Tag Archives: Candy Clark

Zodiac-2007

Zodiac-2007

Director David Fincher

Starring Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr. 

Top 250 Films #223

Scott’s Review #1,134

Reviewed April 16, 2021

Grade: A

Zodiac (2007) is an excellent film in its own right. The attention to detail circa the 1960s and 1970s is spot on and adds to the flavor of the entire experience. The locale of San Francisco is moody and lurking with the antics of the self-professed Zodiac Killer.

With excellent acting, the sum of its parts adds up to a wonderful film experience.

The film is incredibly well-paced, character-driven, and layered in rich texture. What more can be asked of a cinematic production? It simply has it all and will engage any viewer craving mystery and intrigue.

David Fincher, as the director’s chair, creates a world unto itself with carefully crafted sets, artistic nuances, and of course a superb story. A lesson learned is that sometimes evil exists and cannot be caught despite best efforts and the ramifications are endless.

Painfully, the characters in Zodiac slowly realize this.

Zodiac is based on the best-selling non-fiction book by Robert Graysmith, a pivotal character in the film. The novel is very similar to James Elroy’s 1987 novel The Black Dahlia, another unsolved case set in California.

The film tells the story of the manhunt for the Zodiac Killer, a serial killer who terrorized the foggy San Francisco Bay Area during the late 1960s and early 1970s.

Investigators (Mark Ruffalo, Anthony Edwards) and reporters (Jake Gyllenhaal, Robert Downey Jr.) become obsessed with learning the killer’s identity and bringing him to justice.

Meanwhile, Zodiac claims victim after victim and taunts the authorities with endless and specifically graphic letters, bloodstained clothing, and cryptic messages shrouded in menacing phone calls.

The case remains one of the United States’ most infamous unsolved crimes.

Much of the acclaim must go to the three actors cast in the central roles and Gyllenhaal is top of his game in the leading role. As cartoonist Robert Graysmith he is the main hero and the person who spearheads the investigation, prompting disbelievers to listen to him.

Gyllenhaal is sensitive, sympathetic, and obsessed and at first, perceived to be a laughing stock, but audiences will immediately get behind the man and this is thanks to Gyllenhaal’s powerful acting.

The character-driven approach continues as Mark Ruffalo gives a wonderful portrayal of Inspector David Toschi. The tough-as-nails and no-nonsense approach led Toschi into obsession and fudging evidence.

Finally, Robert Downey Jr. provides energetic gusto as Paul Avery, a journalist who turns to drugs and alcohol because of the intensity and emotional investment in the case.

Plenty of red herrings make the film fun and the prime suspect of Arthur Leigh Allen, played by character actor John Carroll Lynch may or may not be the assailant.

It’s breathtaking watching all the twists and turns in this ferociously complex film.

Zodiac is based on real events and reportedly is extremely historically accurate. Fincher and others spent eighteen months conducting their investigation and research into the Zodiac murders.

So, authenticity is everywhere in this film.

Watching a film beginning in 1969 and ending in 1983 is a joy for someone who grew up in that era. Fincher drizzles the film with timely automobiles, clothes, and other sets so it appears to be walking into a time capsule.

I’m sure this only will add to the viewer’s enjoyment.

For fans of films based on the Zodiac Killers, the 1971 film Dirty Harry, starring Clint Eastwood delivers an exceptional experience based on the real-life case.

But Fincher’s Zodiac is just as good.

Despite the behemoth running time- two hours and thirty-seven minutes, Zodiac (2007) is an edge-of-your-seat thriller. The pulsating yet prowling pace is worth several viewings to appreciate the juiciness of all of the elements David Fincher offers.

A hefty round of applause is deserved.

Q: The Winged Serpent-1982

Q: The Winged Serpent-1982

Director Larry Cohen

Starring Michael Moriarty

Scott’s Review #1,112

Reviewed February 15, 2021

Grade: B-

A campy and tongue-in-cheek work, Q: The Winged Serpent (1982) is an amusing monster movie affair.

It’s best suited for the post-midnight hour when not much else is on television. I jest, because it’s not a bad watch at all, but it’s not to be taken very seriously.

It’s terribly overacted, overplayed, and over-the-top, and not remembered very well. Soon after watching it, I almost forgot the entire experience.

This is never a positive for a film. Q: The Winged Serpent is forever destined for placement in the cult horror category for a good laugh or three. Sadly, most will laugh at the film rather than with it.

There are tidbits added about the mass media, politics, and even the police force that don’t seem necessary for this type of film and don’t go anywhere.

A film like Q: The Winged Serpent should stick to entertaining the audience rather than incorporating serious messages.

Larry Cohen, best known for cheap horror and science fiction films, directs Michael Moriarty as Jimmie Quinn, an angry aspiring jazz pianist who leads a life of crime to get by.

Purely by accident, he stumbles upon Q, a winged, dragon-like female lizard who resides atop New York City’s Chrysler Building.

The police are on the hunt for Q, who enjoys killing residents atop rooftops for fun. Jimmie plans to tell the police where Q lives, for a price tag of one million dollars.

Speaking of Cohen, he never delivered better work than when he directed an episode of the Showtime Masters of Horror anthology in 2006. The episode, entitled “Pick Me Up,” was fantastic and also starred Moriarty.

We never really know why Q arrives in Manhattan. There is a quick reference that she is an Aztec god or something, but we never know what motivates her or why she slices and dices New Yorkers.

Maybe there is some message of overindulgence there, but we never find out much about her or care why she is who she is.

There is a silly side story of the detectives cheating Jimmie out of his just desserts, which only makes the police seem like assholes. Life in New York City during the 1980s was fraught with crime and corruption, and while the knock against authority might be justified, it’s also not entirely helpful either.

David Carradine and Richard Roundtree play the main detectives, adding a bit of star power to the picture. Neither of them has much substance to do and adds little beyond name recognition to one-note roles.

The best part of Q: The Winged Serpent is the genuineness of the filming. It was shot on location in and around New York City’s Chrysler Building and uses the interior of the building’s tower crown as a primary location.

This is fabulous for fans who have never been inside the historic building, and for those who have, it’s a cool reminder of just how incredible it is.

Many shots of mid-town Manhattan are included, which is an absolute treat.

Cohen also wrote and produced the film, so he has a passion for the project, which is admirable. He wasn’t simply some hired gun for an uninspired effort.

He is setting out to create a nod to the legendary monster-horror film King Kong (1933) or those old Japanese monster films of the 1950s, like Godzilla, where a monster wreaks havoc on a metropolis.

The special effects for the flying serpent are not very good and seem quite amateurish and clay-like. Therefore, the entire tone of Q: The Winged Serpent is that of a B-movie. I’m not usually a CGI fan, but the film could have used a boost in that department.

Q: The Winged Serpent (1982) gives a nice representation of life in another time in New York City. I loved the cabs, the traffic, the noise, the grizzled residents, the street vendors, and the corruption.

The film is largely messy and uninspired, but not completely a dud either.