Tag Archives: Jake Gyllenhaal

Zodiac-2007

Zodiac-2007

Director David Fincher

Starring Jake Gyllenhaal, Mark Ruffalo, Robert Downey Jr. 

Scott’s Review #1,134

Reviewed April 16, 2021

Grade: A

Zodiac (2007) is a great film in its mood alone. The attention to detail circa the 1960s and 1970s is spot on and adds to the flavor of the entire experience. The locale of San Francisco is moody and lurking with the antics of the self-professed zodiac killer.

With excellent acting, the sum of its parts adds up to a wonderful film experience.

The film is incredibly well-paced, character-driven, and layered in rich texture. What more can be asked of a cinematic production? It simply has it all and will engage any viewer craving mystery and intrigue.

David Fincher, as the director’s chair, creates a world unto itself with carefully crafted sets, artistic nuances, and of course a superb story. A lesson learned is that sometimes evil exists and cannot be caught despite best efforts and the ramifications are endless.

Painfully, the characters in Zodiac slowly realize this.

Zodiac is based on the best-selling non-fiction book by Robert Graysmith, a pivotal character in the film. The novel is very similar to James Elroy’s 1987 novel The Black Dahlia, another unsolved case set in California.

The film tells the story of the manhunt for the Zodiac Killer, a serial killer who terrorized the foggy San Francisco Bay Area during the late 1960s and early 1970s.

Investigators (Mark Ruffalo, Anthony Edwards) and reporters (Jake Gyllenhaal, Robert Downey Jr.) become obsessed with learning the killer’s identity and bringing him to justice.

Meanwhile, Zodiac claims victim after victim and taunts the authorities with endless and specifically graphic letters, bloodstained clothing, and cryptic messages shrouded in menacing phone calls.

The case remains one of the United States’ most infamous unsolved crimes.

Much of the acclaim must go to the three actors cast in the central roles and Gyllenhaal is top of his game in the leading role. As cartoonist Robert Graysmith he is the main hero and the person who spearheads the investigation, prompting disbelievers to listen to him.

Gyllenhaal is sensitive, sympathetic, and obsessed and at first, perceived to be a laughing stock, but audiences will immediately get behind the man and this is thanks to Gyllenhaal’s powerful acting.

The character-driven approach continues as Mark Ruffalo gives a wonderful portrayal of Inspector David Toschi. The tough-as-nails and no-nonsense approach led Toschi into obsession and fudging evidence.

Finally, Robert Downey Jr. provides energetic gusto as Paul Avery, a journalist who turns to drugs and alcohol because of the intensity and emotional investment in the case.

Plenty of red herrings make the film fun and the prime suspect of Arthur Leigh Allen, played by character actor John Carroll Lynch may or may not be the assailant.

It’s breathtaking watching all the twists and turns in this ferociously complex film.

Zodiac is based on real events and reportedly is extremely historically accurate. Fincher and others spent eighteen months conducting their investigation and research into the Zodiac murders.

So, authenticity is everywhere in this film.

Watching a film beginning in 1969 and ending in 1983 is a joy for someone who grew up in that era. Fincher drizzles the film with timely automobiles, clothes, and other sets so it appears to be walking into a time capsule.

I’m sure this only will add to the viewer’s enjoyment.

For fans of films based on the Zodiac Killers, the 1971 film Dirty Harry, starring Clint Eastwood delivers an exceptional experience based on the real-life case.

But Fincher’s Zodiac is just as good.

Despite the behemoth running time- two hours and thirty-seven minutes, Zodiac (2007) is an edge-of-your-seat thriller. The pulsating yet prowling pace is worth several viewings to appreciate the juiciness of all of the elements David Fincher offers.

A hefty round of applause is deserved.

End of Watch-2012

End of Watch-2012

Director David Ayer

Starring Jake Gyllenhaal, Michael Pena

Scott’s Review #447

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Reviewed July 8, 2016

Grade: B+

End of Watch (2012) impressed me much more than I was expecting. What I expected was a safe, by-the-numbers, buddy/action movie, since it was rather promoted as such from the previews.

It was worlds better than that and threw me for a loop, in a good way.

The film stars Jake Gyllenhaal and Michael Pena as two detectives patrolling the streets of grizzled central Los Angeles, which are riddled with drug and gang violence.

The viewer is brought along for the ride as we see a day in the life if you will, of their cop beat.

The one knock I’ll give the film is the implausibility factor of a cop videotaping everything. This seems silly and unrealistic.  Wouldn’t he be incredibly distracted? That said, some of the filmings were amazing, including the opening sequence.

The film contains a realistic, grittiness to it, and the Los Angeles locale is very effective.

End of Watch (2012) feels painstakingly real, is not always happy, and the dynamic between Jake Gyllenhaal and Michael Pena is evident and their friendship feels real.

The movie feels like a day in the life of an LA cop, sparing no edgy detail, and does not gloss over the lifestyle as many cop films choose to do.

Independent Spirit Award Nominations: Best Supporting Male-Michael Pena, Best Cinematography

Brokeback Mountain-2005

Brokeback Mountain-2005

Director Ang Lee

Starring Heath Ledger, Jake Gyllenhaal

Top 100 Films #46

Scott’s Review #338

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Reviewed January 9, 2016

Grade: A

Brokeback Mountain (2005) is a revolutionary film and one of the most important films to be released during the 2000s. Never before had an LGBT film been given as much exposure and widespread viewership as this film did.

Robbed of the 2005 Best Picture Academy Award (the great, but not as great, Crash won), Brokeback Mountain received other tremendous accolades and word-of-mouth buzz that helped it achieve great success.

A treasure that must always be remembered and appreciated.

Perfectly cast, Heath Ledger and Jake Gyllenhaal play two cowboys who fall madly in love with each other. The period of the film runs from 1963 until the early 1980s. Through the years we see their unbreakable bond tested by outside factors- namely being gay is forbidden at this time and location- Wyoming and Texas.

Jack Swift (Gyllenhaal) and Ennis Del Mar (Ledger) meet one summer in 1963 when they are both hired by grizzled Joe Aguirre (Randy Quaid) to herd sheep one summer on Brokeback Mountain in remote Wyoming.

They immediately form a friendship that turns physical one drunken night. From this point, the men are inseparable and share a passion insurmountable.

Due to the times, there is no possible way they can openly share life, so they arrange for periodic “fishing trips”, away from their wives and children so that they can spend time together in secret.

The chemistry is evident between Ledger and Gyllenhaal, which is extremely important to the success of the film.

The audience needs to truly buy their bond and director Ang Lee is successful at eliciting wonderful performances from each actor. This is especially crucial during the first forty-five minutes of the film as all the scenes are only the two actors together.

The famous “tent” scene, in which Jack’s and Ennis’s passion first erupts is perfectly choreographed- it is as much animalistic as it is passionate and this sets the tone for the rest of the film.

Eventually, other characters are introduced and Ennis and Jack live lives largely separate from each other. Michelle Williams plays Alma, a kind-hearted country girl, married to Ennis. She accidentally stumbles on Jack and Ennis’s secret and keeps this hidden throughout the years.

Williams is fantastic in the role- sweet, yet saddled with the pain of knowing her husband is in love with another man causes her to mistrust and eventually destroys their marriage.

Jack forges a life in Texas and marries well-to-do Lureen (Anne Hathaway), but the marriage is a sham, Lureen’s father hates Jack, and Jack cannot forget Ennis. Jack is the aggressor, the one more confident with his sexuality, and one would surmise, would be the one more likely to be “out” if circumstances were different.

He looks for other men, even going to Mexico to find some companionship.

The ending of the film is tragic and heartbreaking and we witness Ennis being a good father to his now grown-up kids. A wonderful scene is written between Ledger and Kate Mara, who plays his daughter. She asks the lonely Ennis to attend her wedding and the scene is sweet and tender.

Another scene involving Ennis meeting Jack’s parents is monumental- as important as what is said in this wonderful scene is what is left unsaid.

Brokeback Mountain (2005) is an honest, graceful, and brave film, that thanks to the talents and direction of Ang Lee, was able to be made.

The exceptional cast led by Ledger and Gyllenhaal is dynamic and enables the film to come together as one masterpiece, that will surely never be forgotten.

Oscar Nominations: 3 wins-Best Picture, Best Director-Ang Lee (won), Best Actor-Heath Ledger, Best Supporting Actor-Jake Gyllenhaal, Best Supporting Actress-Michelle Williams, Best Adapted Screenplay (won), Best Original Score (won), Best Cinematography

Independent Spirit Award Nominations: 2 wins-Best Feature (won), Best Director-Ang Lee (won), Best Male Lead-Heath Ledger, Best Supporting Female-Michelle Williams

Nightcrawler-2014

Nightcrawler-2014

Director Dan Gilroy

Starring Jake Gyllenhaal, Rene Russo

Scott’s Review #225

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Reviewed March 1, 2015

Grade: B+

Nightcrawler (2014) is best described as an intense crime-thriller set in Los Angeles featuring a wonderful performance by Jake Gyllenhaal as an unstable thief named Lou. He cons and manipulates his way to success videotaping accident scenes and selling them to news stations.

The film is the directorial debut of Dan Gilroy, who could become a household name in the future. Nightcrawler was deservedly awarded the Best Screenplay and the Best First Feature Independent Spirit award honors.

The film is set mainly at night as Lou courses the city in search of accidents, crimes, and violence- the bloodier the better. Later, he is told by Nina Romina, successfully played by Rene Russo that violent crimes in affluent neighborhoods are the best, as they garner the highest ratings.

Lou sells video footage of the crimes to the highest bidder and Nina becomes his main customer. Lou is eventually assisted by Rick Carey, a desperate accomplice in need of money, played by Riz Ahmed.

The interesting thing about Nightcrawler is its moody setting and dim lighting. It reminds me of the 2004 film Collateral, starring Jamie Foxx and Tom Cruise, also set in Los Angeles.

Mostly set at night time and heavily set on the streets of L.A., I found this mood excellent and a compelling aspect of the film.

It makes Nightcrawler look great.

Gyllenhaal deserves praise for his role as Lou and is largely responsible for the success. He was a co-producer.

From an acting standpoint, he is excellent and reminiscent of the frightening performance that Robert DeNiro gave in Taxi Driver (1976). With an angular face and eyes that seemingly never blink, he is intense and driven on every level.

He is a sociopath.

When he quietly threatens Nina and Rick on separate occasions one can tell he means business. Why Lou has become a thief desperate for money is never explained- does he have a family? Is he a convict? He seems highly educated, but is he? How did he land in this predicament and resort to the life that he does?

As Lou becomes more manipulative and adjusts crime scenes to make them shocking, he seems to teeter over the edge of sanity. In one scene he sneaks into a victim’s home and videotapes photos of the victims from their refrigerator to promote an empathetic angle and therefore make more money from them.

This is a brilliant performance by Gyllenhaal.

Another fascinating performance I admired is that of Rene Russo- absent from films for what seems like years, Nightcrawler is a nice return for her. Her character also has a little backstory.

We know she is a driven newswoman who has trouble maintaining success at individual news stations and moves around a lot. Nina is a cut-throat news director eager for violent stories and determined to keep her existing job. She also becomes begrudgingly fascinated and enamored with Lou.

Does she like bad boys or does she admire his talent?

The third major character is Riz Ahmed’s Rick. Rick comes across as a sweet, yet gullible guy strapped for cash. Like Lou, we do not know why he is broke, but it is hinted that he may do or have done some male prostitution- he is desperate.

As the film goes along the character develops tough skin and realizes he is attracted to this new lifestyle and excitement, but will not be bullied by Lou.

On a social level, the film presents an interesting, albeit disturbing take on the relationship between the media and the viewers. What will news channels do for a good story? How bloodthirsty are news audiences? How often is a positive news story presented? It makes the audience reflect and ponder.

Nightcrawler is a dark thriller, which deservedly garnered an Oscar nomination for Best Screenplay and a slew of Independent Spirit Awards.

Intense, rich, and visually appealing, it is one of the success stories of 2014 cinema.

Oscar Nominations: Best Original Screenplay

Independent Spirit Award Nominations: 2 wins-Best Male Lead-Jake Gyllenhaal, Best Supporting Male-Riz Ahmed, Best Screenplay (won), Best First Feature (won), Best Editing

Prisoners-2013

Prisoners-2013

Director Denis Villeneuve

Starring Hugh Jackman, Jake Gyllenhaal

Scott’s Review #75

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Reviewed June 27, 2014

Grade: B+

The film Prisoners (2013) weaves a gripping, taught, psychological tale amid a well-acted stellar cast of Hugh Jackman, Jake Gyllenhaal, Maria Bello, Viola Davis, and Paul Dano for starters.

That is what separates it from other similar, yet mediocre thriller types.

The gray, somber, Pennsylvania town is a perfect backdrop for a story involving child abduction and a father that seeks a confession from the presumed kidnapper.

The mood and cinematography are impressive and the bleakness is perfect for the tone- a cold Thanksgiving holiday weekend in a working-class, steel town.

At two hours and twenty-six minutes, the film is lengthy, but on the edge of your seat.

What intrigued me most was the audience conflict of whom to root for. Is the father purely innocent? Is the kidnapper guilty? Is someone else involved?

These questions go through the viewer’s mind during the film.

Prisoners possess a major drawback in the high number of plot holes and questions asked after the film.

The kidnapper’s motivations are weak and never fully explained. Portions of the story do not add up and make little sense.

The film is similar in style to Zodiac (2006) and Mystic River (2003).

Prisoners (2013) is an intense, thrill ride to be enjoyed, but not over-analyzed.

Oscar Nominations: Best Cinematography