Tag Archives: Sarah Gadon

A Dangerous Method-2011

A Dangerous Method-2011

Director David Cronenberg

Starring Keira Knightley, Viggo Mortensen, Michael Fassbender

Scott’s Review #1,009

Reviewed April 9, 2020

Grade: B+

A literal psychological-themed drama, if ever there was one, director David Cronenberg uses popular actors of the day to create a film based on a non-fiction book.

Famous psychoanalysts, Sigmund Freud and Carl Jung, share a tumultuous relationship when they catch the eye of the first female psychoanalyst, who was a patient of each.

Thanks to a talented cast and an independent feel, the result is a compelling piece and a history lesson in sexual titillation, jealousy, passion, and drama, among real-life elite sophisticates.

Set on the eve of World War I in Zurich, Switzerland, a young woman, Sabina Spielrein (Keira Knightley), suffering from hysteria, begins a new course of treatment with the young Swiss doctor Carl Jung (Michael Fassbender).

He uses word association, dream interpretation, and other experimental methods as part of his psychoanalytic approach. He finds that the humiliation and sexual arousal triggered Spielrein’s condition, which she felt as a child when her father spanked her naked.

They embark on a torrid affair.

Jung and friend and confidante, Sigmund Freud (Viggo Mortensen), explore various psychoanalytic methods, but cracks appear in their friendship as they begin to disagree more frequently on matters of psychoanalysis.

When Spielrein, now a student, meets Freud, she confides in him about her relationship with Jung, which leads to animosity between the men.

Spielrein embarks on other lovers as she tries to reconcile the geniuses, allowing their psychoanalytic studies to continue developing with relevance.

The film is intelligently written and, for any viewer fascinated with psychology or sexual interest, a wonderful marvel.

Since Freud and Jung are two of the most recognizable names in behavioral science and Spielrein is one of the most influential women in the field, the production is as much a historical and biographical study as it is dramatic enjoyment.

Spanking, bondage, and sexual humiliation for gratification and pleasure, strong taboos at the turn of the twentieth century, are explored and embraced in delicious and wicked style.

Given that Fassbender, Mortensen, and Knightley are easy on the eyes, they provide further stimulation than if less attractive actors were cast.

Nonetheless, the actors’ eye candy is matched by their acting talent, as each immerses themselves in their pivotal role.

Cleverly and uniquely, the film is not a trite romantic triangle or giddy formulaic genre movie. Rather, the sets, costumes, and cinematography are fresh and grip the audience.

Carl Jung is the central figure, and the film gives plenty of screen time to both his personal and professional experiences. He wrestles between remaining committed to his wife or giving in to his deepest desires with Spielrein- we can guess how this turns out!

The early scenes between Fassbender and Knightley crackle with passion and will make many blush and smirk with naughtiness.

The title is bold but doesn’t always live up to the subject matter. More sensual, fun, and intelligent than dangerous, the film is hardly raw or gritty, surprising given it’s an independent project.

It is softer to the touch, especially during scenes between Jung and Speilrein, than hard-edged.

The film discusses and explores many early psychoanalytic ideas about approach and remedy, making it more of a study than a thriller.

A Dangerous Method (2011) received stellar reviews and year-end awards consideration, but it failed at the box office.

Hardly a popcorn film and deeply accepting of its indie roots, the film ought to be shown in high-school or academic psychology classes- whether in abnormal or general studies remains a question.

With a fascinating story that risks making the prudish blush or turn away, the film will please those independent thinkers, sexual deviants, or those aching for an expressive and satisfying film.

Maps to the Stars-2014

Maps to the Stars- 2014

Director David Cronenberg

Starring Julianne Moore, Mia Wasikowska

Scott’s Review #266

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Reviewed August 14, 2015

Grade: A-

Maps to the Stars (2014) is a bizarre, unpleasant film that is as dark and perverse as it is provocative and fascinating to observe and ponder.

It feels more like an independent art film than a blockbuster Hollywood project, and it was made by an arguably mainstream director, David Cronenberg (Crash-1996, The Fly-1986).

I am surprised it could be made on a large-scale budget given its negative portrayal of actors and celebrity types, specifically troublesome starlets and child stars.

One must be wary of biting the hand that feeds.

Maps to the Stars is a film where almost all the central characters are unlikable- difficult, unstable, self-absorbed, or all of the above.

The subject matter is ugly but fascinating to me.

The wealthy and glamorous are interesting and, at times, the film is like a Greek tragedy containing Shakespearean elements- think Romeo and Juliet in an incestuous way times two.

You have to watch this film to see what I mean. Hint: it contains the ick factor.

The plot centers on a Hollywood family in which the son is a famous child star and the primary breadwinner. They are the Weiss family- all struggling to either find success or hang on to it, all the while each of them is neurotic.

The father, Dr. Samuel Weiss, played by John Cusack, is a TV psychologist, hired by Havannah Legrand (Julianne Moore), a highly self-centered, aging actress, struggling to land a coveted role-playing her mother.

Her mother was a young actress in her day, who tragically died in a fire. Havannah despises her due to claimed childhood abuse.

Cristina Weiss (Olivia Williams) is Samuel’s wife. This controlling, ambitious woman strives to get the most money out of her son Benjie, a Justin Bieber-type character with a troubled streak.

Rounding out the family is Agatha Weiss, a troubled teenager, sent away for years after giving her brother pills and setting her parents’ house on fire.

Though not directly related to the Weiss family, Havannah and the limo driver, Jerome Fontana (Robert Pattinson), become heavily involved as events unfold.

It reminded me of a myriad of other influential film directors in peculiar ways.

I noticed elements of David Lynch’s Mulholland Drive (1992), for instance, in a dark, clever mood and the obvious setting of Los Angeles- even the score is similar during parts of the film, as the moody, monotone sounds play in the background.

The Ice Storm (1997), American Beauty (1999), and Magnolia (1997) also sprang to mind for their dark, strange worlds (Magnolia) and their inclusion of the dysfunctional-family element (The Ice Storm and American Beauty).

Furthermore, to a lesser extent, I saw some Robert Altman ingrained in Maps to the Stars.

These aspects are a major reason I loved the film so much.

A prevalent theme throughout Maps to the Stars is one of burning- a victim of burning, a fire set, a character setting oneself on fire. Some characters see dead people. Havannah regularly sees her dead mother.

Benjie sees a young girl whom he visited in the hospital before she died; her last wish was to meet the big star.

She suffered from non-Hodgkin’s lymphoma, which he foolishly thought was AIDS. He sees her in visions and tries to strangle her, instead of strangling an innocent living person.

The film is a weird trip, and the viewer dreads an oncoming dark moment.

When Benjie carelessly plays with a gun that he assumes is unloaded, we know trouble will occur. He is showing off at an actor friend’s party along with equally obnoxious starlets while talking about poop, all selfish and wanting to party.

When Havannah belittles Agatha, her assistant, we see Agatha’s past anger come back into play as she slowly unravels with rage- Havannah is unaware of Agatha’s knowledge of her betrayal.

One small gripe is the continued use of gross toilet talk in multiple scenes, including a raunchy discussion of a fan buying a well-known actor’s waste for thousands of dollars.

What was Cronenberg’s motivation for this? This was a silly, tasteless, unnecessary element of an otherwise great film.

Maps of the Stars (2014) is dirty and ugly but is also a quirky treasure about bad people in Hollywood. Unpleasant characters whom I could not take my eyes off of.

A brilliant film that delves into Hollywood shallowness and madness and does it in a daring, twisted, wonderful sort of way.