Tag Archives: Keir O’Donnell

Dawn of the Planet of the Apes-2014

Dawn of the Planet of the Apes-2014

Director Matt Reeves

Starring Andy Serkis

Scott’s Review #232

70300076

Reviewed March 29, 2015

Grade: C+

Dawn of the Planet of the Apes (2014) is a summer blockbuster hit that knocks it out of the park visually; it is magnificent to look at, with creative sets and realistic images, but the story is mediocre and predictable.

I think the filmmaker’s true intent was to focus on the look of this film, and succeeds. The film is a slightly better-than-average big-screen adventure with more style than substance.

Set in San Francisco, or what was once San Francisco, the film takes place in a futuristic world. Apes have forged a new civilization after a deadly virus has eliminated 90% of the human population.

The apes are highly intelligent and manage a happy, unified existence. Then, one day, a human is encountered and, scared, shoots an ape.

This leads to a peaceful resolution between Caesar, the leader of the apes, and the humans: they each stay in their respective territories.

However, humans need access to a dam in the apes’ area to generate electricity. Mutual distrust leads to tension, but the civilized apes and humans reach a truce.

Naturally, conflict escalates as sinister humans and apes vow revenge on each other. This leads to a war while the peaceful apes and humans strive to work things out.

A further angle of the story is the hunger for power within the ranks of the Apes, reminiscent of Lord of the Flies.

The human protagonists, Malcolm and Ellie, played by Jason Clarke and Keri Russell, are a wholesome, decent couple.

Dawn of the Planet of the Apes pales in comparison to the original 1968 masterpiece, Planet of the Apes, starring Charlton Heston. Comparing the two is unfair, since, sadly, this one has nothing to do with the original.

It is simply the same franchise tag.

However, Dawn of the Planet of the Apes is weaker than its predecessor, Rise of the Planet of the Apes (2010). We had a charismatic star, James Franco, and an interesting story.

The apes are experimented on, and their intelligence is a strong angle.

The sequel is rather one-note and leans on a machismo, us-against-them angle that isn’t unique.

The main drawback of this film is its limited scope. The characters are portrayed as a) the good and sympathetic humans, b) the evil and destructive humans, c) the good and heroic apes, or d) the evil, bad apes.

The film defines everyone for the audience, with no ambiguity or complexity in the characters. This is a bit limiting. The evil ape Koba is purely bad, and the drunken, gun-happy humans are bad.

This is not to say that Dawn of the Planet of the Apes is not enjoyable; it is. It’s a fun, entertaining flick. For what it is, the film has a message: there is a way to find peace and love between different species and types of people.

Hopefully, the audience gets that message.

Dawn of the Planet of the Apes (2014) is a summer blockbuster action/sci-fi flick many will enjoy; however, it is a plot-driven extravaganza that could have been better with more layers to the story and more shape to some of the characters.

It is worth seeing as a visual cinema treat, but scarcely more than that.

Oscar Nominations: Best Visual Effects

American Sniper-2014

American Sniper-2014

Director Clint Eastwood

Starring Bradley Cooper

Scott’s Review #223

American_Sniper_poster

Reviewed February 22, 2015

Grade: A-

American Sniper (2014), directed by Clint Eastwood, is a war film told from the viewpoint of a soldier- or a sniper.

A character study, if you will.

Starring Bradley Cooper as Chris Kyle, deemed the deadliest marksman in U.S. military history, he has 255 kills.

The film begins pre-9/11 as Kyle views coverage of the 1998 U.S. Embassy attacks and enlists in a grueling training program to become a Navy SEAL sniper.

Flashbacks show Kyle as a child, taught by his demanding father to hunt deer and shoot a rifle. He is eventually sent to Iraq following the 9/11 terror attacks, and the film continues to showcase Kyle’s military career and multiple tours of duty, ending years later.

Sienna Miller plays his wife, Taya.

I am not sure the controversy American Sniper has stirred is warranted. I see the film simply as a very good mainstream action movie.

Yes, it has overdone Americana machismo and Texas swagger, but it is an Eastwood film! This masculinity is at the heart of many of his films.

I do not view the film as politically charged.

The film leans neither Republican nor Democratic and seems to take a middle-of-the-road viewpoint.

It is a tale of a war hero, but it questions the wars fought and the casualties involved, both American and otherwise. Sure, Kyle is a good ol’ red-blooded American, but as he and Taya watch the 9/11 attacks on television, they are watching CNN, not Fox News.

His close military buddy asks, “Why are we here?” referring to Afghanistan, and Eastwood implies a question about what this is all about.

I hope audiences keep this in mind.

One concern I do face as I ponder the film is whether American Sniper will send some audience members back to a time when the world was fearful of Muslims and at risk of the recent ISIS terror situations; I hope that people are smart enough to realize that NOT all Muslims are terrorists.

Only a minuscule portion is evil-inspired.

The major terrorist in American Sniper, known simply as The Butcher, is despicable, but plenty of other Muslims are innocent and victims of The Butcher’s brutality.

I love how deep the film is.

Cooper is as resilient as the troubled sniper. He is portrayed as human, a nice, all-American guy. He wrestles with the choice of shooting a woman and a young boy who died at the risk of them carrying a bomb and killing members of his squad- he does not want to kill them, but rather is excellent at his job.

He is a perfect shot.

In the heat of the moment, under extreme pressure, he must ask himself, “Should I pull the trigger and end their lives”? “What if they are innocent pedestrians?”

He becomes, in a sense, addicted to his duty of going overseas to Iraq and Afghanistan and justifies his service as “protecting Americans”.

This leads to a troubled personal life as Taya grows frustrated with his frequent tours of duty, which he readily accepts. He has Post-Traumatic Stress Disorder but refuses to acknowledge this.

He almost kills the family dog in a fit of uncontrolled rage; he temporarily confuses sounds from an auto shop as military warfare.

My admiration for Bradley Cooper’s acting grows with each role I see him in. He is a marvel.

From recent dynamic performances in American Hustle (2013) and The Place Beyond the Pines (2012) to this role, I am convinced he can play any part successfully and convincingly.

He has sure come a long way from The Hangover (2009).

American Sniper (2014) is an enormously creative and commercial success and deserves to be. Layered and character-driven, it is worlds above the typical male-driven action film.

Oscar Nominations: 1 win-Best Picture, Best Actor-Bradley Cooper, Best Adapted Screenplay, Best Sound Editing (won), Best Sound Mixing, Best Film Editing