Tag Archives: Judd Apatow

The 40-Year-Old Virgin-2005

The 40-Year-Old Virgin-2005

Director Judd Apatow

Starring Steve Carell, Catherine Keener, Paul Rudd

Scott’s Review #1,214

Reviewed December 31, 2021

Grade: B-

I am not a fan of director/producer Judd Apatow. His brand of silly comedy that includes objectification of women, homophobic language, and plain old unfunny attempts at slapstick comedy doesn’t go very far or sit particularly well with me.

His directorial debut is The 40-Year-Old Virgin (2005) which contains a fresh feeling and would ultimately lead to less worthy efforts like Knocked Up (2007) and This is 40 (2012).

Admittedly, the title alone had me and many others brimming with curiosity.

The freshness is mostly because of leading actor Steve Carell in a role that would propel him to film stardom and much better roles in the future.

So, I guess The 40-Year-Old Virgin deserves credit for that.

Typically, in Apatow’s films, the female characters are written as uptight, shrewish, and bitchy whereas the male characters are goofy and fun-loving. The audience is ‘supposed’ to root for the men and dislike the women.

The 40-Year-Old Virgin is no exception.

Still, the film does have a sweet-natured and innocent feeling amid the stereotypes, potty jokes, and obscenity that lie within. We root for the underdog to succeed in life and champion his plight despite it being a carnal and sexual one.

Andy Stitzer (Carell) is a tender yet socially inept man who works a lowly job at a big-box store. Single and living alone, 40-year-old Andy whiles away the days playing video games and admiring his action-figure collection. He is your classic, lovable nerd.

He harbors an embarrassing secret.

Despite his age, Andy has never engaged in sex, so his friends, including his closest friend David (Paul Rudd), encourage Andy to lose his virginity.

While attempting to get over his awkwardness around female customers, Andy meets a local shop owner Trish (Catherine Keener), and they begin an early romance.

With any Apatow film, the rest is highly predictable and the blueprint is formulaic and easy to figure out.

Andy will face humiliation due to his predicament and because of the bumbling yet good intentions of David and his other friend Cal, played by Seth Rogen.

He will inevitably have awkward encounters with a few other female characters, in this case, the aggressive Beth, played by Elizabeth Banks, before finding love with the ‘good girl’ Trish.

They will ride off into the sunset to live happily ever after. Spoiler alert- they have sex!

The best, and arguably only good part of The 40-Year-Old Virgin is Carell’s Andy. The character brings a warmth and a vulnerability that causes the audience to sympathize with his plight. While the majority of the viewers will not relate to being a virgin at his age they can at least relate to having an embarrassing issue to deal with.

I am glad that this film led to meatier roles for Carell. Foxcatcher (2014) and his storied role as Michael Scott in television’s The Office (2005-2013) immediately spring to mind.

Keener, mostly known for her dramatic rather than comedic roles is decent as the main love interest, Trish.

She, like Andy, is a rootable character though we don’t know too much about her. She is fond of Andy so, therefore, we like her and hope she takes Andy’s cherry.

The rest of The 40-Year-Old Virgin is riddled with standard comic setups and situations. When Andy slips and reveals his virginity by the next day his entire store knows his secret. From there, the insulting additions of a transvestite prostitute and a weird speed dating situation arise.

We know all along that Trish is the girl he will be with.

Apatow unwisely gives an interminable two-hour and thirteen-minute running time to his film which feels too long for a situation comedy.

One hour and thirty minutes would have been ideal and more desirable.

The 40-Year-Old Virgin (2005) is not the worst offender of the Apatow collection but it lacks any surprises or attempts at diversity.

It’s a perfect example of a tried and true adult sex romp with, thankfully, a likable central character.

Bridesmaids-2011

Bridesmaids-2011

Director Paul Feig

Starring Kristen Wiig, Maya Rudolph

Scott’s Review #784

Reviewed July 6, 2018

Grade: A

Despite the raunchy romantic comedy genre not being my favorite, and despite not being such a fan of Judd Apatow (famed producer of several of these types of films), Bridesmaids (2011) is easily the best of its kind.

Influential in a multitude of female empowerment-themed comedies that followed, this one is witty, genuine, and funny because of its star, Kristen Wiig, who also co-wrote the film.

It is one of the best comedies (if not the best) of the decade.

Apatow is largely known for producing comedy films that mix in the standard potty humor for cheap laughs. He is responsible for This Is 40 (2012) and Trainwreck (2015), both of which I found moderately funny, but needlessly gross-out and tired.

My point is that minus the talents of Wiig (both in front of and behind the camera), Bridesmaids would likely have been mediocre like these films. Instead, Bridesmaids is a wonderful, uproarious experience with a star who captures a moment.

My one gnawing gripe is that shouldn’t a film about women be directed by a woman?

Annie (Wiig) has been asked to serve as the maid of honor at her best friend, Lillian’s (Maya Rudolph), upcoming wedding. Rather than be thrilled, Annie is depressed due to an ongoing string of bad luck.

Her bakery business fails, she loses her unfulfilling job at a jewelry store, she is dating a jerk (Jon Hamm), and her car is about to die. She has difficult roommates and is on the verge of having to move back in with her mother at age thirty-five.

The story hilariously follows Annie’s rivalry with Helen (Rose Byrne), Lillian’s soon-to-be husband’s boss’s controlling wife. Helen is intent on taking over the handling of the wedding events much to Annie’s chagrin.

The ladies compete to one-up each other throughout the film- Rose is the perfect princess for Annie’s grit and cynicism.

Annie struggles through her issues, unhappy with the state of her love life, when she meets police officer, Rhodes (Chris O’Dowd), and they begin a tender friendship. However, their attraction is tested because of Annie’s shenanigans.

Annie must then fly to Las Vegas with the other bridesmaids despite being terrified of flying.

Despite the story being nothing not seen dozens of times before in romantic comedy history (the setups), the film is a laugh-out-loud riot. In addition to Wiig, Rudolph, and Byrne, the remaining cast of ladies all have tremendous chemistry with each other.

Special kudos go to Melissa McCarthy in her fearless role of Megan, a tomboy misfit who somehow is part of the wedding party. With her “tell it like it is” attitude the actress sinks her teeth into this fabulous role without taking her too far across the line into ridiculousness.

In rip-roaring fashion, multiple scenes are permanently etched in my mind.

After Annie suggests a Brazilian steak restaurant for lunch followed by a fitting at a chic dress shop, the girls suffer from food poisoning. This results in torrents of diarrhea scenes and one unlucky character being reduced to going to the bathroom in the middle of the street.

The scene while super raunchy is hilarious and fraught with perfect comic timing.

Not to be outdone, the airplane scene is equally tremendous, however, the scene belongs to Wiig rather than the entire ensemble. Being forced to fly coach while everyone else is treated to first-class, Annie unwisely accepts a pill from Helen to calm her during the flight.

Instead, Annie becomes belligerent and wild when she mixes the sedative with alcohol.

As good as the supporting cast is, Wiig owns the film through and through. Every scene she is in and each line she utters is perfectly timed. The fact that Wiig did some improvisation (the scene in the jewelry store) is evident and only adds to the genuine feel of the film.

Subsequently, to Wiig’s credit, she has been careful to choose more complicated roles to avoid the risk of being typecast. And a sequel was wisely never made- this would have ruined the appeal.

Bridesmaids (2011) is an authentic story rich with hilarity and crisp dialogue. The film is enhanced in that it’s a female-centered film written by women (though the direction and producers too would have been better).

Because of the tremendous cast led by Wiig, the film is blazing with humor and led a firestorm of similar “girl power” films (mostly bad) well into the decade.

Oscar Nominations: Best Supporting Actress-Melissa McCarthy, Best Original Screenplay

This Is 40-2012

This Is 40-2012

Director Judd Apatow

Starring Paul Rudd, Leslie Mann

Scott’s Review #473

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Reviewed September 6, 2016

Grade: B

I must admit, I was not looking forward to seeing this movie, and my initial thought was “typical dumb comedy” that has been seen a million times before.

While This is 40 (2012) does contain those elements and is marketed toward a certain target audience, this movie is, surprisingly, smartly written and intelligent…overall.

I have not viewed Knocked Up (2007), but I understand it’s a somewhat follow-up to that film, as the two central characters are now married and traversing through a different time in their lives-adulthood.

I enjoyed Paul Rudd’s, Melissa McCarthy’s, and whoever played the oldest daughter’s, performances the most, though Rudd has become the latest actor to play the same role over and over again.

I enjoyed the rock n roll elements and the confrontation scenes as these were very cleverly written and nicely acted.

Sadly, at times the film relies on the standard bathroom humor done thousands of times before- a clear attempt at a laugh, and Jason Segal’s and Megan Fox’s characters are unnecessary to the main plot.

This Is 40 (2012) is a film that, at its heart, shows the trials and tribulations of generations of families, humorously, and done rather well.