Tag Archives: Robert Rodriguez

Grindhouse: Death Proof-2007

Grindhouse: Death Proof-2007

Director Quentin Tarantino

Starring Kurt Russell

Scott’s Review #1,344

Reviewed February 13, 2023

Grade: A

It’s tough to go wrong with a Quentin Tarantino film, recognizing that one needs to be a Tarantino fan. His films are for specific tastes that indulge in stylized violence, dark humor, and cartoonish characters.

Grindhouse: Death Proof (2007) is an easy victory for the director, incorporating his trademark qualities through beautiful female race car drivers and a sadistic stuntman.

As usual, revenge is the name of the game and results in a satisfying ending. The thrill is in the chase that occurs mainly midway through, and plenty of B-movie references and old songs are on display.

The experience is a pure pleasure for any cinema lover who appreciates aspects of the film, like editing, that too often fall beneath the surface.

The scratchy film texture and retro title sequence all help to encompass another Tarantino opus.

The film is part of a double feature with Robert Rodriguez’s Planet Terror and includes a series of mock-exploitative trailers.

Both, specifically Tarantino’s, harken back to when exploitative films were shown in dusty movie houses with grainy video and a stale popcorn stench.

The mood was immediately set for me while watching the film, which greatly enhanced my enjoyment.

Psychotic stuntman Mike (Kurt Russell) is a professional body double who likes to meet unsuspecting women at bars and take them for deadly drives for fun. He has a specially made car that he calls ‘Death Proof,’ but only for the driver, not the passenger.

The first half of the film involves a group of girls out for a good time in a dive bar. Abbie (Rosario Dawson), Pam (Rose McGowan), and others ultimately fall victim to his shenanigans during a particularly well-filmed head-on collision.

Later, he meets a tough group of female race car drivers led by real-life stuntwoman Zoe Bell, who vows to make him pay for causing them trouble.

Their hell-bent vengeance just may be what the doctor ordered to cause Mike’s downfall.

Tarantino fans often overlook Death Proof, and it might be because it’s paired with another film. But it’s not half a movie either, and at one hour and fifty-four minutes, it’s got legs.

The film flies under the radar for me, too, but it’s a high-octane mile-minute experience.

One great part of Death Proof is the throwback to cult films of the 1960s and 1970s, especially Faster Pussycat! Kill! Kill!, a 1965 exploitative masterpiece by Russ Meyer.

These girls are no shrinking violets or damsels in distress who need a man to save the day. Quite the contrary. They kick ass and take names, especially in the flawless second half. Out for blood, the girls assuredly put Mike firmly in his place.

Juxtaposed with the first half, which has a dire ending for the girls, the second half is more upbeat and satisfying.

The lighting is also different in the two halves. The first takes place well beyond midnight, while the second is in the bright afternoon.

Tarantino produces a brilliant piece of feminist progressivism with nasty muscle and female characters not to be messed with. Death Proof (2007) features badass characters, hints of humor, and discussions about men.

The girlie action flick blends perfectly with the 1970s race cars and the sexploitation theme Tarantino is recreating while still making the film feel modern and relevant.

The Faculty-1998

The Faculty-1998

**Updated Review- Original Review in 2017**

Director Robert Rodriguez

Starring Josh Hartnett, Jordanna Brewster, Clea Duvall

Scott’s Review #1,227

Reviewed February 5, 2022

Grade: B

The Faculty (1998) was released during the late 1990s horror film renaissance.

Wisely, it cast film veterans who enhanced its merit, along with young rising stars who were bankable at the box office.

The film was only a moderate success but has become a cult classic over the years.

With a teacher/student dynamic that incorporates all the standard clichés that go with it, it mixes classic horror with a direct ode to Invasion of the Body Snatchers. It is enjoyable, though hardly worthy of regular viewings.

Instead, it can be part of a 1990s nostalgia night or taken out as an opening act for the comparison film Scream (1996), a similar vehicle also released by Dimension Films. The sunny yet somber high school setting is nearly identical in both films.

The Faculty is a sheer delight for teenage audiences or even twenty-somethings who can relate to the idea of their teachers being otherworldly or some such alien beings.

Stars Josh Hartnett, who had just jumped into the horror circle with Halloween H2O: 20 Years Later (1998), along with attractive, similarly aged Jordanna Brewster and Elijah Wood, lead the pack.

Piper Laurie, Robert Patrick, and Bebe Neuwirth appear in supporting roles as part of the faculty.

The setting is midwestern Ohio, where the students at Harrington High find Principal Drake (Neuwirth) and her gang of teachers a bit odd. Wacky under the best of circumstances, suddenly they become controlled by a parasite and attempt to infect the students one by one.

Cheerleader Delilah (Jordana Brewster), football player Stan (Shawn Hatosy), drug dealer Zeke (Hartnett), and new girl Marybeth (Laura Harris) team up with other classmates to fight back against the invaders.

But is one of the students the ringleader and in control of the faculty?

The horror standardizing one by one is intelligently mixed up in The Faculty. Rather than a maniac brandishing a hatchet and chopping the students to bits, they are instead infected by more subtle means.

The fun is finding out who will become an alien next and enjoying the staff’s weird behavior.

And who hasn’t imagined one of their teachers writhing around in a sports car, coquettishly toying with the hunky high school football players?

Yes, there are some plot holes to contend with and some stale attempts to pair the teens romantically. Predictably, the standard jock, cheerleader, nerd, and outcast stereotypes abound, as well as perceptions of what a school nurse, math teacher, and drama teacher look and sound like.

For good measure, one of the faculty (Salma Hayek) is ‘hot’.

There is much fun in the film and perhaps some truth, and that’s what director Robert Rodriguez showcases throughout. He doesn’t take himself or his characters too seriously, as inside jokes and role interplay in high school make for a playful, light experience.

Rodriguez is the best friend and frequent collaborator of filmmaker Quentin Tarantino, but The Faculty holds no Tarantino influence whatsoever.

My favorite line may be when Casey says to snooty Delilah Profitt, “You’re pretty cool when you’re not being a bitch”.

The film isn’t really about students versus teachers or the faculty getting their comeuppance. The target audience is the teen crowd, and they will have a marvelous time experiencing The Faculty.

Times may change, but the same teenage angst is shared across generations. The film is a good outlet for that.

Any fan of Invasion of the Body Snatchers, either the 1950s version or the 1970s remake, will notice some familiar territory.

The pods become fish, and the explanation of taking over planet Earth because another planet is dying is intentionally (hopefully!) silly with a science-fiction edge.

The film ends happily ever after, which is satisfying for the level of seriousness one must take while watching.

Borrowing heavily from other horror films near and dear to it, The Faculty (1998) carves out enough originality in the science fiction genre to warrant some props.

It’s not a measured success, but it evenly distributes pacing and entertainment.

And the big stars add a nice touch.

Grindhouse: Planet Terror-2007

Grindhouse: Planet Terror-2007

Director Robert Rodriguez

Starring Rose McGowan, Freddy Rodriguez

Scott’s Review #692

Reviewed October 15, 2017

Grade: B-

The umbrella title “Grindhouse” is part of a 2007 double feature: one film directed by Quentin Tarantino (Death Proof) and the other by Robert Rodriguez (Planet Terror).

The gimmick was part of an attempt at something novel and also bookending fictional trailers within the films.

The term “grindhouse” refers to a cinematic specialty of either B movies or exploitation films, largely during the 1970s.

While Planet Terror gets credit for being unique and fun, it is often too cartoon-like and rather over the top throughout.

The premise of Planet Terror is not one to be taken seriously- as our heroine, Cherry Darling (Rose McGowan), quits her stripper job, vowing to move on to bigger and better things.

She runs into her ex-boyfriend, El Wray (Freddie Rodriguez), and the two team up to lead a group of rebels, who are fleeing for their lives after a vicious zombie outbreak.

The attack was caused by a group of military officials, led by the vicious Lieutenant Muldoon (Bruce Willis).

The film contains an undeniable retro feel- the sets and the props traverse back to the 1970s in style and look; however, characters do use cellular phones.

Rodriguez attempts to make the film an homage or a throwback to a different time in cinema- this feat is quite impressive, and the film is a marvel from a stylized perspective.

Another positive is that the film, through its camera styles and angles, is reminiscent of a 1970s film, with grainy elements and a comforting old-style texture, which works.

The plot, though, is the source of frustration, and many aspects of the film are just plain silly.

The actors play way over the top, as Rodriguez probably directed them to, but the result is too much like watching a cartoon rather than a piece of art.

Rodriguez appears to be copying many aspects of Quentin Tarantino films- specifically, the mixture of violence with camp, although these attempts do not always work.

The acting and casting are fine.

Bruce Willis shines in the lead villain role, playing demented to the hilt. Unquestionably “borrowed” by Rodriguez through Tarantino, Willis, who was dynamic in Pulp Fiction, knows how to do his thing well in films such as this.

Muldoon is quite a different character from boxer Butch Coolidge in 1994’s masterpiece, Pulp Fiction, but the acting style is the same.

Stars such as Josh Brolin, Kurt Russell, and Rosario Dawson also make appearances, so the film is assuredly a star-studded affair.

The casting of McGowan and Freddy Rodriguez as the leads is acceptable, and the pair make a decent screen couple.

Still, her artificial leg, which doubles as a deadly machine gun, and his maniacal persona seem somewhat forced and, again, way over the top.

Planet Terror was a moderate box office success upon release in 2007, but watching the film in 2017, ten years later, unfortunately, some of the clusters have been tarnished, and the gimmick is not as catchy as it was at the time of release.

Still, a decent offering in the horror, cartoon, and campy genres, but there are many better films, like anything by Tarantino.

The Faculty-1998

The Faculty-1998

Director Robert Rodriguez

Starring Josh Hartnett, Piper Laurie, Salma Hayek

Scott’s Review #648

Reviewed June 4, 2017

Grade: B

Having watched The Faculty, a  teenage horror/science fiction flick,  at the time of release in 1998 (now almost twenty years ago!), I fondly remember sitting in the movie theater watching this soon-to-be cult classic take hold of its audience.

Despite some now-dated (in 2017) special effects, the story holds up well, and what a treat to see some “stars of tomorrow” mixed in with some venerable veterans, take center stage.

The Faculty stirs up a strange hybrid of classic films (Invasion of the Body Snatchers, Alien, and The Breakfast Club) to create a fun and gory horror film.

The action takes place in a small town said to be somewhere in Ohio, though the film is shot in Texas. A football town and home to the Hornets, sports are central to Herrington High School- both to students and faculty.

It becomes immediately evident that some of the staff are not “right” after two of the teachers stab Principal Valerie Drake (Bebe Neuwirth) with a pencil and scissors and flee with no emotions late one night after a faculty meeting.

Later, student Casey Connors (Elijah Wood) confesses to his group of friends that he believes aliens are controlling the teachers.

Naturally, they are skeptical until strange events among the staff begin to take shape once the students watch the staff’s activities closely.

The film then turns into a clever whodunit as one student after another is revealed to be infected and therefore an alien.

A highlight of The Faculty is its stellar casting- there is the younger set of actors, who share great chemistry- Josh Hartnett (Zeke), Wood (Casey), Jordana Brewster (Delilah), Clea Duvall (Stokes), Laura Harris (Marybeth), and Shawn Hatosy (Stan) all make up the troupe of characters thrown together due to unlikely circumstances to figure out the big mystery- who amongst the staff is an alien and where they come from?

All of the students are from different social classes, which makes their antics unique: Zeke, the rebel; Stan, the jock; Stokes, the “weirdo”; and Casey, the nerd. In this way, the film reminds me of The Breakfast Club, a mid-1980s “coming of age” high school film.

Additionally, the staff comprises some of the best in the business- stalwart Piper Laurie appears as the drama teacher, luscious Salma Hayek as the sexy school nurse, comic Jon Stewart as the science teacher, and rugged Robert Patrick as Coach Willis.

What a treat for film fans to watch a film such as The Faculty to see a bevy of popular film and television stars amongst the cast.

Director Robert Rodriguez, best known for creative left-of-center work such as Machete (2010) and Sin City (2005), and for being a frequent collaborator with Quentin Tarantino on his edgy collection of films, helms a rather mainstream piece in The Faculty.

The film is targeted at your typical mainstream audience, with the right blend of clever quirks.

Delicious is an ode to the classic science fiction film Invasion of the Body Snatchers (1956 and 1978), only set in a suburban high school. Clever still is the revelation of the teachers as the robotic “pod people” or aliens from outer space.

This cute reference, in 1998, and still today, is an innocent knock on authority figures as the high school kids slowly get their comeuppance against some of the staff.

There comes a point in the film when nearly everyone is an alien, and it runs out of gas. However, the final scene is wonderfully constructed as the film ends as just another day in the life of a small-town high school- life goes on, and all is well.

The Faculty (1998) is a treat to watch in present times as a “trip down memory lane experience.

Machete-2010

Machete-2010

Director Ethan Maniquis, Robert Rodriguez

Starring Danny Trejo, Robert De Niro, Jessica Alba

Scott’s Review #501

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Reviewed October 28, 2016

Grade: B

Machete (2010) is a clear, fun homage to exploitation films of the 1970’s movies, directed by Robert Rodriguez (a protege of Quentin Tarantino) and quite heavily influenced by his mentor.

It very much resembles a Tarantino film with the comic, over-the-top elements, and the violence, but is somewhat less compelling in the story department, and lacks the crisp, rich storytelling.

It tells the story of a Mexican ex-Federale (named Machete) involved in a plot to kill a corrupt United States Senator (played by Robert De Niro).

He attempts to flee Mexico for Texas, is shot, and spends the remainder of the film vowing revenge on his assailants.

Machete contains many celebrity cameos and is fun to watch- in a light way. The film is not intended to be looked upon earnestly.

For the interested, you also get to see Lindsay Lohan topless.

The film is a fun, violent, popcorn flick, with a nice political message, but if interested in these types of movies, rent Grindhouse: Planet Terror (2007), which is a better experience.