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Wild-2014

Wild-2014

Director Jean-Marc Vallee

Starring Reese Witherspoon

Scott’s Review #249

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Reviewed June 21, 2015

Grade: B+

Wild (2014) is a personal story of a young woman’s 1995 challenge to hike the 2,650-mile Pacific Crest Trail as a form of therapy for her divorce and her recovery from drug addiction.

The film stars Reese Witherspoon in a thoughtful biography of a real-life figure, Cheryl Strayed, and is adapted from a novel entitled Wild: From Lost to Found on the Pacific Trail.

The film depicts Cheryl’s struggles to survive in remote northern California through harsh weather and her encounters with strangers.

The film is a showcase for Witherspoon as she takes center stage, appearing in almost every frame of the film.

Her producing the project undoubtedly contributes to this. Regardless, it is a winning turn for Witherspoon as she is excellent.

She portrays the role with vigor, emotional rawness, and vulnerability, which comes across on-screen.

She deserved her Oscar nomination for this part.

What sets her apart from other actresses who may have played this role is that Witherspoon is a small, which makes her physical struggle to navigate trails and wilderness while hauling a large backpack of necessities believable.

Through flashbacks of Cheryl’s life before the enormous hike, we are introduced to her and the challenges she faced. We know that she is a recovering addict, but we do not know what led to these events.

Living in Minneapolis, she is very close to her mother, Bobbi, played by Laura Dern, who tragically dies.

This leads Cheryl down a path of destructive behavior and ultimately to her divorce from her husband, Paul, who periodically sends her care packages along the way.

Cheryl’s bond with her mother, a struggling woman herself, is deep. Bobbi struggles to raise a family and improve her education and life, which the flashback scenes featuring Cheryl as a teenager explore.

I love the encounters Cheryl faces along the trail, and I feel they add depth to the film.

Few and far between are these gems of interchange since she is mostly alone with nature, and the characters are interesting. Alone in the dark and desperate for a meal, she flags down a farmer named Frank.

At first, Frank seems dangerous and wields a gun, so Cheryl is wary as she goes home with him for dinner. Happily, Frank is married to a kindhearted woman named Annette, and the three of them enjoy a lovely feast.

Later, she encounters a young boy whose mother has died. They bond as the boy sings a song his mother used to sing to him, and when he leaves, Cheryl sobs with emotion for her mother.

These small snippets of real-life conversations and togetherness make the film feel happy, and we root for Cheryl to accomplish her enormous feat.

Thanks to a bravura performance by Witherspoon, Wild (2014) is much more than a woman surviving on her own in the wilderness. It is encased in quiet emotion and understated supporting performances that give layers to a human story.

Oscar Nominations: Best Actress-Reese Witherspoon, Best Supporting Actress-Laura Dern

Dawn of the Planet of the Apes-2014

Dawn of the Planet of the Apes-2014

Director Matt Reeves

Starring Andy Serkis

Scott’s Review #232

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Reviewed March 29, 2015

Grade: C+

Dawn of the Planet of the Apes (2014) is a summer blockbuster hit that knocks it out of the park visually; it is magnificent to look at, with creative sets and realistic images, but the story is mediocre and predictable.

I think the filmmaker’s true intent was to focus on the look of this film, and succeeds. The film is a slightly better-than-average big-screen adventure with more style than substance.

Set in San Francisco, or what was once San Francisco, the film takes place in a futuristic world. Apes have forged a new civilization after a deadly virus has eliminated 90% of the human population.

The apes are highly intelligent and manage a happy, unified existence. Then, one day, a human is encountered and, scared, shoots an ape.

This leads to a peaceful resolution between Caesar, the leader of the apes, and the humans: they each stay in their respective territories.

However, humans need access to a dam in the apes’ area to generate electricity. Mutual distrust leads to tension, but the civilized apes and humans reach a truce.

Naturally, conflict escalates as sinister humans and apes vow revenge on each other. This leads to a war while the peaceful apes and humans strive to work things out.

A further angle of the story is the hunger for power within the ranks of the Apes, reminiscent of Lord of the Flies.

The human protagonists, Malcolm and Ellie, played by Jason Clarke and Keri Russell, are a wholesome, decent couple.

Dawn of the Planet of the Apes pales in comparison to the original 1968 masterpiece, Planet of the Apes, starring Charlton Heston. Comparing the two is unfair, since, sadly, this one has nothing to do with the original.

It is simply the same franchise tag.

However, Dawn of the Planet of the Apes is weaker than its predecessor, Rise of the Planet of the Apes (2010). We had a charismatic star, James Franco, and an interesting story.

The apes are experimented on, and their intelligence is a strong angle.

The sequel is rather one-note and leans on a machismo, us-against-them angle that isn’t unique.

The main drawback of this film is its limited scope. The characters are portrayed as a) the good and sympathetic humans, b) the evil and destructive humans, c) the good and heroic apes, or d) the evil, bad apes.

The film defines everyone for the audience, with no ambiguity or complexity in the characters. This is a bit limiting. The evil ape Koba is purely bad, and the drunken, gun-happy humans are bad.

This is not to say that Dawn of the Planet of the Apes is not enjoyable; it is. It’s a fun, entertaining flick. For what it is, the film has a message: there is a way to find peace and love between different species and types of people.

Hopefully, the audience gets that message.

Dawn of the Planet of the Apes (2014) is a summer blockbuster action/sci-fi flick many will enjoy; however, it is a plot-driven extravaganza that could have been better with more layers to the story and more shape to some of the characters.

It is worth seeing as a visual cinema treat, but scarcely more than that.

Oscar Nominations: Best Visual Effects

Dallas Buyers Club-2013

Dallas Buyers Club-2013

Director Jean-Marc Vallee

Starring Matthew McConaughey

Scott’s Review #54

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Reviewed June 24, 2014

Grade: A-

While Dallas Buyers Club (2013) is a well-written screenplay based on the true story of a straight Texas man who contracted AIDS circa 1985.

The film’s main appeal is the brilliant performances by Matthew McConaughey and Jared Leto.

1985 was a different period as far as the deadly virus goes- people did not know then what they do now.

The fear and judgment featured in the film must be kept in mind for the time and location (Bible Belt Texas).

McConaughey’s physical transformation is an amazing feat, to begin with, a normally handsome, well-built actor, turned gaunt and hollow-eyed, but he completely encompasses this role with an intense, character, rich and flawed.

His body language and mannerisms are mesmerizing.

Leto’s performance as a transsexual, also stricken with the disease, is equally amazing.

The character is immediately sympathetic and vulnerable- a wounded bird you would like to take under your wing and save.

Despite the subject, the film itself is not a downer, nor does it attempt to be preachy. Rather, it is a tale of friendship, human growth, and survival in bleak times.

The film is dark, yet inspirational at the same time.

McConaughey and Leto deserve their Oscar wins for these roles.

Oscar Nominations: 3 wins-Best Picture, Best Actor-Matthew McConaughey (won), Best Supporting Actor-Jared Leto (won), Best Original Screenplay, Best Makeup and Hairstyling (won), Best Film Editing

Independent Spirit Award Nominations: 2 wins-Best Male Lead-Matthew McConaughey (won), Best Supporting Male-Jared Leto (won)