Tag Archives: Libby Villari

Boys Don’t Cry-1999

Boys Don’t Cry-1999

Director Kimberly Peirce

Starring Hilary Swank

Top 250 Films #177

Top 10 Most Disturbing Films #10

Scott’s Review #340

27422770

Reviewed January 9, 2016

Grade: A

Boys Don’t Cry (1999) is a fitting tribute to real-life figure Brandon Teena, a transgender man from Nebraska, who adopts a male identity and attempts to find love with Lana, played by Chloe Sevigny.

Hilary Swank plays Brandon.

Sadly, Brandon was brutally raped and murdered at the hands of some local men- a fact that the film does not gloss over.

Boys Don’t Cry is a heartbreaking and tragic film that will disturb some with its shocking and violent content- sadly, it is a true story.

Swank deservedly walked away with the Best Actress Oscar statuette.

Set in working-class Nebraska and in the heartland, Brandon has the cards stacked against him from the start. Not exactly the most open-minded of areas, the film also sets a working-class environment for Brandon, as most of his friends are poor factory or bar workers.

Born as Teena Brandon, a female, Brandon (Swank) is a drifter and in trouble with the law for various unpaid tickets.

He befriends ex-convicts John and Tom and becomes part of their crowd, falling in love with Lana- they are all unaware of Brandon being a female.

When Brandon’s secret is revealed, Lana is accepting, and the pair decide to run away together, but Tom and John decide to murder Brandon.

Swank’s portrayal of Brandon is brilliant and believable, and very few actresses could successfully pull this off. Swank has angular, androgynous features to begin with, but her drastic physical transformation is jaw-dropping.

With close-cropped hair and a male swagger, Swank immerses herself in the role so thoroughly that, as I watched the film, I completely forgot that Brandon was not physically male.

Her physical transformation is not the sole reason for the fantastic performance, though- Swank is emotionally there in the role, and in a heartbreaking scene, after being beaten and raped, is treated poorly by a sheriff handling the accusations- just when Brandon could use an understanding ear.

What a cold world it can be for someone different from most others, as Boys Don’t Cry reveals in a brutal, honest fashion.

Anyone who knows the true story of Brandon Teena knows he led a painful, tragic life, but was also filled with life and love- mainly for Lana.

Worth mentioning is Sevigny’s performance as Lana, in love with the person that was Brandon, not so much the gender. Sevigny portrays Lana as supportive, confused, and loving.

Director Kimberly Peirce became obsessed with the real-life case and does a fantastic job of tackling it in a true, compelling way.

To say nothing of the writing and the acting, Peirce also successfully uses a hand-held camera during Brandon’s strip scene and a surreal, muted light to portray the gloomy Midwest and the cold, hard lives that most of the characters lived.

Impressively, Peirce accomplished all of this on a shoestring budget and took a wealth of inspiration from independent film legend John Cassavetes, who proved that gorgeous films can be made for very little money.

Many scenes take place in bars as Lana, a devoted karaoke singer, croons one tune after another, the highlight being Restless Heart’s 1988 country hit, “The Bluest Eyes In Texas”, which Lana sings in Brandon’s presence.

The use of somber songs gives the film a tragic soundtrack.

Famed film critic Roger Ebert described Boys Don’t Cry as “Romeo and Juliet set in a Nebraska trailer park.”

Boys Don’t Cry (1999) is an enormous victory in film for the LGBT community and, along with Brokeback Mountain (2006), is a perfect double-feature, as both are similar films, only one featuring males, the other featuring females.

Both are tragic, bleak, and all too real.

Oscar Nominations: 1 win-Best Actress-Hilary Swank (won), Best Supporting Actress-Chloe Sevigny

Independent Spirit Award Nominations: 2 wins-Best First Feature (Over $500,000), Best Female Lead-Hilary Swank (won), Best Supporting Female-Chloe Sevigny (won), Best First Screenplay, Producers Award

The Faculty-1998

The Faculty-1998

**Updated Review- Original Review in 2017**

Director Robert Rodriguez

Starring Josh Hartnett, Jordanna Brewster, Clea Duvall

Scott’s Review #1,227

Reviewed February 5, 2022

Grade: B

The Faculty (1998) was released during the late 1990s horror film renaissance.

Wisely, it cast film veterans who enhanced its merit, along with young rising stars who were bankable at the box office.

The film was only a moderate success but has become a cult classic over the years.

With a teacher/student dynamic that incorporates all the standard clichés that go with it, it mixes classic horror with a direct ode to Invasion of the Body Snatchers. It is enjoyable, though hardly worthy of regular viewings.

Instead, it can be part of a 1990s nostalgia night or taken out as an opening act for the comparison film Scream (1996), a similar vehicle also released by Dimension Films. The sunny yet somber high school setting is nearly identical in both films.

The Faculty is a sheer delight for teenage audiences or even twenty-somethings who can relate to the idea of their teachers being otherworldly or some such alien beings.

Stars Josh Hartnett, who had just jumped into the horror circle with Halloween H2O: 20 Years Later (1998), along with attractive, similarly aged Jordanna Brewster and Elijah Wood, lead the pack.

Piper Laurie, Robert Patrick, and Bebe Neuwirth appear in supporting roles as part of the faculty.

The setting is midwestern Ohio, where the students at Harrington High find Principal Drake (Neuwirth) and her gang of teachers a bit odd. Wacky under the best of circumstances, suddenly they become controlled by a parasite and attempt to infect the students one by one.

Cheerleader Delilah (Jordana Brewster), football player Stan (Shawn Hatosy), drug dealer Zeke (Hartnett), and new girl Marybeth (Laura Harris) team up with other classmates to fight back against the invaders.

But is one of the students the ringleader and in control of the faculty?

The horror standardizing one by one is intelligently mixed up in The Faculty. Rather than a maniac brandishing a hatchet and chopping the students to bits, they are instead infected by more subtle means.

The fun is finding out who will become an alien next and enjoying the staff’s weird behavior.

And who hasn’t imagined one of their teachers writhing around in a sports car, coquettishly toying with the hunky high school football players?

Yes, there are some plot holes to contend with and some stale attempts to pair the teens romantically. Predictably, the standard jock, cheerleader, nerd, and outcast stereotypes abound, as well as perceptions of what a school nurse, math teacher, and drama teacher look and sound like.

For good measure, one of the faculty (Salma Hayek) is ‘hot’.

There is much fun in the film and perhaps some truth, and that’s what director Robert Rodriguez showcases throughout. He doesn’t take himself or his characters too seriously, as inside jokes and role interplay in high school make for a playful, light experience.

Rodriguez is the best friend and frequent collaborator of filmmaker Quentin Tarantino, but The Faculty holds no Tarantino influence whatsoever.

My favorite line may be when Casey says to snooty Delilah Profitt, “You’re pretty cool when you’re not being a bitch”.

The film isn’t really about students versus teachers or the faculty getting their comeuppance. The target audience is the teen crowd, and they will have a marvelous time experiencing The Faculty.

Times may change, but the same teenage angst is shared across generations. The film is a good outlet for that.

Any fan of Invasion of the Body Snatchers, either the 1950s version or the 1970s remake, will notice some familiar territory.

The pods become fish, and the explanation of taking over planet Earth because another planet is dying is intentionally (hopefully!) silly with a science-fiction edge.

The film ends happily ever after, which is satisfying for the level of seriousness one must take while watching.

Borrowing heavily from other horror films near and dear to it, The Faculty (1998) carves out enough originality in the science fiction genre to warrant some props.

It’s not a measured success, but it evenly distributes pacing and entertainment.

And the big stars add a nice touch.

The Faculty-1998

The Faculty-1998

Director Robert Rodriguez

Starring Josh Hartnett, Piper Laurie, Salma Hayek

Scott’s Review #648

Reviewed June 4, 2017

Grade: B

Having watched The Faculty, a  teenage horror/science fiction flick,  at the time of release in 1998 (now almost twenty years ago!), I fondly remember sitting in the movie theater watching this soon-to-be cult classic take hold of its audience.

Despite some now-dated (in 2017) special effects, the story holds up well, and what a treat to see some “stars of tomorrow” mixed in with some venerable veterans, take center stage.

The Faculty stirs up a strange hybrid of classic films (Invasion of the Body Snatchers, Alien, and The Breakfast Club) to create a fun and gory horror film.

The action takes place in a small town said to be somewhere in Ohio, though the film is shot in Texas. A football town and home to the Hornets, sports are central to Herrington High School- both to students and faculty.

It becomes immediately evident that some of the staff are not “right” after two of the teachers stab Principal Valerie Drake (Bebe Neuwirth) with a pencil and scissors and flee with no emotions late one night after a faculty meeting.

Later, student Casey Connors (Elijah Wood) confesses to his group of friends that he believes aliens are controlling the teachers.

Naturally, they are skeptical until strange events among the staff begin to take shape once the students watch the staff’s activities closely.

The film then turns into a clever whodunit as one student after another is revealed to be infected and therefore an alien.

A highlight of The Faculty is its stellar casting- there is the younger set of actors, who share great chemistry- Josh Hartnett (Zeke), Wood (Casey), Jordana Brewster (Delilah), Clea Duvall (Stokes), Laura Harris (Marybeth), and Shawn Hatosy (Stan) all make up the troupe of characters thrown together due to unlikely circumstances to figure out the big mystery- who amongst the staff is an alien and where they come from?

All of the students are from different social classes, which makes their antics unique: Zeke, the rebel; Stan, the jock; Stokes, the “weirdo”; and Casey, the nerd. In this way, the film reminds me of The Breakfast Club, a mid-1980s “coming of age” high school film.

Additionally, the staff comprises some of the best in the business- stalwart Piper Laurie appears as the drama teacher, luscious Salma Hayek as the sexy school nurse, comic Jon Stewart as the science teacher, and rugged Robert Patrick as Coach Willis.

What a treat for film fans to watch a film such as The Faculty to see a bevy of popular film and television stars amongst the cast.

Director Robert Rodriguez, best known for creative left-of-center work such as Machete (2010) and Sin City (2005), and for being a frequent collaborator with Quentin Tarantino on his edgy collection of films, helms a rather mainstream piece in The Faculty.

The film is targeted at your typical mainstream audience, with the right blend of clever quirks.

Delicious is an ode to the classic science fiction film Invasion of the Body Snatchers (1956 and 1978), only set in a suburban high school. Clever still is the revelation of the teachers as the robotic “pod people” or aliens from outer space.

This cute reference, in 1998, and still today, is an innocent knock on authority figures as the high school kids slowly get their comeuppance against some of the staff.

There comes a point in the film when nearly everyone is an alien, and it runs out of gas. However, the final scene is wonderfully constructed as the film ends as just another day in the life of a small-town high school- life goes on, and all is well.

The Faculty (1998) is a treat to watch in present times as a “trip down memory lane experience.

Boyhood-2014

Boyhood-2014

Director Richard Linklater

Starring Ellar Coltrane

Scott’s Review #217

70301281

Reviewed January 19, 2015

Grade: A

Boyhood (2014) is a family drama directed by Richard Linklater that follows a family’s trials and tribulations over twelve years, from about 2002 to 2013.

The film uses the same actors throughout, allowing viewers to see the characters change.

What a novel idea! In this day and age of special effects, superheroes, and animated animals, how refreshing to see a simple tale of a family told over a while.

The film’s main character is Mason Evans, Jr., played by Ellar Coltrane.

We meet Mason at age six, in first grade. He lives with his older sister Samantha, played by the director’s daughter Lorelei Linklater, and his mother Olivia, played by Patricia Arquette, in Texas.

Ethan Hawke, divorced from Olivia, plays Mason’s father (Mason Sr.).

As the years go by, we see situations arise, and the characters grow and develop like in real life.

After the film, Mason Jr. heads off to college after years of life experience, including his first relationship. The other characters develop, and we see Olivia and Mason Sr. enter relationships with partners, some successful, others less so.

Boyhood succeeds because it is a film about real life that feels like a slice of Americana.

It’s a wonderful film.

The audience invests in the characters because we grow to love and care about their lives. It’s like seeing cousins or friends once a year and watching what becomes of their lives over time.

This film fascinates me because it is so basic and real that it does not need contrived dramatic situations to warrant attention. It is simply authentic, and that is what makes a great film.

The film is left-leaning politically, and I love that family members bring up current events throughout the years.

As the film progresses, we see Mason Sr. comment on his distaste for the Iraq War, the children’s anticipation of the new Harry Potter film, Mason Sr. take the kids to a Houston Astros game, and mentions of The Beatles and Star Wars.

Another scene sadly focuses on a returning soldier from Iraq who has Post-traumatic stress disorder.

These nuances make the film seem so authentic and rich.

As wonderful a job as Patricia Arquette and Ethan Hawke did, neither of them had a huge, bombastic, emotional scene that would have been splendid given their talents, but this is a small criticism.

Both are superb as struggling parents trying to do the right thing for their children and carve out a life for themselves.

Boyhood redefines realism in film as we watch a family unit hope, struggle, and dream play out before our eyes.

The film doesn’t need overwrought drama; it is simply a slice of life for a group of people we come to know and love.

Everyone can relate to Boyhood (2014).

Oscar Nominations: 1 win-Best Picture, Best Director-Richard Linklater, Best Supporting Actor-Ethan Hawke, Best Supporting Actress-Patricia Arquette (won), Best Original Screenplay, Best Film Editing

Independent Spirit Award Nominations: 2 wins-Best Feature, Best Director-Richard Linklater (won), Best Supporting Male-Ethan Hawke, Best Supporting Female-Patricia Arquette (won), Best Editing