Tag Archives: Anthony Mackie

Half Nelson-2006

Half Nelson-2006

Director Ryan Fleck

Starring Ryan Gosling

Scott’s Review #1,184

Reviewed October 8, 2021

Grade: B+

Half Nelson (2006) is an independent drama that showcases Ryan Gosling’s acting talent and forays into meatier, more mature roles.

He was only twenty-five years old when he made the film, but was growing into a mature actor, which is part of the fun of watching it.

The New York City setting conveys a gritty, seedy essence appropriate to the subject matter.

Speaking of, the seriousness and potential creep factor may turn some viewers off, but true cinema fans and admirers of good stories will appreciate the film.

The taboo dynamic of a thirteen-year-old student and her drug-addicted teacher is not for everyone, and many will not even dare to go there.

But the payoff is worth the initial squirming.

Especially forewarned are those seeking a romantic or action film from Gosling, as they will surely be disappointed. This is a more cerebral and artful effort.

The film earned Gosling his first Academy Award nomination—a well-deserved one.

Dan Dunne (Gosling) is a young history teacher at a school in Brooklyn, New York. Though he is highly regarded and well-liked by his students and colleagues, he secretly spends his evenings hopping from bar to bar and getting high.

He lives a double life.

One night a shy female student named Drey (Shareeka Epps) catches him in a drug-induced haze after a basketball game and the two strike up an unlikely friendship.

As Dan struggles with his addiction, he tries to act as a mentor to the girl, whose brother is serving time for dealing drugs.

It’s easy to dismiss a film like Half Nelson because of the uneasy premise. But below that resides a sweet and kind story about two human beings bonding over their lives in crisis.

There is too much negativity among teachers these days, so it is reassuring to see a film where the student and teacher bond under the most unlikely circumstances.

Gosling and Epps are both spectacular. They give their all as an unlikely pair, he an idealist, and she a girl trapped in ghetto life. The connection between the characters is palpable, especially given the role reversal.

They slowly become forever bonded, and the reaction is fresh, layered with genuine emotion. And who’s the teacher and who’s the student?

As terrific as they are together, they each have their own story. I loved learning more about Dan’s wrecked love life, but I still wanted to know why he escaped to drugs in the first place.

Drey faces enormous challenges of her own and is pressured to go down the same rabbit hole that many in similar circumstances have. She is savvy enough to know that if she does it, it will lead to an unhappy life, but will she go through with it anyway?

Even if a viewer never sets foot in an undesirable area, they can nonetheless place themselves there for the duration of the film.

I love the ending of the film.

Anna Boden and Ryan Fleck, a filmmaking duo best known for independent features, churn out terrific, subdued work.

Half Nelson feels authentic, with grainy, shaky filmmaking that makes the viewer feel as if they are an observer in the lives of Dan and Drey and part of their world.

A serene but not simple film, Half Nelson (2006) teaches many valuable lessons. With perseverance and unlikely friendships, mixed with two separate character studies, the film has a lot going on, but never overcomplicates itself.

I longed for more about Dan’s descent into drug use, but the rest of the experience is fantastic.

Oscar Nominations: Best Actor-Ryan Gosling

Independent Spirit Award Nominations: 2 wins-Best Feature, Best Director-Ryan Fleck, Best Male Lead-Ryan Gosling (won), Best Female Lead-Shareeka Epps (won), Best First Screenplay

Million Dollar Baby-2004

Million Dollar Baby-2004

Director Clint Eastwood

Starring Clint Eastwood, Hilary Swank

Scott’s Review #798

Reviewed August 2, 2018

Grade: A

Million Dollar Baby (2004) is arguably Clint Eastwood’s best-directed film of his career.

Rivaling Mystic River (2003) by a hair, the film has a raw emotional appeal, empathetic, richly drawn characters, and a mainstream sensibility.

These combined elements resulted in huge box office success and Oscar wins for Picture, Director, Actress, and Supporting Actor in the year of its release.

Frankie Dunn (Clint Eastwood) is a hardened boxing coach who owns a run-down Los Angeles gym. He works with his best friend and assistant, Eddie (Morgan Freeman).

When an aspiring female boxer, Maggie (Hilary Swank), arrives and begs Frankie to train her, he initially declines, but at Eddie’s urging, eventually relents and leads her to great success as a top female boxer.

Frankie and Maggie forge a close-knit, father/daughter relationship, a substitute for the damaged one he has with his daughter.

The final portion of Million Dollar Baby takes a very dark turn, as Maggie is illegally punched during a fight by a fellow boxer, causing her to develop quadriplegia. These events change the film’s tone from a very good sports drama to a great tale of morality.

Many emotions and debates ensued after this film was released, and the common question “What would you have done?” gripped viewers for months, throughout awards season.

The heartbreaking effects of the story events raise the film head and shoulders above most typical sports films.

Too often, Eastwood creates films that are palpable, but in a way generic, and very Hollywood.

Grand Torino (2008) and Invictus (2009) are good examples of this, especially Invictus, given its sports-drama element.

Some assumed that Million Dollar Baby was to be a female Rocky (1976), and the film was indeed marketed as such. For this reason, some felt robbed or duped, but I celebrate this film as leaning firmly left of center with a refreshing, progressive approach.

The performances are amazing all around, even by Eastwood, who is ever known for his acting talent. The characters are written as character-driven, but not caricatures.

Wounded, grizzled, and flawed, in his senior years, Frankie sees that his life has passed him by, having achieved nothing.

Never has Eastwood portrayed a character as complex and reserved as Frankie.

Swank deserved her second Oscar (1999’s Boys Don’t Cry was her first) for simply becoming a boxer- her pre-filming prep schedule reportedly was insane. More than the muscle and toning she achieved, are the raw acting talent and wounded emotions she possesses.

The character is portrayed as pained and vulnerable, yet very strong.

She has achieved little in her life, working as a waitress in Missouri and stealing scraps of leftovers to survive. Her family is trash through and through, only wanting her eventual riches for themselves.

The character is inevitably championed as we empathize with her plight emotionally.

Finally, Freeman deserves recognition for being the ultimate supporting actor. Eddie Dupris, a former fighter blind in one eye, is the central figure of the story and frequently narrates others’ actions, often offering a glimpse into individuals’ psyches.

The voice of reason, he is observant and analytical, almost knowing Freddie better than Freddie knows himself. They quarrel and disagree, but are forever friends and loyal to a fault.

Freeman possesses a reserve that makes the audience curious about his past life.

Million Dollar Baby (2004) is Eastwood’s best film- Mystic River comes a close second, however. A seemingly formulaic story and genre are woven into a web of humanism, emotions, and power.

The film is about the characters, which makes it succeed.

Eastwood has not quite surpassed this beautiful story, but has thankfully received dripping praise and accolades for a film not soon forgotten.

Oscar Nominations: 4 wins-Best Picture (won), Best Director-Clint Eastwood (won), Best Actor-Clint Eastwood, Best Actress-Hilary Swank (won), Best Supporting Actor-Morgan Freeman (won), Best Adapted Screenplay, Best Film Editing

Night Catches Us-2010

Night Catches Us-2010

Director Tanya Hamilton

Starring Kerry Washington, Anthony Mackie

Scott’s Review #503

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Reviewed October 29, 2016

Grade: B+

Night Catches Us (2010), as a film, has some very good qualities and is quite captivating and interesting to watch. Largely, it is set during the 1970s in Philadelphia and encompasses racial tensions during that time.

Kerry Washington and Anthony Mackie star and do a very nice job with the material given.

The film tells the story of a former 1960s Black Panther (Mackie) who returns home after a decade to start his life over, or so he hopes.

Night Catches Us is a combination of love stories and political/social commentary and is an important film to watch.

The leads, along with Wendell Pierce, are great and the real-life 1960s Black panther rally footage is interesting to see from a historical perspective.

My only criticism is I wanted a bit more.

Certain events seem plot-driven and forced- slightly clichéd in the romance department, but overall I enjoyed the film very much, especially for Mackie and Washington’s performances.

Great acting and a socially relevant story.

Independent Spirit Award Nominations: Best First Feature