Tag Archives: Christopher Lloyd

Back to the Future-1985

Back to the Future-1985

Director Robert Zemeckis

Starring Michael J. Fox, Christopher Lloyd

Scott’s Review #1,205

Reviewed December 5, 2021

Grade: A-

Being a child of the 1980s films like Back to the Future (1985) left an indelible mark on me. I fondly recall excitedly going to the movie theater on a Saturday afternoon with a giant tub of popcorn in tow and enjoying the hell out of this film.

I’ve subsequently seen it several times since.

There exists a magical, futuristic element that left me and countless other youngsters and adults alike with a sense of wonder. And one amazing car!

Michael J. Fox, a huge television star of the 1980s largely thanks to the sitcom Family Ties, powered through to the big screen with the help of this film and others.

The 1980s was a wonderful decade to grow up in.

Small-town California teen Marty McFly (Fox) is thrown back into the 1950s when an experiment by his eccentric scientist friend Doc Brown (Christopher Lloyd) goes awry.

Traveling through time in an amazing DeLorean car, Marty encounters younger versions of his parents (Crispin Glover, Lea Thompson), and must make sure that they fall in love or he will cease to exist.

To further complicate matters, Marty has to then return to his own time and save the life of Doc Brown.

Back to the Future is one of those films that has something for everyone and the stars perfectly aligned to make it a blockbuster popcorn hit. Besides the science fiction elements, there is humor, a cool 1950s throwback vibe, romance, and natural chemistry between Fox and Lloyd who together carry the film.

It’s hardly an art film and goes for the jugular with mainstream additions like a killer soundtrack led by The Power of Love by Huey Lewis and the News which was all over top 40 radio in the summer of ’85. Counterbalancing the current times was another smash hit Johnny B. Goode, a 1958 Chuck Berry tune.

There is a safe vibe for sure and director Robert Zemeckis knows his action-adventure romantic comedies. This may be his best work but he also skews adding much diversity or heavy topics. He simply creates a fun, entertaining film.

Fox is perfectly cast in the role of Marty and I cannot imagine anyone else in the part though method actor Eric Stolz was the original choice and spent several dismal weeks filming scenes until he was replaced.

Fox is the ultimate boy next door, cute but goofy, and relatable to teenage boys across middle America.

Lloyd is perfect as the zany Doc Brown. He is wacky without being too ridiculous and bridges the gap between generations. The character is presumed to be old enough to be Marty’s (in present-day) grandfather and the two characters rely on each other. Back to the Future shows that an unlikely friendship can develop.

The film is also great at depicting the vast differences between the 1950s and the 1980s. At a simpler time, the 1950s are viewed as wholesome while the 1980s are perceived as the decade of excess and some fun is poked at both generations. But, both generations can also connect.

In an acute moment, Marty helps secure his parent’s bond and ensures he is created. This could be viewed as icky to some but the romance between the two parents is tender and sweet. The interactions between all characters are sentimental without being saccharine.

Back to the Future was the feel-good film of 1985 and a must-see for those living in the period. It holds up surprisingly well with then state-of-the-art special effects not now looking dated or laughable. It also explores growing up as an adolescent and identifying with one’s parents and the differences they have.

Who can’t relate to that in some way?

Oscar Nominations: 1 win-Best Original Screenplay, Best Original Song-“The Power of Love, Best Sound, Best Sound Effects Editing (won)

Piranha 3D-2010

Piranha 3D-2010

Director Alexandre Aja

Starring Richard Dreyfuss, Elisabeth Shue, Ving Rhames

Scott’s Review #529

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Reviewed November 29, 2016

Grade: C-

2010’s Piranha 3D is a tongue-in-cheek horror comedy that saves itself from being a complete drivel by having some sense of humor.

Remarkably, it stars some decent talents- Richard Dreyfuss, Ving Rhames, and Elisabeth Shue.

The film is pure fluff- not high art in the least, with no message or purpose to be found.

The film is terrible, but kind of fun at the same time. It’s camp and not to be taken at all seriously.

The plot is simplistic and standard horror fare- a school of piranhas are unleashed after an underwater earthquake, kill a fisherman, and ravage a college vacation party on a lake.

The college kids come to Lake Victoria to party and lounge on the beach, and typically, are dressed precariously. They are unceremoniously ripped to shreds by the angry and hungry killer fish.

Shue and Rhames must have hit rough times, and have required a paycheck to star in this. They play a Sheriff and Deputy- laughably unbelievable- as they try to protect the beach-goers from a grisly fate.

Dreyfuss plays a ridiculous and unnecessary role as the aforementioned fisherman.

On a serious (and sour) note, the objectifying of women is shocking in this day and age. Haven’t we seen enough stereotypes in one lifetime?

A few cool kills and humor, but Piranha 3D (2010) is a dumb, popcorn horror film.

Clue-1985

Clue-1985

Director Jonathan Lynn

Starring Christopher Lloyd, Eileen Brennan, Madeline Kahn

Top 100 Films #61

Scott’s Review #341

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Reviewed January 9, 2016

Grade: A

Clue is a harmless, 1985 comic yarn that is not a cinematic masterpiece, nor anything more than fluff.

But since I adored the classic board game growing up and reveled in the excitement of the different characters, rooms, and murder weapons, the film version holds a very special place in my heart and memory bank, having watched it time and time again as a youngster.

The plot is immediately filled with intrigue- a successful element and the best part of the film.

Six interesting characters- with provocative aliases such as Ms. Scarlet, Colonel Mustard, and Mrs. Peacock, are all summoned to a New England mansion named Hill House.

Naturally, it is a dark, stormy night and each receives a mysterious note written by a stranger.

Among the colorful characters working at the mansion are the plump cook, the scantily dressed maid, Yvette, and the butler, Wadsworth, who is running the show and greets the confused guests.

Slowly, it is revealed that all of the guests are being blackmailed and all of them either live or have ties to Washington D.C.

After each guest is given a weapon as a gift, the lights go out and a murder occurs, launching a fun whodunit. Each guest, and the staff, strive to figure out who has committed the murder, as subsequent murders begin to occur.

The comic hi-jinks are reminiscent of funny films like High Anxiety (1977)  and even Young Frankenstein (1974).

The atmospheric qualities featured in Clue are what I love most about the film- the vast mansion, the many gorgeously decorated rooms, the secret passageways, and the driving rain all make for a great ambiance.

Clue is clever in that it features three different endings!  Upon initial theatrical release, this was a unique premise- one could see the film multiple times and not know how it was to end or who the killer might be revealed to be.

Unfortunately, the film was not a commercial success so this ploy did not work.

The famed cast delivers their parts with comic gusto, and with lesser talents, the film would simply be dumb. It seems obvious that the cast had a good old time with this romp- Eileen Brennan, Christopher Lloyd, Lesley Ann Warren, and Madeline Khan, have a comic ball with their perfect delivery of the lines.

Clue is not a message movie, it does not inspire cinematic art, but what it does, it does incredibly well- it entertains.

The writing and the political and sexual innuendos are witty. One can become lost in the interesting characters and try to guess, or even make up, the whodunit and why they did it.

I can be entertained by Clue (1985) time and time again.