avery, Oprah Winfrey, Best Screenplay Based on Material from Another Medium, Best Original Score, Best Original Song-“Miss Celie’s Blues (Sister)”, Best Art Direction, Best Cinematography, Best Makeup, Best Costume Design