Tag Archives: F. Murray Abraham

Scarface-1983

Scarface-1983

Director Brian De Palma

Starring Al Pacino

Scott’s Review #191

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Reviewed November 13, 2014

Grade: B

Scarface is a 1983 mob film directed by Brian De Palma and is an atypical film for the acclaimed director of several stylistic thrillers such as Dressed to Kill (1980), Sisters (1973), and Carrie (1976).

The subject matter centers on the mob and the world of drug trafficking, in this case, cocaine, a very popular, powerful drug that ran rampant throughout the 1980s.

Jealousy, greed, and deceit are common characteristics of Scarface and the story focuses on a temperamental, cocky, and arrogant Cuban refuge sent to Miami by Fidel Castro, as a way of banishing criminals from Cuba and shipping them off to the United States to survive on their own.

Tony Montana, played by Al Pacino, goes from dishwasher to crime lord by selling drugs and creating an empire for himself.

He manipulates, tricks, and makes enemies left and right including stealing his boss’s girlfriend (Michelle Pfeiffer) and eventually falling into a troubled marriage with her.

He loves his financially struggling mother and sister, giving them money and opening a salon for his sister, but he also controls them, especially his sister, and is filled with rage whenever she attracts the affection of a potential suitor.

In his mind, nobody is good enough for her and he is filled with machismo and over-protectiveness. Tony eventually self-destructs due to jealousy, rage, and heavy drug use.

I found the film overall quite compelling but kept thinking to myself how much it resembles a light version of The Godfather (1972) or Part II (1974) and Goodfellas (1990).

I am fully aware that Scarface preceded Goodfellas, but seeing it for the first time in 2014 this was my initial reaction.

I was also kept aware of the fact that it must have been influential in the creation of the popular NBC television series Miami Vice, which debuted a year or two after Scarface was released.

Similarities such as crime lords, Miami Beach, and drugs mirrored the slick feel of the hit television drama as well as the look, style, and fashions.

The performance of Al Pacino is problematic- in my view, this is not at all his best work. For starters, his accent keeps going in and out and I found him slightly unbelievable in the role. A phenomenal actor, something with his performance did not sit well.

The musical score to the film is cheesy- almost shockingly so. Granted this was 1983, but the silly dance beats sporadic throughout now seem completely dated.

Parts of Scarface dragged a bit, however, a sudden dramatic scene (the dismembering of Tony’s friend by mobsters and Tony’s meltdown in a fancy restaurant) more than makeup for the occasional lags in drama.

Scarface (1983) is not on the level of other contemporary violent mob films, but for fans of the genre, it will be enjoyed.

The Grand Budapest Hotel-2014

The Grand Budapest Hotel-2014

Director Wes Anderson

Starring Ralph Fiennes, F. Murray Abraham

Scott’s Review #143

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Reviewed July 30, 2014

Grade: B+

The Grand Budapest Hotel (2014) is a witty and unique film by director Wes Anderson, who has also directed similarly quirky films,  notably Monsoon Kingdom (2012) and The Royal Tenenbaums (2001).

The famous story of the history of the Grand Budapest Hotel is recounted, over dinner, by the current owner Zero (played by F. Murray Abraham), and an inquisitive guest (Jude Law).

The film then goes back to the 1930s and shares the story of the actual history of the hotel.

The main story centers on the head concierge, Gustave, (Ralph Fiennes), and his antics involving older wealthy blonde women, a murder, stolen art, and a missing will.

Gustave is a ladies’ man, and bisexual, who spends time with the rich women who stay at the hotel.  Fiennes does an excellent job as the quick-witted, almost manic Gustave.

This sets off a series of interesting, mysterious events for the remainder of the film that turns into a whodunit yarn.

The visual aspects usurp the story. The art direction is amazing. The sets are constructed so perfectly and ingeniously that they almost look like animated sets or like a dollhouses.

The costumes and makeup are flawless.

The story tends to be tough to follow at times and is just not as strong as the other aspects of the film, although this is not to be interpreted as the story is not good- it is entertaining, but nothing more.

It’s just that the other aspects of the film are magnificent and the story is secondary. It’s an odd film, certainly, but unique and interesting.

Well-known Hollywood stars appear- Tilda Swinton, Edward Norton, Adrien Brody, Willem Defoe, and Harvey Keitel.

Oscar Nominations: 4 wins-Best Picture, Best Director-Wes Anderson, Best Original Screenplay, Best Original Score (won), Best Production Design (won), Best Cinematography, Best Makeup and Hairstyling (won), Best Costume Design (won), Best Film Editing

Inside Llewyn Davis-2013

Inside Llewyn Davis-2013

Director Ethan Coen, Joel Coen

Starring Oscar Isaac, Carey Mulligan

Scott’s Review #35

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Reviewed June 17, 2014

Grade: B+

Being a tremendous fan of the Coen brothers (Fargo-1996, No Country for Old Men-2007) I was eager to see their latest offering, Inside Llewyn Davis (2013).

The Coen’s have such a sense of quirkiness in their characters and while this film is not on the level of their other gems, it is a good piece.

I love the cold, winter, Greenwich Village setting as struggling folk singer, Llewyn Davis (expertly played by Oscar Isaac) struggles over two weeks to land gigs or breaks while encountering many people who either thwart or help his chances of success.

Sadly, the film was ignored by the Oscar brethren, but alas it tells of a slice-of-life experience of a 1960s artist.

As with most Coen brother films, it is cast with unique, interesting character actors in a bit but nuanced parts.

Oscar Nominations: Best Sound Mixing, Best Cinematography

Independent Spirit Award Nominations: Best Feature, Best Male Lead-Oscar Isaac, Best Cinematography