Tag Archives: Peter Sarsgaard

Year of the Dog-2007

Year of the Dog-2007

Director Mike White

Starring Molly Shannon, John C. Reilly

Scott’s Review #1,131

Reviewed April 9, 2021

Grade: B-

Comedienne, Molly Shannon stars in Year of the Dog (2007), a quirky independent film that can be classified as a hybrid of the comedy and drama genres.

It’s peculiar, sometimes being very creative and nuanced while other times feeling generic and clichéd. Somehow it’s not predictable either- a plus.

It’s not the cute, sentimental film the premise might lead one to believe and at times it’s downright dark and depressing.

A story centering around dogs seems pretty cool but it usually conjures up a pitifully dreary family-style affair with a husband, wife, two cookie-cutter kids (a boy and girl naturally), and some story and drama involving the family pet. And, of course, a happy ending.

Thankfully, Year of the Dog bears little resemblance to that type of film.

While it could have been more cohesive and less messy, the film deals with pet death in the most interesting ways and the effort is there. While it’s not a downer it’s not cheery either.

After her beloved beagle, Pencil dies unexpectedly when she lets it stay outside all night, an administrative assistant named Peggy (Shannon) strives to find ways to fill the void in her life while blaming herself for his death.

She becomes lonely and despondent, finally bringing in treats for her co-workers and fussing over other people’s kids. An ill-advised love affair with a gun fanatic (John C. Reilly) leads to more misery causing Peggy to go off the deep end and change her life completely.

Shannon, unsurprisingly, is the best part of the film, though she doesn’t quite cut it as the lead. She is cast perfectly as the odd-ball secretary with no life outside of her pet dog, but isn’t she better as the interesting sidekick?

It’s tough to imagine another actress being as believable in the part and her comic timing is on fire. The dramatic parts are a bit of a stretch and I like her in comedic situations better.

The supporting characters are where Year of the Dog lacks. None of them are very interesting.

Laura Dern and Regina King are reduced to caricature types as the loyal best friend, Layla, and the cold sister-in-law, Bret, respectively. Layla is only interested in finding romance for lonely Peggy while Bret barely notices Peggy’s suffering.

Yawn!

Characters like these occur so often in stock comedies that I can hardly keep count. Talents like Dern and King deserve better than one-note characters.

Reilly, as the intended love interest, has no chemistry with Shannon and it’s obvious from the start that Al is written as the foil and opposite in every way from Peggy.

It’s just another standard cliché screaming from a mile away. Peggy dates Newt (Peter Sarsgaard) but the romance isn’t there either.

Where the film gets both interesting and lost, is when Peggy becomes an animal rights activist. It sets up Year of the Dog as a message film which never really works.

Peggy ruins furs, attempts to show children a slaughterhouse, and spontaneously adopts fifteen dogs because another injured dog dies.

It just doesn’t flow together with the comedy stuff. Especially when the ending takes Peggy in yet another direction.

It’s like the filmmakers decided to try and roll things up in a neat little bow but instead have a sloppily wrapped present with a nice bow on it.

Director, Mike White, also a producer and writer, creates a great concept but Year of the Dog (2007) hardly lights the world on fire.  The finale is too sentimental and too many cliches surface as the action plays out. Shannon is the only interesting character and the supporting players are stock written.

White also penned School of Rock (2003) which is a better film.

An Education-2009

An Education-2009

Director Lone Scherfig

Starring Carey Mulligan, Peter Sarsgaard

Scott’s Review #584

Reviewed January 4, 2017

Grade: B+

An Education, a British film released in 2009, is a small, little gem of a film. The story-telling and the acting are very good.

Since it is a British film, the accents can be a little distracting for some, but I enjoyed it very much.

It tells the story of an intelligent, college-driven teenager, named Jenny (Mulligan), who falls in love with an older, charismatic man (Sarsgaard). She is faced with conflict from her family and teachers, most notably her father, played by Alfred Molina.

The individuals in her life have differing opinions on which path Jenny should choose in her life. This leads to the main conflict in the film.

The setting is rainy, cold, London in 1961. Headed for Oxford and a successful career (not common for a female in those days), Jenny is willing to risk it all for love, but is she being taken advantage of?

The film is romantic, comical, and serious all rolled into one. The story is nothing original, to be frank, but specifically, the excellent acting makes it worth seeing.

An Education (2009) proves filmmakers can take a good story, told before, and make it compelling to an audience.

Carey Mulligan deservedly received an Oscar nomination for this film and made her debut as a high-caliber young actress to watch.

Oscar Nominations: Best Picture, Best Actress-Carey Mulligan, Best Adapted Screenplay

Independent Spirit Award Nominations: 1 win-Best Foreign Film (won)

Robot & Frank-2012

Robot & Frank-2012

Director Jake Schreier

Starring Frank Langella, Susan Sarandon

Scott’s Review #414

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Reviewed June 18, 2016

Grade: C

Robot & Frank (2012) is one of those films where I am left with a “meh” reaction after having viewed it.

It’s not that it’s a bad movie, but there’s nothing particularly special either- it is quite ordinary and rather forgettable after the credits have rolled.

The premise, on paper,  seems novel: a future with robots that grow attached to humans. Unfortunately, the movie did not live up to the idea.

I was hoping for an interesting 2001: A Space Odyssey (1968) type robot idea (HAL) but received nothing of the kind.

I’m a big fan of Frank Langella and I felt he was the main attraction in this movie.

On a side note, why is Susan Sarandon suddenly playing every meaningless supporting role these days? Another wasted role. She deserves better.

Several plot points had no follow-through and the ending, while not exactly predictable, was nothing spectacular.

Meh.

Independent Spirit Award Nominations: Best First Screenplay

Boys Don’t Cry-1999

Boys Don’t Cry-1999

Director Kimberly Peirce

Starring Hilary Swank, Chloe Sevigny

Top 100 Films #73     Top 10 Disturbing Films #10

Scott’s Review #340

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Reviewed January 9, 2016

Grade: A

Boys Don’t Cry (1999) is a fitting tribute to real-life figure Brandon Teena, a transgender man from Nebraska, who adopts a male identity and attempts to find love with Lana, played by Chloe Sevigny. Brandon is played by Hilary Swank.

Sadly, Brandon was brutally raped and murdered at the hands of some local men- a fact that the film does not gloss over.

Boys Don’t Cry is a heartbreaking and tragic film that will disturb some with its shocking and violent content- sadly it is a true story.

Swank deservedly walked away with the Best Actress Oscar statuette.

Set in working-class Nebraska and in the heartland, Brandon has the cards stacked against him from the start. Not exactly the most open-minded of areas, the film also sets a working-class environment for Brandon as most of his friends are poor factory or bar workers.

Born as Teena Brandon and female, Brandon (Swank) is a drifter and in trouble with the law for various unpaid tickets. He befriends ex-convicts John and Tom and becomes part of their crowd, falling in love with Lana- they are all unaware of Brandon being a female.

When Brandon’s secret is revealed, Lana is accepting and the pair decide to run away together, but Tom and John decide to murder Brandon.

Swank’s portrayal of Brandon is brilliant and believable and very few actresses could successfully pull this off. Swank has angular, androgynous features to begin with, but her drastic physical transformation is jaw-dropping.

Having closed-cropped hair and a male swagger, Swank immerses herself in the role, so much so, that as I watched the film I completely forgot that Brandon was not physically male.

Her physical transformation is not the sole reason for the fantastic performance though- Swank is emotionally there in the role and in a heartbreaking scene, after being beaten and raped, is treated poorly by a sheriff handling the accusations- just when Brandon could use an understanding ear.

What a cold world it can be for someone different from most others as Boys Don’t Cry reveals in a brutal, honest fashion.

Anyone who knows the true story of Brandon Teena knows he led a painful, tragic life, but was also filled with life and love- mainly for Lana.

Worth mentioning is Sevigny’s performance as Lana- in love with the person that was Brandon, not so much the gender. Sevigny portrays Lana as supportive, confused, and loving.

Director, Kimberly Peirce, became obsessed with the real-life case and does a fantastic job at tackling the film in a true, compelling way. To say nothing of the writing and the acting, Peirce also successfully uses a hand-held camera during Brandon’s strip scene and a surreal, muted light to portray the gloomy mid-west and the cold, hard lives that most of the characters lived.

Impressively, Peirce accomplished all of this on a shoe-string budget and took a wealth of inspiration from independent film legend John Cassavetes, who proved that gorgeous films can be made for very little money.

Many scenes take place in bars as Lana, a devoted karaoke singer, croons one tune after another, the highlight being Restless Heart’s 1988 country hit, “The Bluest Eyes In Texas”, which Lana sings in Brandon’s presence.

The use of somber songs gives the film a tragic soundtrack.

Famed film critic, Roger Ebert, described Boys Don’t Cry as “Romeo and Juliet set in a Nebraska trailer park”.

Boys Don’t Cry (1999) is an enormous victory in film for the LGBT community and, along with Brokeback Mountain (2006), is a perfect double-feature, as both are similar films, only one featuring males, the other females.

Both are tragic, bleak and all too real.

Oscar Nominations: 1 win-Best Actress-Hilary Swank (won), Best Supporting Actress-Chloe Sevigny

Independent Spirit Award Nominations: 2 wins-Best First Feature (Over $500,000), Best Female Lead-Hilary Swank (won), Best Supporting Female-Chloe Sevigny (won), Best First Screenplay, Producers Award

Lovelace-2013

Lovelace-2013

Director Rob Epstein, Jeffrey Friedman

Starring Amanda Seyfried, Peter Sarsgaard

Scott’s Review #133

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Reviewed July 24, 2014 

Grade: B

Lovelace (2013) is an account of famous 1970’s porn star, Linda Lovelace, and her rise to stardom and inevitable fall from the spotlight, difficult family life, abusive relationships, and her attempt to escape the porn world for good.

The film portrays the story from Lovelace’s point of view based on her tell-all autobiography and spins her in a very sympathetic way.

Whether all of her abuse and struggles that Lovelace claimed are to be believed is up to the viewer.

Lovelace, the film, comes across as similar to Boogie Nights (1997)- even the 1970s soundtrack is eerily alike, but inferior to that masterpiece.

The only character whose past is fully delved into is Linda Lovelace who is the sole focal point; the others are simply an extension of her character.

One major issue I found with the film is the casting of Amanda Seyfried as Linda Lovelace.

Seyfried does not have the plain Jane or girl next door characteristics that the actual Lovelace had. She comes across as soft and gentle, much too much for this particular role.

Conversely, the casting of Sharon Stone and Peter Sarsgaard is excellent as each is dynamic in their respective roles. Stone should have received much more acclaim than she did for her role.

As Lovelace’s mother, she is gritty, steely, and unsympathetic.

The film contains a whos who of Hollywood names involved in small roles.

Another issue is the film seems like a made-for-television movie and considering the subject matter is the porn industry, it seems awfully watered down and not harsh enough.

Lovelace (2013) is entertaining enough to keep one’s interest but is not riveting or in-depth enough to be a major success.

Blue Jasmine-2013

Blue Jasmine-2013

Director Woody Allen

Starring Cate Blanchett, Sally Hawkins

Scott’s Review #92

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Reviewed July 3, 2014

Grade: A

Blue Jasmine (2013) is the latest offering by Woody Allen and one of his best since the 1970s. I have heard from several people that they are not typical Woody Allen fans but loved this film and I ponder why that is.

My theory is that Cate Blanchett, who stars as neurotic Jasmine, is the heart and soul of this movie.

Allen’s films usually center on neurotic characters and this film is no different.

Set primarily in San Francisco, it tells how Jasmine has lost all of her money thanks to bad investments by her ex-husband (played in flashbacks by Alec Baldwin).

She is a socialite and used to the best life in excess and extravagance.

Now Jasmine is reduced to making a clean start of it by rooming with her blue-collar sister, played by Sally Hawkins, and trying to scrape by.

Jasmine struggles to find success and the means to survive.

The film is hysterical, heartbreaking, and even a downer at moments. Through the assistance of pills and martinis, Jasmine is snobbish and ego-centric, yet the audience falls in love with and roots for her.

She is high-class yet broke. She keeps up appearances, and her wit, usually at the expense of others, never falters.

Blanchett is responsible for the love of this character and, thankfully, won the Best Actress Oscar for her portrayal.

The dialogue is sharp, witty, and filled with laugh-out-loud moments. Thanks to much of it taking place in flashbacks, the audience sees Jasmine’s life as it once was, having everything and then some, then back to her current reality and back and forth. This is a wise decision to show both of her lives.

Blue Jasmine (2013) is one of Woody Allen’s best.

Oscar Nominations: 1 win-Best Actress-Cate Blanchett (won), Best Supporting Actress-Sally Hawkins, Best Original Screenplay

Independent Spirit Award Nominations: 1 win-Best Female Lead-Cate Blanchett (won), Best Supporting Female-Sally Hawkins, Best Screenplay