Tag Archives: Richard Linklater

Hitchcock/Truffaut-2015

Hitchcock/Truffaut -2015

Director Kent Jones

Starring Wes Anderson, Martin Scorsese, David Fincher

Scott’s Review #933

Reviewed August 21, 2019

Grade: B+

A documentary about film and film-making is a worthy watch for any rabid lover of cinema, and when the subject at hand is Alfred Hitchcock, any fan must certainly chomp.

I remember Hitchcock/Truffaut (2015) appearing at my local independent theater at the time of release but missed my chance to see it.

The misstep having been undone, the work is fine, and the result is an abundance of riches, serving as a fly on the wall for those wishing to listen to two geniuses speak, or merely observe the clips of great films and revel in the creativity.

Already possessing a hefty knowledge of Hitchcock does not dull my perspective, nor do I take for granted the appreciation served.

For an entry-level fan of the director or French film director, Francois Truffaut, the title must be added to one’s “to see” list.

The documentary serves as inspiration and fulfillment for cinema lovers. Billed as side-by-side directors in the title, the documentary treats Hitchcock as the teacher and Truffaut as the student, especially given the age difference between the two men.

Truffaut interviewed Hitchcock in 1962 during a lengthy week-long discussion in a windowless Hollywood office, where the former soaked up the latter’s knowledge and points of view like a sponge.

Truffaut was already a well-regarded filmmaker at age thirty-two, with gems such as The 400 Blows (1959) already under his belt.

Truffaut then wrote a book about the conversations with Hitchcock, and director Kent Jones brings it to life in documentary form, telling his audience why the book had a tremendous impact on cinema while teaching the audience a thing or two about the movies.

The production analyzes film-making from technique to style to clothing, actors, and in between. The main crux is the technique Hitchcock used to create tension and suspense, manipulating the audience every step of the way.

A plethora of his films are featured which is a personal joy to see, most importantly the documentary is clever enough to build to Hitchcock’s most memorable sequence of all, the shower sequence in Psycho (1960), the director’s most recent film, and now, easily his most notorious.

Hollywood titans such as Martin Scorsese, David Fincher, Wes Anderson, and Richard Linklater, arguably geniuses, explain the influence that Hitchcock provided them.

Listening to these formidable directors whimsically praise and dissect Hitchcock’s analysis and explain how he led to their blossoming is a wonderful aspect.

Hitchcock/Truffaut (2015) is a treat for die-hard fans of Hitchcock or Truffaut- or both.

Conversations and interviews with other famous directors show the heavy influence, love, and appreciation for an ingenious suspense director and an equally unique French New Wave director.

A thirty-two-year age difference separated the two men, but they appear as natural as close colleagues.

Great minds do think alike.

Bernie-2011

Bernie-2011

Director Richard Linklater

Starring Jack Black, Shirley MacLaine, Matthew McConaughey

Scott’s Review #472

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Reviewed August 30, 2016

Grade: C-

Bernie (2011) is a film that, surprisingly, received critical acclaim, as well as Golden Globe and Independent Spirit Award nominations, but I was left quite disappointed with it.

Categorized as a dark comedy, it contains a morbid premise, which is not the issue, I just did not find it very good overall.

Despite being a true story of Bernie (Jack Black) marrying and murdering millionaire Marjorie Nugent (Shirley MacLaine) in Texas, the film is not compelling and is written too over the top.

Inexplicably, the townspeople refuse to believe Bernie’s obvious guilt.

To be fair, the film does contain a few funny and interesting moments and was based on factual events, but I didn’t feel connected to this movie as much as I expected and honestly found it a bit dull.

Jack Black is impressive as the title character but only because it is a departure from his usual slapstick film roles. I don’t get the accolades being heaped on him for his performance.

Shirley MacLaine and Matthew McConaughey are capable of the parts written for them, but one-note characters.

Meh.

Independent Spirit Award Nominations: Best Feature, Best Male Lead-Jack Black

Boyhood-2014

Boyhood-2014

Director Richard Linklater

Starring Ellar Coltrane, Ethan Hawke

Scott’s Review #217

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Reviewed January 19, 2015

Grade: A

Boyhood (2014) is a family drama directed by Richard Linklater that tells the story of a family’s trials and tribulations over twelve years, ranging from approximately 2002-2013.

The film uses the same actors over the entire period, enabling the viewer to see the characters change. What a novel idea! In this day and age of special effects, superheroes, and animated animals, how refreshing to see a simple tale of a family told over a while.

The film’s main character is Mason Evans, Jr. played by Ellar Coltrane.

We are introduced to Mason when he is six years old and in the first grade. He lives with his older sister Samantha, played by the director’s daughter Lorelei Linklater, and his mother Olivia, played by Patricia Arquette, in Texas.

Ethan Hawke, divorced from Olivia plays Mason’s father (Mason Sr.).

As the years go by we see situations arise and the characters grow and develop like real life.

After the film, Mason Jr. is headed off to college following years of life experience including his first relationship. The other characters develop and we see Olivia and Mason Sr. delve into relationships with partners, some successful, others less successful.

Boyhood succeeds because it is a film about real life that feels like a slice of Americana.

It’s a wonderful film.

The audience invests in the characters because we grow to love and care about their lives. It is comparable to seeing cousins or friends once a year and seeing what becomes of their lives over time.

This film fascinates me because it is so basic and real that it does not need contrived dramatic situations to warrant attention. It is simply authentic and that is what makes a great film.

The film is left-leaning politically speaking and I love that current events are brought up throughout the years by the family members.

As the film progresses we are treated to Mason Sr. commenting on his distaste of the Iraq war, the children’s anticipation of the new Harry Potter film, Mason Sr. taking the kids to a Houston Astros game, and The Beatles and Star Wars are mentioned.

Another scene sadly focuses on a returning soldier from Iraq who suffers from Post-traumatic stress disorder. These nuances make the film seem so authentic and rich.

As wonderful a job as Patricia Arquette and Ethan Hawke did neither of them had a huge, bombastic, emotional scene which would have been splendid given the talents of each, but this is a small criticism.

Both are superb as struggling parents trying to do the right thing for their children and carve out a life for themselves.

Boyhood redefines realism in the film as we see a family unit hope, struggle, and dream as it’s played out before our eyes.

The film does not need overwrought dramatics as it is simply a slice of the life of a group of people we come to know and love.

Everyone can relate to Boyhood (2014).

Oscar Nominations: 1 win-Best Picture, Best Director-Richard Linklater, Best Supporting Actor-Ethan Hawke, Best Supporting Actress-Patricia Arquette (won), Best Original Screenplay, Best Film Editing

Independent Spirit Award Nominations: 2 wins-Best Feature, Best Director-Richard Linklater (won), Best Supporting Male-Ethan Hawke, Best Supporting Female-Patricia Arquette (won), Best Editing