Tag Archives: David Koechner

Austin Powers: The Spy Who Shagged Me-1999

Austin Powers: The Spy Who Shagged Me-1999

Director Jay Roach

Starring Mike Meyers

Scott’s Review #1,454

Reviewed December 7, 2024

Grade: C

The silly comedy franchise Austin Powers, which gripped the nation in the late 1990s, never tickled me pink like it did so many others.

International Man of Mystery debuted in 1997 and provided a smirk or two, but the follow-up ran out of gas by using more or less the same schtick as the first in the series.

I’ll never forget people mimicking taglines like ‘Yeah, baby’ to delightful laughter during this time, which I found more irritating than humorous.

Mike Meyers is talented and gives his all in the title role and two others. He infuses his natural comic talents into ridiculous, over-the-top, loud characters. He also does triple duty, portraying the main villain and a henchman.

He deserves props for solid performances with mediocre writing.

Poor Heather Graham, excellent as ‘roller girl’ in Paul Thomas Anderson’s brilliant Boogie Nights (1997), is reduced to a scantily clad love interest.

Besides being eye candy, her character has little of value to offer, undoubtedly frustrating the then-rising star.

The film isn’t a total failure, as the visuals and makeup are admirable. Colorful sets and groovy designs evoke the 1960s in a zany way, making watching the film better than listening to it.

It also serves as a modest treat for James Bond fans since the satire and parodies give credence.

Jay Roach, the director, must have advised his actors to perform as outrageously as possible, especially Robert Wagner, Rob Lowe, and Mindy Sterling, and Meyers does so on his own.

Blessedly, the running time is one hour and thirty-five minutes.

In the second installment, British super spy Austin Powers (Meyers) must return to 1969, as arch-nemesis Dr. Evil (Meyers) has ventured back to that year and successfully stolen Austin’s “mojo,” set up a powerful laser, and aimed it at Earth.

With the help of gorgeous agent Felicity Shagwell (Graham), the newly single Austin must now contend not only with Dr. Evil but also Evil’s vicious, pint-size attack clone, Mini-Me (Verne Troya).

The point of the franchise is to spoof the legendary James Bond series while incorporating a Swinging London, free-love vibe, which on paper sounds good. However, the situations play more like sketch comedy or Saturday Night Live setups than a flowing screenplay.

Even the title greedily borrows from the 1977 Bond film The Spy Who Loved Me.

As with many comedy or romantic-comedy films, screenwriters Mike Myers and Michael McCullers desperately resort to bathroom humor and countless sly sex sequences for laughs.

Also, keeping with a popular theme of comedy films, celebrity cameos run rampant. Jerry Springer, Willie Nelson, Woody Harrelson, and others appear as themselves.

I like the Bond references and themes the best, but the jokes mostly don’t work.

To its credit, Austin Powers: The Spy Who Shagged Me (1999) is not as bad as its follow-up, Goldmember (2002), but the gags fall flat most of the way.

Oscar Nominations: Best Makeup

The 40-Year-Old Virgin-2005

The 40-Year-Old Virgin-2005

Director Judd Apatow

Starring Steve Carell

Scott’s Review #1,214

Reviewed December 31, 2021

Grade: B-

I am not a fan of director/producer Judd Apatow.

His brand of silly comedy that includes objectification of women, homophobic language, and plain old unfunny attempts at slapstick comedy doesn’t go very far or sit particularly well with me.

His directorial debut is The 40-Year-Old Virgin (2005), which has a fresh feel and would ultimately lead to less worthy efforts like Knocked Up (2007) and This Is 40 (2012).

Admittedly, the title alone had me and many others brimming with curiosity.

The freshness is mostly due to the leading actor, Steve Carell, in a role that would propel him to film stardom and to much better roles in the future.

So, I guess The 40-Year-Old Virgin deserves credit for that.

Typically, in Apatow’s films, the female characters are written as uptight, shrewish, and bitchy, whereas the male characters are goofy and fun-loving. The audience is supposed to root for the men and dislike the women.

The 40-Year-Old Virgin is no exception.

Still, the film does have a sweet-natured and innocent feeling amid the stereotypes, potty jokes, and obscenity that lie within. We root for the underdog to succeed in life and champion his plight despite it being a carnal and sexual one.

Andy Stitzer (Carell) is a tender yet socially inept man who works a lowly job at a big-box store. Single and living alone, 40-year-old Andy whiles away the days playing video games and admiring his action-figure collection. He is your classic, lovable nerd.

He harbors an embarrassing secret.

Despite his age, Andy has never engaged in sex, so his friends, including his closest friend David (Paul Rudd), encourage Andy to lose his virginity.

While trying to overcome his awkwardness around female customers, Andy meets a local shop owner, Trish (Catherine Keener), and they begin an early romance.

With any Apatow film, the rest is highly predictable, and the blueprint is formulaic and easy to figure out.

Andy will face humiliation due to his predicament and the bumbling yet well-intentioned behavior of David and his other friend, Cal, played by Seth Rogen.

He will inevitably have awkward encounters with a few other female characters, in this case, the aggressive Beth, played by Elizabeth Banks, before finding love with the ‘good girl’ Trish.

They will ride off into the sunset to live happily ever after. Spoiler alert- they have sex!

The best, and arguably only good part of The 40-Year-Old Virgin is Carell’s Andy. The character brings a warmth and a vulnerability that causes the audience to sympathize with his plight.

While the majority of the viewers will not relate to being a virgin at his age, they can at least relate to having an embarrassing issue to deal with.

I am glad that this film led to meatier roles for Carell. Foxcatcher (2014) and his storied role as Michael Scott in television’s The Office (2005-2013) immediately spring to mind.

Keener, mostly known for her dramatic rather than comedic roles, is decent as the main love interest, Trish.

She, like Andy, is a rootable character, though we don’t know too much about her. She is fond of Andy, so we like her and hope she takes Andy’s cherry.

The rest of The 40-Year-Old Virgin is riddled with standard comic setups and situations.

When Andy slips and reveals his virginity, by the next day, his entire store knows his secret. From there, the insulting additions of a transvestite prostitute and a weird speed dating situation arise.

We know all along that Trish is the girl he will be with.

Apatow unwisely gives his film an interminable two-hour and thirteen-minute running time, which feels too long for a situation comedy.

One hour and thirty minutes would have been ideal. The 40-Year-Old Virgin (2005) is not the worst offender in the Apatow collection, but it offers no surprises or attempts at diversity.

It’s a perfect example of a tried and true adult sex romp with, thankfully, a likable central character.

Snakes on a Plane-2006

Snakes On A Plane-2006

Director David R. Ellis

Starring Samuel L. Jackson

Scott’s Review #607

Reviewed January 11, 2017

Grade: B

Snakes on a Plane, the surprise internet bruhaha sensation of 2006, has much to criticize.

The plot is inane, the acting way over the top, and the subject portrayed in such a dumb manner that I could see the results being horrific, but there is just something I enjoyed about the film, too, as admittedly stupid as it is.

I could not help but sit back and enjoy it.

I enjoyed the setting of an airplane- trapped at 35, 000 feet, in peril, has always enamored me (think Airport disaster films of the 1970s).

The story involves a plot to release hundreds of deadly snakes on a passenger flight, to kill a witness to a murder trial.

Of course, innocent passengers meet their dire fates as the cartoon-like characters are offed one by one, in a horror-film style.

Sadly, the film did not live up to expectations, commercially or critically, and was considered something of a dud after all the hype, but I rather enjoyed it for what it was.

Hardly high art, it entertained me.

Piranha 3D-2010

Piranha 3D-2010

Director Alexandre Aja

Starring Richard Dreyfuss, Elisabeth Shue, Ving Rhames

Scott’s Review #529

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Reviewed November 29, 2016

Grade: C-

2010’s Piranha 3D is a tongue-in-cheek horror comedy that saves itself from being a complete drivel by having some sense of humor.

Remarkably, it stars some decent talents- Richard Dreyfuss, Ving Rhames, and Elisabeth Shue.

The film is pure fluff- not high art in the least, with no message or purpose to be found.

The film is terrible, but kind of fun at the same time. It’s camp and not to be taken at all seriously.

The plot is simplistic and standard horror fare- a school of piranhas are unleashed after an underwater earthquake, kill a fisherman, and ravage a college vacation party on a lake.

The college kids come to Lake Victoria to party and lounge on the beach, and typically, are dressed precariously. They are unceremoniously ripped to shreds by the angry and hungry killer fish.

Shue and Rhames must have hit rough times, and have required a paycheck to star in this. They play a Sheriff and Deputy- laughably unbelievable- as they try to protect the beach-goers from a grisly fate.

Dreyfuss plays a ridiculous and unnecessary role as the aforementioned fisherman.

On a serious (and sour) note, the objectifying of women is shocking in this day and age. Haven’t we seen enough stereotypes in one lifetime?

A few cool kills and humor, but Piranha 3D (2010) is a dumb, popcorn horror film.