Tag Archives: Daniel Zovatto

Woman of the Hour-2023

Woman of the Hour-2023

Director Anna Kendrick

Starring Anna Kendrick, Daniel Zovatto, Autumn Best

Scott’s Review #1,448

Reviewed October 21, 2024

Grade: A-

I never thought of Anna Kendrick as a quality film director or even a director. Her most notable acting role was Up in the Air in 2009 and I had nearly forgotten about her until watching the Netflix film Woman of the Hour (2023) in which she stars and directs.

She impressed the hell out of me in her directorial debut and since the film industry still needs more female directors I hope Kendrick keeps at it.

Woman of the Hour premiered at the Toronto International Film Festival in September 2023 but wasn’t released by Netflix until October 2024 so it’s technically a 2023 film.

Kendrick creates an intelligent work that serves as a compelling and taut thriller and a lesson in misogyny and objectification. Yes, it’s set in the 1970s and an argument can be made that society has progressed in that regard but not nearly enough as this film starkly reminds us.

An aspiring actress, Cheryl Bradshaw (Kendrick), who has had little success finding roles, is talked into appearing on an episode of the popular game show ‘The Dating Game’.

She crosses paths with a prolific serial killer, Bachelor #3 on the television show, 1978. He is Rodney Alcala (Daniel Zovatto) who is feared to have raped and murdered over one hundred women.

The audience is well aware of the actions of Alcala since the action goes back and forth from the present times (1979) and New York City in 1971 when he presumably killed his first victim.

I felt uncomfortable from the first scene and remained this way during the one hour and thirty-four minute running time. The film was too short.

Alcala doesn’t lurk around corners or break into apartments brandishing a butcher knife. Instead, he sweet-talks the women into posing for photographs or offers to help them out of a jam to gain their trust.

Kendrick doesn’t play softball with the audience. She gets the action going with a brutal scene where Alcala takes photos of a young woman in the plains. After he gets the woman to open up about her painful breakup with an ex-boyfriend, he strangles her. He revives her, then strangles her to death.

The victim is pitiful since she is already distressed over her ex. The audience sees a glimmer of hope in her eyes when she considers she may have finally met a nice guy. There is slight trust and it’s heartbreaking to see reality strike the poor woman.

Kendrick does it again in a side story from 1979 when events finally ended climatically. A young runaway named Amy, played wonderfully by Autumn Best, meets Alcala and spontaneously goes hiking with him in a remote location.

Best, through Kendrick, plays wounded not as victimized but as a strong woman with a will to live. Hardly cowering, she instead channels energy and outsmarts her pursuant.

I was continually impressed with how Kendrick weaved a thriller with female empowerment.

As good as those scenes are, the best sequence is during The Dating Game since there is so much going on.

We see the creepy Alcala and know that Cheryl will choose him. He knows how to schmooze, capitalizing on the other bachelor’s weaknesses. After he wins, bachelor #2 whispers a warning to Cheryl.

It gave me goosebumps.

Daniel Zovatto is a standout as the killer. His facade of Mr. Nice Guy made me trust him as most people would. He appears kind, friendly, and helpful. When he suddenly turns evil the actor gives a creepy smile on par with the one from the horror film Smile (2022).

I shudder thinking about the smile and film and Woman of the Hour (2023) has followed me since watching it.

An impressive directorial debut, Kendrick has the chops necessary to continue her journey. She acts well but her director talents are her superpower.

Lady Bird-2017

Lady Bird-2017

Director-Greta Gerwig

Starring-Saoirse Ronan, Laurie Metcalf

Scott’s Review #700

Reviewed November 28, 2017

Grade: A

Lady Bird is a 2017 independent film release and a wonderful effort by actor turned writer/director, Greta Gerwig, in her solo directorial debut.

No stranger to the indie syndicate herself Gerwig puts her unique stamp on the film with a rich, female-centered perspective that works quite well and that is seeping with charm and wit.

Worth noting is how the story is a semi-autobiography-one based on Gerwig’s own life and her stormy dealings with her mother. The story is well-written, well-paced, and empathetic as the audience views a slice of life through the eyes of a restless yet kindly teenager on the cusp of womanhood.

Saoirse Ronan gives a bravura performance in the title role. Her given birth name is Christine, she defiantly changes it to Lady Bird, in a show of adolescent independence, and much to her parents, Marion and Larry’s (Laurie Metcalf and Tracy Letts ) chagrin.

Christine lives in suburban Sacramento, California, and yearns for a more exciting life in New York City, and far away from what she considers Dullsville, USA. Now in her senior year- attending a Catholic high school-Christine applies to college after college, hoping to escape her daily dilemmas. Christine’s best friend Julie and somewhat boyfriend Danny (Lucas Hedges) are along for the ride.

The period is 2002- shortly after 9/11.

The brightest moments in Lady Bird are the scenes between Christine and her mother, which are plentiful. The chemistry between Ronan and Metcalf is wonderful and I truly buy them as a real mother/daughter duo, warts and all. They fight makeup, get on each other’s nerves, fight, cry, makeup, etc.

I especially love their knock-down-drag-outs, as each actress stands her ground while allowing the other room to shine- feeding off of each other.

My favorite Metcalf scene occurs while she is alone- having gotten into a tiff with Christine and giving her the silent treatment while Christine flies to New York, Marion reconsiders as she melts into a ball of tears while she drives away- regretting her decision and missing her daughter already.

Metcalf fills the scene with emotional layers as she does not speak- we simply watch in awe as her facial expressions tell everything.

Comparably, Ronan- likely to receive her third Oscar nomination at the ripe old age of twenty-three (Atonement and Brooklyn are the other nods), successfully gives a layered performance of a teenage girl struggling with her identity and restless to see different worlds and get out of what she sees as a bland city.

Of Irish descent, Ronan is remarkable in her portrayal of a California girl- sometimes selfish, sometimes sarcastic, but always likable and empathetic.

The casting from top to bottom is wonderful as the supporting players lend added meat to the story. Christine’s best friend, Julie, played by young upstart Beanie Feldstein (Jonah Hill’s sister) is compelling as the lovable, chubby, and nerdy theater geek.

Letts is perfect as Christine’s father, depressed at losing his job in the tough economy and having to compete with young talent as he sees his career slip away.

Legendary actress, Lois Smith, adds heart to the role of Sister Sarah Joan- a by-the-book nun, who proves to be a cool, old chick.

Finally, Hedges, seemingly in every film in 2016-2017, is emotionally resounding as Danny, the troubled boyfriend of Christine- struggling with his sexuality.

Gerwig simply does it all with this piece of film- she directs and writes, scripting both laugh-out-line moments and eliciting heartfelt emotion from her enchanted audience.

A hilarious scene occurs as Christine attends a dreary class assembly- an anti-abortion-themed one- by a woman who almost did not exist, but for her mother’s decision not to have an abortion.

When a bored Christine icily points out that had the woman’s mother had the abortion, she would not be forced to sit through the assembly, it is a laugh-out-loud moment.

Lady Bird, thanks to a fantastic writer and director, and superlative casting is a film that has its all-heart, emotion, humor, and great acting.

The film is intelligently written and forces the audience to quite willingly embrace its characters. Gerwig carves a story, perhaps done many times before in film, but with a fresh and energetic feel to it.

Oscar Nominations: Best Picture, Best Director-Greta Gerwig, Best Actress-Saoirse Ronan, Best Supporting Actress-Laurie Metcalf, Best Original Screenplay

Independent Spirit Award Nominations: Best Feature, Best Female Lead-Saoirse Ronan, Best Supporting Female-Laurie Metcalf, Best Screenplay (won)

It Follows-2014

It Follows-2014

Director David Robert Mitchell

Starring Maika Monroe, Debbie Williams

Scott’s Review #306

It_Follows_(poster)

Reviewed December 23, 2015

Grade: A-

It Follows (2014) is a mysterious, unique, dreamlike (or shall I say nightmarish!) independent horror film that is a pleasant throwback to old-school horror films (my favorites!), with a supernatural twist thrown in.

The film is directed very well by newcomer David Robert Mitchell containing wonderful cinematography and creative camera angles.

This film is not glossy and has a raw, almost videotaped feel, which I found quite wonderful. The film was shot entirely in and around Detroit giving it a cold, industrial look.

The film begins on a dramatic note leaving the viewer immediately curious.

A young woman flees her suburban home and nervously stands on the street looking back at her house.  A neighbor asks if she needs help. She returns, collects her things, and hurriedly drives to the beach. She suspects something or someone is watching her. She tearfully phones her father and tells him she loves him.

The next scene appears to be the following morning and the woman is lying murdered on the beach in a grotesque position- her leg strangely bent.

This is a fantastic way to begin the film.

From this point, the premise is quickly revealed. The main character is Jay (Maika Monroe), an attractive college-aged girl. She lives with her sister Kelly and is good friends with their next-door neighbors Paul and Yara. An additional neighbor and classmate, Greg, also figures into the plot.

Jay is on a date with Hugh and things are going well. They attend a classic film. They sneak into a deserted lot and have sex. Afterward, Hugh chloroforms Jay and the weirdness begins.

A strange woman appears and Hugh tells Jay she must pass on a curse. Otherwise, an entity in the form of another person that nobody else can see but the victim will get Jay and she will be doomed.

I love the throwback elements to 1970s and 1980s horror but it’s vague when the film is set- purposely so I imagine- as many cars are 1970s and 1980s models. Only one cell phone is used throughout, but mostly the time could be present or past.

Even the houses appear dated.

Story-wise, It Follows is tough to figure out and open to a certain level of interpretation. Is the film anti-sex? Is the story a metaphor for sexually transmitted diseases?

The victims become possessed by the entity after sex and then must pass it to another unwitting victim, sexually.

I notice some similarities to John Carpenter films- specifically the classic Halloween from 1978. Jay sits in a classroom (ironically in the back row next to the window ala Jamie Lee Curtis in Halloween) and sees a strange old woman slowly lumbering towards her, eyes fixed on her.

Later, the three principal girls casually walk around the neighborhood engaging in small talk similar to the characters of Laurie, Lynda, and Annie on Halloween.

The ending- a scene in the indoor community swimming pool where the kids try to catch the spirit is a bit hokey and unresolved. However, I did enjoy the final scene- a peaceful one in which I was unsure if the entity had been destroyed or remained.

A sequel perhaps?

I give It Follows (2014) major props for its styling, and creativity while giving classic horror fans a good old-fashioned treat without much CGI necessary.

Independent Spirit Award Nominations: Best Director-David Robert Mitchell, Best Cinematography, Best Editing