Tag Archives: Polly Holliday

Gremlins-1984

Gremlins-1984

Director Joe Dante

Starring Zach Galligan, Phoebe Cates

Scott’s Review #1,443

Reviewed September 28, 2024

Grade: B+

A mishmash of film genres like black comedy, horror, and Christmas, Gremlins (1984) is one of the films responsible for the new Motion Picture Association of America (MPAA) rating of PG-13 introduced in the mid-1980s.

Too soft for an adult R rating but too scary for a PG rating many films fit better in the PG-13 category.

The film features a cute E.T. the Extra-terrestrial (1982) reminiscent creature named Gizmo. Since Steven Spielberg’s executive produced Gremlins, there are comparisons to the successful mega box office film.

But Gremlins is darker than E.T. especially when the spawn of Gizmo emerges in a fierce, aggressive manner and one dons a mohawk-style haircut. Many of the gremlins die and a few humans are killed by the gremlins giving it a scarier vibe.

This is thanks to director, Joe Dante, who gives the film a 1950s B movie style that offers a dark campy style.

A gadget salesman, Randall Peltzer (Hoyt Axton) is looking for a special Christmas gift for his son Billy (Zach Galligan) and finds one at a store in Chinatown. The shopkeeper is reluctant to sell him the “mogwai” but does and warns him never to expose him to bright light, or water, or feed him after midnight.

Naturally, when Randall returns to his home in the United States all of this happens and the result is a gang of gremlins that decide to tear up the town on Christmas Eve.

There are a couple of ways to view this film. The ‘message’ is a statement of the consumer culture running rampant in the 1980s. Wanting everything but not appreciating things is stated during the final scene.

The Chinese shopkeeper repossesses the “mogwai”, scolds the family for their negligence, and criticizes Western society for its carelessness with nature.

In a touching scene, Gizmo, having bonded with Billy, bids him goodbye. The touched shopkeeper concedes that Billy may be ready one day and, until then, Gizmo will be waiting.

Anyone with a pet will get a teary eye or two.

One can also view Gremlins as an entertaining popcorn flick with superior special effects and a fun story. The visual effects and the art direction are worth a pause for. Impressive are the sequences in the town where the stores and homes are perfectly dressed for the holidays.

The Christmas lights, trees, snow, and other trimmings provide feelings of warmth and spirit.

Galligan and Phoebe Cates who plays his love interest, Kate, have wonderful chemistry as a teen romance blossoms. This makes the audience more invested in their peril as they try to save the townspeople from doom.

Axton and Frances Mee McCain who plays Billy’s mother, Lynn, also are rootable. They are believable as a lovely suburban couple who have a wacky side.

Corey Feldman and Judge Reinhold appear in small roles as a friend and Billy’s obnoxious boss, respectively. Neither role is developed or necessary but familiar faces are always nice to see in cinema.

Polly Holliday nearly steals the show as the dog-hating Ruby Deagle. In a clear nod to Mrs. Gulch in The Wizard of Oz (1939) she sneers and snickers in an ill-fated attempt to have Billy’s dog destroyed.

Delightfully, she gets a death scene where the gremlins terrorize her to death when her stair chair goes wonky and throws her out a window. Holliday is a hoot and must have had a ball playing the villain.

Other stock characters like the disbelieving police force are cliched and only serve to hinder the actions of the main characters.

Gremlins (1984) is a darling film that holds up well. It’s mischievous without going full horror and can be enjoyed by the entire family on Christmas Eve. The quirky comedy elements and cool visuals make the film fun and impressive.

Bernice Bobs Her Hair-1976

Bernice Bobs Her Hair-1976

Director Joan Micklin Silver

Starring Shelley Duvall, Veronica Cartwright 

Scott’s Review #1,141

Reviewed May 12, 2021

Grade: B+

Much transpires within Bernice Bobs Her Hair (1976), a short film based on a short story by famed author F. Scott Fitzgerald.

For the non-literary crowd, Fitzgerald penned the worldly The Great Gatsby, a treasured story set in the 1920s on Long Island, New York.

The story was adapted into a television production in 1976 for PBS’s The American Short Story.

Bernice Bobs Her Hair is a quieter story than Gatsby, and more peculiar, resulting in a fabulous tale of revenge set a 1920, the cusp of the American Jazz Age.

The setting is presumed to be Long Island or Westchester County, New York, though that’s never confirmed.

Regardless, our main character, Bernice (Shelley Duvall), hails from Wisconsin and visits her family.

The visit isn’t exactly peaches and cream, as you can imagine.

The bitchy and sophisticated Marjorie (Veronica Cartwright), Bernice’s cousin, pities her for being awkward and unlikable, and for being far inferior to the elitist company she keeps. She rolls up her sleeves and becomes determined to shape Bernice into a sophisticated vixen, molding her into a girl who gets what she wants.

The idea ends up biting her in the ass.

Bernice, mocked for being quiet and dull, blossoms into a brave young woman, titillated by the attention of the society boys. She delights in having her pick of the litter and daringly proclaims to have her hair bobbed in a few days, to the shock and chagrin of the rich group of friends.

Would a young woman ever dare to do something so drastic for attention? Hell, she’ll have to go to a barber and be sheared!

Marjorie’s jealousy intensifies as Bernice’s confidence soars, culminating in a dramatic and satisfying conclusion.

Duvall is delightful in the role. The actress, very unconventional looking, appears the prettiest I’ve ever seen her, even when she plays dowdy. Telling so much with her wide-eyed and expression-filled eyes, she seduced me into her world of mystique and wonderment. Duvall has a charisma all her own and fascinates in any film she appears in.

Not to be overlooked, Veronica Cartwright brings Marjorie to life with fury and pizazz, also doing so much with her trademark blue eyes. The actresses work so well together as they eventually play a seductive game of will and wit.

For the boys, there are a few love interests to note. I loved seeing Bud Cort, struggling for work after his groundbreaking role in 1971’s Harold & Maude, appear in the short film. Insecure, he is nonetheless smitten with Bernice, just as Draycott Deyo (Patrick Reynolds) is.

Other handsome suitors like Mark LaMura, of daytime television fame, appear.

The costumes and sets are lavish and fitting to the 1920s, which enhanced my enjoyment. The hot summer setting also infuses the film with smoldering and rigid tension, enhancing the experience. There is nothing like escaping into the past in style and enchantment.

The final revenge is extremely fulfilling as the classes clash. The socially awkward Bernice conquers the WASP-y Marjorie like a plain Jane would a beautiful evil princess. It’s quite satisfying.

The entire experience of Bernice Bobs Her Hair (1976) is pleasing and compelling. The kicker is that when Bernice does indeed ‘bob her hair’, she looks amazing and trendy for the decade to follow. She gets her just desserts in more ways than one, and the audience cheers her to victory!