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The Lady in the Van-2015

The Lady in the Van- 2015

Director Nicholas Hytner

Starring Maggie Smith

Scott’s Review #610

Reviewed January 19, 2017

Grade: B

Maggie Smith can do no wrong, and I will happily enjoy watching her in anything- anytime. Since the 1950s, this lady deserves a starring role in film.

Utterly distinctive, as legendary actress Bette Davis was, Smith has a style purely her own. Her facial expressions and exasperated gasps make her one of the great film stars.

The Lady in the Van (2015) is made specifically for her, but beyond her talents, the movie is a decent, if very safe, offering.

It lacks the depth it could have.

Written by Alan Bennett, the film tells the true story of Mary Shepherd, an older woman living in a broken-down van, who befriends Bennett and eventually lives in his driveway for fifteen years before her inevitable death.

Set in northern London, a quaint and gorgeous part of the world, Mary harbors a deep secret involving her van and is revealed to have been a star piano pupil in her day.

Smith has no qualms about playing unflattering characters.

Shepherd is grizzled, abrupt, and rude, but Smith puts a lot of heart into her too, so the audience senses her vulnerability and falls in love with her.

With her sad, protruding blue eyes, wrinkles for miles, and chirpy voice, Smith is fantastic at giving her all to the role.

The rest of the cast plays their roles adequately but are limited and overshadowed at every turn. Most notable is Jim Broadbent’s wasted talent, appearing in a small and quite meaningless role.

Besides Smith’s brilliant performance, The Lady in the Van lacks layers.

The story is good, but we never see many of Mary’s struggles. How does she afford food? How is she not sick? The film skims over the darker elements of homelessness in favor of a lighthearted tale.

Fine, but what about her inevitable issues?

The film mentions other, less important stories but doesn’t fully explore them. Alex speaks to what looks like his twin brother, but is it his alter ego?

Young men come and go at night, so the presumption is that Alex is gay, and in the end, we do see Alex living with a man, but why is this so vaguely written? Why mention it at all?

This story would have been more interesting to explore, given that the real Alex Bennett wrote the film.

Other side stories are introduced but remain on the surface.

Alex’s mother suffers from Alzheimer’s, but this is not explored much, and Mary’s brother, who institutionalized her at a young age, offers no explanation as to why this was done; she had a mental illness, but the brother’s motivations are not clear.

I wanted more from the supporting characters than was offered.

Still, the bottom line is that The Lady in the Van (2015) is a Maggie Smith film, and any in which she has the lead role is pretty damned good for that reason alone.

Into the Woods-2014

Into the Woods-2014

Director Rob Marshall

Starring Emily Blunt, Meryl Streep

Scott’s Review #241

70305948

Reviewed May 8, 2015

Grade: B

Based on the stage production of the same name, Into the Woods (2014) is a feature-length Disney film that incorporates several different fairy tales into the main story.

The film is a fantasy musical with numerous songs performed by the cast and features a large ensemble of seasoned actors.

The classic fairy tales are modern versions of Little Red Riding Hood, Rapunzel, Jack and the Beanstalk, and Cinderella.

The action mainly revolves around a baker and his wife (James Corden and Emily Blunt), who are sad and lonely because they cannot conceive a child due to a long-ago curse a witch played by Meryl Streep placed on the baker’s family.

Circumstances surrounding the baker’s father caused the once beautiful witch to be turned ugly.

The witch offers the baker and his wife a bargain: if they bring her four items (a white cow, a red cape, yellow hair, and a gold slipper) for a special potion, she will lift the curse, enabling them to conceive a child and live happily ever after.

This prompts the couple into the dark forest to obtain the requested items.

From this point, the couple intersects with other fairy-tale characters as they question various aspects of their lives.

The witch is Rapunzel’s adoptive mother and keeps her locked in a tower to protect her from the world.

Cinderella (Anna Kendrick) escapes her taunting stepsisters and attends a ball only to flee when noticed by the handsome prince (Chris Pine).

Jack tries to sell beans to provide food for his mother, and Little Red Riding Hood brings sweets to her Grandmother, but is confronted by the Big Bad Wolf (Johnny Depp) and a strange woman, a giant stomping through the forest searching for Jack.

All these stories revolve around the baker and his wife’s efforts to retrieve the witch’s requests.

The production and art direction are great. I love the dark, gloomy forest, which translates so well on screen and gives the magical effect of a mysterious, secret forest.

I enjoyed the songs quite a bit- especially the catchy “Into the Woods”. However, some of the songs are one-dimensional, bland, and hard to distinguish from each other, let alone remember.

The duet of the Princes, “Agony,” is silly and useless to the plot, with gyrations and dance moves.

Meryl Streep- dynamic in anything she appears in again steals the show as the vile witch turns beautiful at the end. She has a fantastic mid-story solo number, “Stay with Me.”

One drawback I found is that, at times, the film drags a bit, and I wasn’t sold on casting Anna Kendrick as Cinderella.  Something about her performance felt lacking; perhaps she wasn’t as sympathetic or convincing as another actress might have been.

Also, I would have enjoyed seeing Johnny Depp as the Wolf more prominently featured and the Woman Giant given a larger role. As integral as she is to the plot, it was tough to get a clear glimpse of her face, let alone anything more substantial.

An entertaining feast of fairy tales in one film, Into the Woods (2014) has some compelling moments but misses opportunities that keep it far from the reaches of a masterpiece status.

A solid film, but not a great film.

Oscar Nominations: Best Supporting Actress-Meryl Streep, Best Production Design, Best Costume Design