All the President’s Men-1976
Director Alan J. Pakula
Starring Robert Redford, Dustin Hoffman
Scott’s Review #1,544
Reviewed August 19, 2026
Grade: A
With the United States political landscape rife with corruption consistently since 2016, All the President’s Men (1976) takes viewers back to a simpler time when dishonesty was considered abhorrent.
It actually meant something in the political spectrum.
This is a sad reality when the truth doesn’t mean what it used to mean, and a sitting president can be a convicted felon, among other heinous actions.
But All the President’s Men does what it does best: remind audiences of journalism’s intended integrity and dedication to the truth.
Sadly, today, the media has become meek and complacent, in stark contrast to the characters in the film.
All the President’s Men is based on a 1974 non-fiction book written by the reporters featured in the film.
Two inexperienced reporters and rivals working for the Washington Post, Bob Woodward (Robert Redford) and Carl Bernstein (Dustin Hoffman), research the botched 1972 burglary of the Democratic Party Headquarters at the Watergate apartment complex.
With the help of a mysterious source, code-named Deep Throat (Hal Holbrook), the two reporters make a connection between the burglars and a White House staffer.
Despite dire warnings about their safety, the duo follows the money all the way to the top and then to President Richard Nixon.
The film is directed exceptionally well on all levels, from the acting and writing to the mood. Special credit goes to the editing team led by Robert J. Wolfe.
He also edited The Getaway (1972), which probably best exemplifies his exceptional style for viewers familiar with that film. The quick shots of the newsroom, typewriters, Washington, D.C., etc. all mesh together with the sound.
Screenwriter William Goldman crafts a crisp, intelligently nuanced script which takes the stereotypically mundane subject of investigative journalism and turns it into a crackling, enthralling experience.
Director Alan J. Pakula creates a somewhat frenetic pace, driven mainly by the quick clicking of a typewriter keyboard against the characters’ rapid movements.
The chemistry between lead actors Robert Redford and Dustin Hoffman is terrific. Actors who appear to be opposites: Redford, suave and charismatic; Hoffman, awkward and mousy, the pair work well together to create a bond based on finding the truth.
Supporting characters flourish as well. Jason Robards as the reporter’s boss, Ben Bradlee, is gruff yet understanding of his journalists’ efforts.
Hal Holbrook, Jack Warden, and Jane Alexander are also key characters in unraveling the political scandal.
Holbrook, in particular, presents a mysterious vibe central to the entire story. As he lurks in the shadows for much of the film, this heightens the dark, secretive domino effect as the scandal comes to light.
In fact, the cinematography’s overwhelming dark atmosphere enhances the entire film.
The film is so well structured that numerous films released after 1976 patterned themselves around All the President’s Men.
Arguably, pairing well with Network, made the same year, the film influenced efforts like The Paper (1994), Zodiac (2007), and Spotlight (2015).
Fifty years after its initial release, which brought heaps of praise and accolades, All the President’s Men (1976) holds up exceptionally well as Americans still yearn for justice and the subject matter remains incredibly relevant.
Oscar Nominations: 4 wins-Best Picture, Best Director-Alan J. Pakula, Best Supporting Actor-Jason Robards (won), Best Supporting Actress-Jane Alexander, Best Screenplay-Based on Material from Another Medium (won), Best Art Direction (won), Best Film Editing, Best Sound (won)