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The Shining-1980

The Shining-1980

Director Stanley Kubrick

Starring Jack Nicholson, Shelley Duvall

Top 250 Films #21

Top 40 Horror Films #6

Scott’s Review #313

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Reviewed December 31, 2015

Grade: A

The Shining is one of the great horror masterpieces of all time.

Released in 1980, and atypical of the slasher craze that was rampant at that time, the film is a psychological ghost story with frightening elements, including a musical score, long camera shots, and a haunting, grandiose hotel set in a deserted locale.

Without the brilliant direction of Stanley Kubrick, The Shining would not be the masterpiece it is, to say nothing of Nicholson and Duvall’s talents in the lead roles.

Based on the popular horror novel by Stephen King.

Nicholson plays Jack Torrance, an author and alcoholic, who takes his wife Wendy (Duvall) and son Danny to serve as caretakers at the vast Overlook hotel, for the winter in snowy Colorado.

The lavish hotel will be deserted for the season, and Jack looks forward to months of peace that will enable him to complete his novel.

Unfortunately, the hotel is haunted by spirits of the past, and the added burden of the previous caretaker going mad and chopping his family to bits with an ax.

The real success of The Shining is that the hotel itself is a character with its own nuances. The hotel is deathly quiet as the Torrances take over for the season-long hallways are featured, and the forbidden Room 237 takes on a life of its own.

Creepy images of two young girls and red blood gushing from the elevators take over. Young Danny can communicate with the chef without speaking to each other. Jack imagines a gorgeous nude woman in the bathtub, only to discover she is a shriveled old hag.

The film’s cinematography, coupled with the looming, morose musical score, goes hand in hand and, in my opinion, is the reason for the film’s success.

Throughout the film, there is a sense of dread and a forbidden presence that works beautifully.

The first scene is an aerial shot of the Torrances driving along a mountainous road as they are interviewed for the caretaker position. The vast land and mountains, as we eventually see the Overlook, immediately convey a sense of isolation, which is really what the film is about.

These exterior scenes are also gorgeous to marvel at.

The crisp, gloomy winter scenes and the endless maze of animal shrubbery come into play in the film’s final act as Jack, now completely mad, chases Danny along snowy paths that seem to lead nowhere.

The catchphrase, “Here’s Johnny!”, that is uttered from an ax-wielding Nicholson, is permanently ensconced in the relics of pop culture.

Nicholson and Duvall have such dynamic and palpable on-screen chemistry that makes the film work from a character perspective. There is something slightly off about each character, readily apparent from the outset, but it has more to do with each actor’s rather non-traditional appearance.

I can imagine no other actors in these roles.

Author Stephen King, who reportedly despised the film version of his novel, has since grown to respect the film and Kubrick’s direction a great deal.

The Shining (1980) is one of my favorite horror films and one of my favorite films of all time.

Rocky II-1979

Rocky II-1979

Director Sylvester Stallone

Starring Sylvester Stallone, Talia Shire, Carl Weathers

Scott’s Review #1,317

Reviewed November 24, 2022

Grade: B+

Rocky II (1979) is a terrific sequel and entertaining sports film. It doesn’t recreate the wheel or challenge cinematic artistic freedom or expression or anything like that. But it knows what it wants to achieve and gets there in fine fashion.

It’s a straight-ahead vehicle that capitalizes on the enormous critical and commercial success of Rocky (1976) and enthralls with a winning climax in the squared-off boxing ring, naturally.

The film is a crowd-pleaser through and through, and the powers that be even let boorish, notoriously difficult actor Stallone take the director’s reins (yikes!).

The actor even writes the screenplay for the film.

Events begin immediately following the first Rocky film, which is a wise decision. Cocky world champion Apollo Creed (Carl Weathers) has defeated working-class Philadelphia boxer Rocky Balboa (Stallone) in the closest of battles, with both men requiring medical attention.

Despite vowing not to engage in a rematch, Rocky’s Cinderella story has caught the national sports media’s attention, allowing him to capitalize on his sudden fame. Creed arrogantly prods his newfound nemesis into getting back into the ring.

Plagued with financial problems and a pregnant wife, Rocky is goaded out of retirement and back into the ring for the fight of his life.

Supporting players Talia Shire (Adrian), Burgess Meredith (Mickey), and Burt Young (Paulie) return to the fold, which provides excellent continuity and familiarity, another key to Rocky II’s success.

Additionally, Shire, Meredith, and Young are such top-quality actors that they enhance Stallone’s performance.

Rocky is unquestionably the best role of Stallone’s long career. Never known for great acting chops, he won the lottery with this iconic role and did quite well with it on his second outing.

The character is impossible not to root for, and the Italian Stallion’s charisma shines across the big screen. Who doesn’t like an underdog, especially when all he cares about is the timid Adrian (another underdog)?

His ‘Yo, Adrian, I did it!’ is legendary.

I’ll never cease to be enamored with Shire’s portrayal of Adrian compared to her other iconic role as Connie Corleone in The Godfather films. Adrian and Connie are like night and day, which is a big part of the fun of viewing them both.

Of course, the setup of Rocky II is contrived, and the storyline dictated. We know the final thirty minutes or so will showcase the bloody rematch between Rocky and Creed, and we, the audience, salivate thirstily as the fight approaches.

There’s a trivial plot about Adrian giving birth to their son (Rocky Jr., obviously) and slipping into a coma, only to be resurrected by determination and to give her blessing for Rocky to fight, but we all know what’s coming.

Like clockwork, the final fight arrives! As the men slug it out through fifteen brutal, sweaty rounds, the editing is fantastic. The sequence feels like a retread, but it still delivers an enthralling, bombastic finale.

Fans will not be disappointed.

Sure, Rocky II suffers from a saccharine romance and a predictable ending, but it’s also a feast for the eyes and the ultimate sports match-up.

Compared to Rocky (1976), the film is a letdown despite carefully keeping the Philadelphia underdog, blue-collar elements that made the original such a hit.

Subsequent sequels would parlay into nationalistic, patriotic nonsense using the Cold War as a prop, but Rocky II (1979) remains all-American and robust in spirit and climax.