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Obvious Child-2014

Director Gillian Robespierre

Starring Jenny Slate

Scott’s Review #387

Reviewed March 22, 2016

Grade: C+

Obvious Child is a 2014 independent comedy/drama nominated for a couple of Independent Spirit Awards, with mixed results.

It works on some levels but has an irritating underbelly and some unneeded components that ultimately give it a thumbs down.

The major success is star Jenny Slate, a real-life Brooklyn stand-up comic with immeasurable comic timing, who will hopefully become a rising star.

Slate starred in a 2009 short film of the same name before it became a full-length feature.

Slate stars as a twenty-eight-year-old Brooklynite, who moonlights as a stand-up comic in a dingy bar while working in a desolate bookstore that is soon closing.

Conversely, her parents are successful- her mother is a famed professor. When her steady boyfriend unceremoniously dumps her, she takes up with a handsome young man for a one-night stand filled with fun.

Predictably, she winds up pregnant and forges ahead with a plan to abort their child.

The abortion story is quite interesting since there is never a doubt about what will happen.

Unlike films that make abortion the main focus of conflict, Obvious Child wisely does not- every character supports, and even encourages her to have the procedure, including her mother and best friend.

Having been written and directed by women, this is intentional and a way of empowering women, which is one of the high points. If one is on the fence about the topic of abortion or is a pro-life stance, this film may be very tough to watch as its slant is made crystal clear.

Slate is the other high point of the film.

She exudes confidence and comic range. Jewish and slightly awkward-looking, she is not the leading-lady type, and this arguably makes her wit and sarcastic language even funnier.

She is a natural in comedy, and I hope she goes far.

Two slight props for me worth mentioning are the wonderful mention of the classic film Gone with the Wind (1939) and the setting of Brooklyn. This was a great nod to film history, and the setting gave Obvious Child an authentic New York City feel.

On the other hand, an utter annoyance about Obvious Child is the shameless and constant use of blatant and off-putting bathroom humor- not just once or twice, but numerous times.

How is this necessary to the plot? I can’t say, but I surmise the filmmakers deemed it necessary to show that females can give as good as males can.

Almost saying, “men can make poop jokes, why can’t women”? Why this is necessary for any film is beyond me, and it gives Obvious Child a crass, ugly feel.

The film also feels unrealistic.

Max is portrayed as Prince Charming. He can do no wrong, supports Donna in any decision she makes, is enamored by her sole being, and loves her unconditionally after only a one-night stand.

This would not happen in real life.

The fact that Donna is Jewish and quirky and Max is Christian and straight-laced is not explored. What conflicts would they undoubtedly face? Why were his parents not featured?

Highly uneven, with a great premise and an interesting slant on a still-controversial social issue, Obvious Child (2014) succeeds in the story department but fails in its uncalled-for use of potty humor to elicit cheap laughs.

Independent Spirit Award Nominations: Best Female Lead-Jenny Slate, Best First Feature

Wild-2014

Director Jean-Marc Vallee

Starring Reese Witherspoon

Scott’s Review #249

Reviewed June 21, 2015

Grade: B+

Wild (2014) is a personal story of a young woman’s 1995 challenge to hike the 2,650-mile Pacific Crest Trail as a form of therapy for her divorce and her recovery from drug addiction.

The film stars Reese Witherspoon in a thoughtful biography of a real-life figure, Cheryl Strayed, and is adapted from a novel entitled Wild: From Lost to Found on the Pacific Trail.

The film depicts Cheryl’s struggles to survive in remote northern California through harsh weather and her encounters with strangers.

The film is a showcase for Witherspoon as she takes center stage, appearing in almost every frame of the film.

Her producing the project undoubtedly contributes to this. Regardless, it is a winning turn for Witherspoon as she is excellent.

She portrays the role with vigor, emotional rawness, and vulnerability, which comes across on-screen.

She deserved her Oscar nomination for this part.

What sets her apart from other actresses who may have played this role is that Witherspoon is a small, which makes her physical struggle to navigate trails and wilderness while hauling a large backpack of necessities believable.

Through flashbacks of Cheryl’s life before the enormous hike, we are introduced to her and the challenges she faced. We know that she is a recovering addict, but we do not know what led to these events.

Living in Minneapolis, she is very close to her mother, Bobbi, played by Laura Dern, who tragically dies.

This leads Cheryl down a path of destructive behavior and ultimately to her divorce from her husband, Paul, who periodically sends her care packages along the way.

Cheryl’s bond with her mother, a struggling woman herself, is deep. Bobbi struggles to raise a family and improve her education and life, which the flashback scenes featuring Cheryl as a teenager explore.

I love the encounters Cheryl faces along the trail, and I feel they add depth to the film.

Few and far between are these gems of interchange since she is mostly alone with nature, and the characters are interesting. Alone in the dark and desperate for a meal, she flags down a farmer named Frank.

At first, Frank seems dangerous and wields a gun, so Cheryl is wary as she goes home with him for dinner. Happily, Frank is married to a kindhearted woman named Annette, and the three of them enjoy a lovely feast.

Later, she encounters a young boy whose mother has died. They bond as the boy sings a song his mother used to sing to him, and when he leaves, Cheryl sobs with emotion for her mother.

These small snippets of real-life conversations and togetherness make the film feel happy, and we root for Cheryl to accomplish her enormous feat.

Thanks to a bravura performance by Witherspoon, Wild (2014) is much more than a woman surviving on her own in the wilderness. It is encased in quiet emotion and understated supporting performances that give layers to a human story.

Oscar Nominations: Best Actress-Reese Witherspoon, Best Supporting Actress-Laura Dern