Tag Archives: Tammy Blanchard

Rabbit Hole-2010

Rabbit Hole-2010

Director John Cameron Mitchell

Starring Nicole Kidman, Aaron Eckhart

Scott’s Review #1,115

Reviewed February 23, 2021

Grade: A

Rabbit Hole (2010) is a raw and brutal film. I say that with major praise because it’s also a great film with much humanity and pathos.

The film’s dreariness makes one relate to and empathize with the characters and perhaps recall a loved one who has died.

It’s truly brilliant if the viewer can withstand the sadness. I was able to tolerate the tone and immerse myself in it.

Thankfully, there are snippets of humor to offset the heavy drama.

Every film is not meant to be feel-good and enjoyable, but they all should conjure emotions, and Rabbit Hole succeeds in spades.

Yes, it’s a downer given the topic of the day is the loss of a four-year-old child, but it’s a tragedy worth enduring to experience the powerful acting from its stars.

It’s a gem because it shows how people deal with and recover from loss if there is a way to cope with, live, and feel again without destroying oneself.

Eight months after the accidental death of their son, Howie (Aaron Eckhart) and Becca (Nicole Kidman) struggle to overcome their grief.

He wants to hold on to everything that reminds him of Danny, while she would rather sell their home, relocate, and make a fresh start.

Trauma and conflict begin to appear in the relationship as Howie bonds with a member of his therapy group, and Becca reaches out to a teenage boy with telling facial scars.

The drama is based on David Lindsay-Abaire’s Pulitzer Prize-winning play of the same name, and the film version has the look and feel of a stage production.

Not much is shown before Danny’s death. I love this because it asks that I use my imagination. The cleverness is that Danny was not killed by a drunk driver or a speeding car.

It was an accident, and this point feels genuine.

The pain is watching a once-loving couple crumble from the weight of the devastation they have been dealt. Neither parent is to blame, but do they blame each other? Do they resent each other because each reminds the other of Danny’s death?

A pivotal and necessary story point is watching Becca and Howie become drawn to other people, some of them surprising. Becca bonds with the teenage driver of the car that killed Danny.

Howie nearly is drawn into a lurid affair with Gabby (Sandra Oh), whom he connects with at group therapy.

Is it healthier for Becca and Howie to go their separate ways? Do they stand a chance?

Most can ask themselves the same question as their partners if faced with devastating qualities. How does one pick up the pieces alone as part of a couple?

Kidman is breathtaking in her ability to generate the emotions she does. She was recognized with an Academy Award nomination.

It’s terrific, but Aaron Eckhart, forever an underappreciated actor, missed out on a nomination.

This is a shame because he is just as good as Kidman. Together, they are flawless, building and playing off the emotions and feelings of the other.

A film about grief, Rabbit Hole (2010) bravely tells the story of how an incident can ravage not only a relationship but our inner being, turning us into someone we don’t know.

This is a terrifying thought, and the stellar acting and pacing only make us feel the pain others can suffer.

Oscar Nominations: Best Actress-Nicole Kidman

A Beautiful Day in the Neighborhood-2019

A Beautiful Day in the Neighborhood-2019

Director Marielle Heller

Starring Matthew Rhys, Tom Hanks

Scott’s Review #964

Reviewed December 6, 2019

Grade: A

Any viewer seeking a weepy affair should look no further than A Beautiful Day in the Neighborhood (2019). The film is sentimental, without ever feeling sappy or overwrought; instead, it abounds with freshness and authenticity.

Tom Hanks is brilliant as the iconic children’s television personality, and Matthew Rhys holds his own, delivering a fantastic performance as an angry journalist tasked with writing a magazine article about the legend.

The film is heartwarming and teary with a poignant and inspirational message, and in 2019, we could all use a little Mister Rogers in our lives.

The film is set in 1998, and on the outs with his father, Jerry (Chris Cooper), Lloyd Vogel (Rhys) works as a writer for Esquire magazine.

Both attend Lloyd’s sister’s wedding, where the two men come to blows over past disputes, ruining the wedding reception and reigniting their feud.

Lloyd’s wife, Andrea, serves as a mediator when their newborn son becomes an interesting link between father and son. When Lloyd meets with Mister Rogers (Hanks), he is at first skeptical of the man’s benevolence, but the two men slowly develop a strong bond, forging a deep friendship.

Director Marielle Heller drew acclaim for her recent film, Can You Ever Forgive Me? (2018), a project about a grizzled New York writer.

Once again, her lead character is a dark and troubled writer, but with enough humanity bubbling under the surface to make the character likable. The contrast between the two main characters (Lloyd and Mister Rogers) is palpable and central to the story, making it intriguing and successful.

Her message is a strong lesson in humanity.

The setup is tremendous for anyone who has a clue to the unconditional kindness that Mister Rogers embodies. He not only adores children but also all of humanity, and, as referenced, he is particularly drawn to those who are wounded or broken.

The legend sees the goodness in all human beings and focuses on everyone he speaks with rather than on himself. What a wonderful message of patience, goodness, and empathy Heller carves from start to finish.

No surprise, Rogers teaches Lloyd to accept and forgive Jerry. During a thrilling scene, Lloyd lashes out at his father, reminding him that when he was bedding other women, his wife (Lloyd’s mother) lay riddled with cancer, not dying in peace, but screaming with agony.

The irony is that Jerry is now at death’s door, attempting to make amends with Lloyd before he dies. Both men are wounded and damaged, but because of Mister Rogers’ kindness, they come to an understanding. The message is lovely and kind.

I was surprised at how emotionally fulfilling the film turned out to be. Mister Rogers cares, and one can easily slip into a fantasy that, as he sits and holds a conversation with Lloyd, gazing whimsically and thoughtfully into his eyes, he is staring into our very own eyes.

I sure did, and what a powerful emotion that conjures. When Mister Rogers asks to take a moment of silence to think about the people who have shaped our lives, there is no doubt that each member of the movie theater audience did just that.

Hanks is a godsend and ideally suited for the role. Known to be a kindly humanitarian himself, he easily slips into the role of Mister Rogers and imitates the mannerisms perfectly. Especially impressive is when Danny, a puppet bear, appears on screen.

Savvy viewers will realize that Rogers channels his childhood through this character and the pain he felt as an overweight child.

Hanks is a tremendous actor, winning Oscars for Philadelphia (1993) and Forrest Gump (1994), so we have every confidence in his ability to craft a new character so well.

A Beautiful Day in the Neighborhood (2019) wins the year’s award for evoking the most emotion from viewers. The familiar “Mister Rogers’ Neighborhood” tune evokes memories and adds a level of sentiment to a heartwarming film.

Instead of crafting a sterile or preachy film, Heller delivers a simple message of kindness and understanding, along with a valuable lesson in accepting people as they are.

Oscar Nominations: Best Supporting Actor-Tom Hanks

Into the Woods-2014

Into the Woods-2014

Director Rob Marshall

Starring Emily Blunt, Meryl Streep

Scott’s Review #241

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Reviewed May 8, 2015

Grade: B

Based on the stage production of the same name, Into the Woods (2014) is a feature-length Disney film that incorporates several different fairy tales into the main story.

The film is a fantasy musical with numerous songs performed by the cast, featuring a large ensemble of seasoned actors.

The classic fairy tales are modern versions of Little Red Riding Hood, Rapunzel, Jack and the Beanstalk, and Cinderella.

The action mainly revolves around a baker and his wife (James Cordon and Emily Blunt) who are sad and lonely because they cannot conceive a child due to a long-ago curse put upon the baker’s family by a witch- played by Meryl Streep.

Circumstances surrounding the baker’s father caused the once beautiful witch to be turned ugly. The witch offers a bargain to the baker and his wife- if they bring her four items (a white cow, a red cape, yellow hair, and a gold slipper) for a special potion, she will lift the curse, enabling them to conceive a child and live happily ever after.

This prompts the couple into the dark forest to obtain the requested items. From this point, the couple intersects with other characters from the fairy tales as they all question various aspects of their lives.

There are subsequent stories- the witch is Rapunzel’s adoptive mother and keeps her locked in a tower to prevent her from being hurt by the world.

Cinderella (Anna Kendrick) escapes her taunting stepsisters and attends a ball only to flee when noticed by the handsome prince (Chris Pine).

Jack attempts to sell beans to provide food for his mother- and Little Red Riding Hood brings sweets to her Grandmother but is confronted by the Big, Bad, Wolf (Johnny Depp), a strange Woman Giant is stomping through the forest searching for Jack.

All these stories revolve around the baker and his wife’s efforts to retrieve the witch’s requests.

The production and art direction in the film is great. I love the dark, gloomy forest, which translates so well on the screen and gives the magical effect of a mysterious, secret forest.

I enjoyed the songs quite a bit- especially the catchy “Into the Woods”. However, some of the songs are quite one-dimensional and bland and not discernible from each other, let alone memorable.

The duet of the Prince’s, “Agony” is silly and useless to the plot, with gyrations, and dance moves.

Meryl Streep- dynamic in anything she appears in again steals the show as the vile witch turns beautiful at the end. She has a fantastic solo number mid-story, entitled “Stay with Me”.

One drawback I found with the film is, at times it drags a bit and I was not sold on the casting of Anna Kendrick as Cinderella.  Something about her performance was lacking, perhaps she was not as sympathetic or convincing as another actress might have been.

Also, I would have enjoyed seeing Johnny Depp as the Wolf be more prominently featured and a larger role for the Woman Giant. As integral as she is to the plot, it was tough to get a clear glimpse of her face let alone anything more substantial.

An entertaining feast of fairy tales immersed in one film, Into the Woods (2014) has some compelling moments but lost opportunities that bring it far from the reaches of a masterpiece level.

A solid film, but not a great film.

Oscar Nominations: Best Supporting Actress-Meryl Streep, Best Production Design, Best Costume Design

Blue Jasmine-2013

Blue Jasmine-2013

Director Woody Allen

Starring Cate Blanchett, Sally Hawkins

Scott’s Review #92

70270362

Reviewed July 3, 2014

Grade: A

Blue Jasmine (2013) is the latest offering by Woody Allen and one of his best since the 1970s. I have heard from several people that they are not typical Woody Allen fans but loved this film and I ponder why that is.

My theory is that Cate Blanchett, who stars as neurotic Jasmine, is the heart and soul of this movie.

Allen’s films usually center on neurotic characters and this film is no different.

Set primarily in San Francisco, it tells how Jasmine has lost all of her money thanks to bad investments by her ex-husband (played in flashbacks by Alec Baldwin).

She is a socialite and used to the best life in excess and extravagance.

Now Jasmine is reduced to making a clean start of it by rooming with her blue-collar sister, played by Sally Hawkins, and trying to scrape by.

Jasmine struggles to find success and the means to survive.

The film is hysterical, heartbreaking, and even a downer at moments. Through the assistance of pills and martinis, Jasmine is snobbish and ego-centric, yet the audience falls in love with and roots for her.

She is high-class yet broke. She keeps up appearances, and her wit, usually at the expense of others, never falters.

Blanchett is responsible for the love of this character and, thankfully, won the Best Actress Oscar for her portrayal.

The dialogue is sharp, witty, and filled with laugh-out-loud moments. Thanks to much of it taking place in flashbacks, the audience sees Jasmine’s life as it once was, having everything and then some, then back to her current reality and back and forth. This is a wise decision to show both of her lives.

Blue Jasmine (2013) is one of Woody Allen’s best.

Oscar Nominations: 1 win-Best Actress-Cate Blanchett (won), Best Supporting Actress-Sally Hawkins, Best Original Screenplay

Independent Spirit Award Nominations: 1 win-Best Female Lead-Cate Blanchett (won), Best Supporting Female-Sally Hawkins, Best Screenplay