Tag Archives: Elias Koteas

Zodiac-2007

Zodiac-2007

Director David Fincher

Starring Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr. 

Top 250 Films #223

Scott’s Review #1,134

Reviewed April 16, 2021

Grade: A

Zodiac (2007) is an excellent film in its own right. The attention to detail circa the 1960s and 1970s is spot on and adds to the flavor of the entire experience.

The locale of San Francisco is moody and riddled with the antics of the self-professed Zodiac Killer.

With excellent acting, the sum of its parts makes for a wonderful film experience.

The film is incredibly well-paced, character-driven, and layered in rich texture. What more can be asked of a cinematic production? It simply has it all and will engage any viewer craving mystery and intrigue.

David Fincher, as the director, creates a world unto itself with carefully crafted sets, artistic nuances, and, of course, a superb story. A lesson learned is that sometimes evil exists and cannot be caught despite best efforts, and the ramifications are endless.

Painfully, the characters in Zodiac slowly realize this.

Zodiac is based on the best-selling non-fiction book by Robert Graysmith, a pivotal character in the film. The novel is very similar to James Elroy’s 1987 novel The Black Dahlia, which also explores an unsolved case set in California.

The film tells the story of the search for the Zodiac Killer, a serial killer who terrorized the foggy San Francisco Bay Area during the late 1960s and early 1970s.

Investigators (Mark Ruffalo, Anthony Edwards) and reporters (Jake Gyllenhaal, Robert Downey Jr.) become obsessed with learning the killer’s identity and bringing him to justice.

Meanwhile, Zodiac claims victim after victim and taunts the authorities with endless and specifically graphic letters, bloodstained clothing, and cryptic messages shrouded in menacing phone calls.

The case remains one of the United States’ most infamous unsolved crimes.

Much of the acclaim must go to the three actors cast in the central roles, and Gyllenhaal is at the top of his game in the leading role. As cartoonist Robert Graysmith, he is the main hero and the person who spearheads the investigation, prompting disbelievers to listen to him.

Gyllenhaal is sensitive, sympathetic, and obsessed, and at first is perceived as a laughingstock, but audiences will immediately get behind the man, thanks to Gyllenhaal’s powerful acting.

The character-driven approach continues as Mark Ruffalo gives a wonderful portrayal of Inspector David Toschi. The tough-as-nails, no-nonsense approach led Toschi to obsession and fudging of evidence.

Finally, Robert Downey Jr. provides energetic gusto as Paul Avery, a journalist who turns to drugs and alcohol because of the intensity and emotional investment in the case.

Plenty of red herrings make the film fun, and the prime suspect of Arthur Leigh Allen, played by character actor John Carroll Lynch, may or may not be the assailant.

It’s breathtaking watching all the twists and turns in this ferociously complex film.

Zodiac is based on real events and is reportedly extremely historically accurate. Fincher and others spent eighteen months conducting their investigation and research into the Zodiac murders.

So, authenticity is everywhere in this film.

Watching a film that begins in 1969 and ends in 1983 is a joy for someone who grew up in that era. Fincher drizzles the film with timely automobiles, clothing, and other sets, making it feel like walking into a time capsule.

I’m sure this will only add to the viewer’s enjoyment.

For fans of films about the Zodiac Killer, the 1971 film Dirty Harry, starring Clint Eastwood, delivers an exceptional experience based on the real-life case.

But Fincher’s Zodiac is just as good.

Despite the behemoth running time- two hours and thirty-seven minutes, Zodiac (2007) is an edge-of-your-seat thriller.

The pulsating yet prowling pace is worth several viewings to appreciate the juiciness of all of the elements David Fincher offers.

A hefty round of applause is deserved.

Some Kind of Wonderful-1987

Some Kind of Wonderful-1987

Director Howard Deutch

Starring Eric Stolz, Mary Stuart Masterson, Lea Thompson

Scott’s Review #1,386

Review August 4, 2023

Grade: B+

Some Kind of Wonderful (1987) is one of many John Hughes-written teenage romantic dramas to emerge in the 1980s.

It’s familiar territory in terms of storytelling and quite similar to the 1986 hit Pretty in Pink.

I’ll call it what it is: essentially a remake of Pretty in Pink.

Hughes attempts to ‘right the wrong’ of the ending of Pretty in Pink, which he was forced to rewrite because of pesky test audiences. Truth be told, I was happy with who wound up with whom in the film, but I guess I’m in the minority.

A romantic quadrangle is front and center, with differing social classes explored amidst the already tricky teenage years. Characters battle for status as they deal with powerful feelings and angst with their parents and friends.

A fun fact about Some Kind of Wonderful is that Hughes assumed his muse, Molly Ringwald, would star in the film. When she turned him down for more adult roles, he never forgave her, which led to the dissolution of their film collaboration.

But the show must go on.

Keith Nelson (Eric Stoltz) is an artistic high school outcast who bravely tries to land a date with the most popular girl in school, Amanda Jones (Lea Thompson).

His tomboy best friend, Watts (Mary Stuart Masterson) is secretly in love with him while Amanda’s rich on-again-off-again boyfriend, Hardy Jenns (Craig Sheffer), vows revenge on Keith.

Watts tries to convince Keith to stop pursuing Amanda, while his father (John Ashton) is dead set on Keith attending business rather than art school.

Before you start thinking this sounds like a corny story arc from the afternoon soap opera Days of Our Lives, it’s a pretty well-written story with many ups and downs and good, sincere acting.

Stolz is compelling as the boy-next-door/leading man. He is relatable and, therefore, easy to root for to get the girl.

The main attraction and best part of the film is the triangle between Keith, Watts, and Amanda. Hardy is merely along for the ride, serving as both a foil and necessary eye candy. Every girl wants him, so why would Amanda want Keith and not him?

When Hardy refers to Amanda as his ‘property,’ it makes him unforgivable to audiences. It might have been interesting if Hughes had made the character a viable romantic option for Amanda or Watts by softening him.

There are arguments for Keith winding up with either Amanda or Watts, and a tantalizing mention is that Watts could be gay, but this story goes nowhere.

1987 would have been too early for this quality to be featured much in mainstream film, but at least the thought is there.

Despite being popular, Amanda is not a bitch. Her best friend, Shayne (Molly Hagan), is though.

In a bit of irony, the character Keith, at the end of the film, feels rushed, jagged, and like an added-on scene. The similarities to the reshoot they did with the ending of Pretty in Pink are uncanny.

Other characters are added purely for comic relief and to offset the romantic-heavy drama. Keith’s tough guy friend Duncan (Elias Koteas) and Keith’s younger sister Laura (Maddie Corman) provide the film with some cute moments.

Teenagers, whether in 1987 or today, can relate to the well-meaning pressure Keith’s father puts on him, so the message is universally appreciated.

Nothing will surpass my top ranking of The Breakfast Club (1985) as my favorite John Hughes film, but Some Kind of Wonderful (1987) does a good job of capturing a slice of teenage angst we can all relate to.

The Fourth Kind-2009

The Fourth Kind-2009

Director Olatunde Osunsanmi

Starring Milla Jovovich, Will Patton

Scott’s Review #583

Reviewed January 4, 2017

Grade: B-

I went into the theater to see The Fourth Kind (2009) not expecting a classic, but rather, a few frights, chills, and something compelling. I ended up completely entertained and believing it was a good movie.

However, after the credits rolled, I was left with an unsatisfying and misrepresented feeling.

The premise of the film is admittedly a bit trite. An Alaskan female psychiatrist, Dr. Abigail Tyler (Milla Jovovich) videotapes her therapy sessions with patients and discovers some sort of alien has possibly abducted them.

Yes, this sounds crazy, but the film is well-made and rather believable.

The look of the film is similar to the Paranormal Activity films, a craze that was happening when the film was released in 2009.

The documentary look and the interviews with the actors will be looked back on as “of its time”, to be sure.

The style and interspersing of “real” events with fictitious events were interesting. However, I was disappointed when I read that the supposed “real” events were entirely made up, a fact the movie never admits, and, in fact, time and time again reminds the audience are real events.

I enjoyed the movie but felt duped afterward, rendering The Fourth Kind (2009) trivial and forgettable.

Shutter Island-2010

Shutter Island-2010

Director Martin Scorsese

Starring Leonardo DiCaprio

Scott’s Review #567

Reviewed December 27, 2016

Grade: A-

Shutter Island (2010) is a great, psychological thriller, that being a Scorsese film, I had high expectations for. Lo and behold, I was not disappointed in the slightest.

Scorsese has a knack for making taut films, very violent, and with an edge. This film does not have the gore nor the blood that some of his other films have- especially since the subject matter is not mafia-related.

After Teddy Daniels (DiCaprio), a World War II veteran, turned U.S. Marshall investigates the disappearance of a female patient at a local psychiatric hospital, the case develops unforeseen layers.

The time is the 1950s.

Shutter Island is not your typical, run-of-the-mill thriller- it is much more than that and the complexities build and build. Not to be secondary to the interesting web of plot, but the art and set designs and visual effects are quite impressive- particularly during the storm scenes.

Leonardo DiCaprio is quite the gem, carrying the film in a demanding role, and working so well with Scorsese, as proven by his being a repeat player in his films.

All the performances (even tiny roles) were played with perfection- with flawless nuances- I mainly mean the hospital staff and patients.

The unpleasant violent images may upset some as well as the ending, but I found it to be an edge-of-your-seat, extremely well-made film. I hope that it is remembered for some time.

Let Me In-2010

Let Me In-2010

Director Matt Reeves

Starring Kodi Smit-McPhee, Chloe Grace Moretz

Scott’s Review #509

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Reviewed November 4, 2016

Grade: A-

I loved Let Me In (2010).

It is nearly as exceptional as the original, Let the Right One In (2008), which is Swedish.

Billed as horror, it contains none of the typical horror cliches or corny dialogue- rather it is mysterious, compelling, and character-driven.

This in itself is refreshing.

Additionally, the cinematography is exceptional in its coldness, darkness, and good old-fashioned ambiance.

Let Me In is about a twelve-year-old outcast, named Owen (Kodi Smit-McPhee),  who befriends a neighbor girl-Abby (Chloe Grace Moretz)- who we learn is a vampire.

Owen is bullied at school and through Abby, learns to stand up to his tormentors.

I am partial to foreign language films so, to me, the American version lacks the engaging language a bit and is not…well, foreign, so that detracts slightly, but not much at all, and this effort is quite remarkable.

This film is a horror film- in the classic sense of containing vampires and not being played for goofs- and quite gory, but also a beautiful, emotional film, and the concepts of sadness and loneliness are explored.

Let Me In (2010) is one of the best horror films I’ve seen in recent years.