Tag Archives: Will Ferrell

Barbie-2023

Barbie-2023

Director Greta Gerwig

Starring Margot Robbie, Ryan Gosling, America Ferrera

Scott’s Review #1,381

Reviewed July 23, 2023

Grade: A

Greta Gerwig is a tremendously talented director who is influencing Hollywood films. The gifted woman crafted Lady Bird in 2017 to critical acclaim and forges ahead with another feminist and progressive project.

With Barbie (2023) she takes a traditional and iconic ‘Barbie doll’ product by Mattel and explores the positives and negatives of the doll throughout its existence.

A cool opening sequence harkening to Stanley Kubrick’s 1968 masterpiece 2001: A Space Odyssey explains the evolution of the doll.

Barbie incorporates gender balance, creativity, thought, satire, and slapstick comedy fraught with meaning. Not forgotten is heart and humanity and a look at how much progress has been achieved for women over the years and how much more is still needed.

As if that’s not enough, Barbie deserves praise for its direction, production design, costumes, music, and cast performances.

Well done.

The film stars Margot Robbie as Barbie and Ryan Gosling as Ken, who decide to go on a journey of self-discovery following an existential crisis Barbie faces. Deemed the ‘stereotypical’ Barbie she begins having peculiar and ‘un-Barbie’ thoughts of death and analytics and must return to the real world to find her doll’s owner.

She soon longs to return to Barbie Land which is a perfect place. Unless you’re a Ken who exists merely to pine after Barbie. But, do they secretly resent this?

There are a ton of positives to delve into regarding Barbie but one slight miss is proximity to silly comedy and goofiness. This is mostly offset by the meaning of the film but my fear is some audiences may be overwhelmed by gag jokes and lose the overall point of the story.

Let’s take a deep dive. The production design and art direction are dazzling and immediately noticed. Particularly, I’m referring to Barbie Land and its pink and pretty sets. Luxurious pools, streets, houses, and cars are rich with color and ooze a fun vibe.

I can’t imagine these teams being overlooked during the year-end awards season.

Robbie and Gosling looking blonde, buff, and tanned are wonderfully cast and not only look the part but quickly switch from physical comedy to heavy drama without looking foolish.

Robbie, for example, while the classic Barbie type has layers of emotion that she channels. And Gosling could have been looked the buffoon with over-the-top sequences if not for a startling good dramatic scene towards the film’s climax.

The supporting casting is brilliant and includes Kate McKinnon as ‘weird Barbie’ a perfect role for her to release her comic beast. How lovely to see Rhea Perlman again in the small but powerful role of Ruth Handler, co-founder of Mattel and creator of the Barbie doll.

Finally, America Ferrera and Will Ferrell add both comedy and meaningful spirit to their roles. And how could the inclusion of British stalwart Helen Mirren as the narrator not create credibility?

The main attraction though is the writing. Isn’t it always when intelligently done?

The dynamic duo of Gerwig and Noah Baumbach (famous for among other works the 2019 film Marriage Story) pair well giving equality messages to both Barbie and Ken. While easy to dismiss Ken his role is valued and respected within the overall context of showing that everyone deserves a seat at the table.

I was touched by the film in various moments more than I ever expected it to be. Wonderful sentiments about being a mother are powerfully stated by Ruth and Gloria (Ferrera) during various scenes and messages such as everyone deserving respect and serving a purpose are hard not to get choked up over.

Barbie wins points for diversity and inclusion with nearly every ethnic group represented and a transgender character, Dr. Barbie (Hari Nef) featured prominently.

Providing roaring entertainment, bubble gum sets and design, and a message that will break your heart while exuding intelligence Barbie (2023) is a win.

It’s a story about the wills of plastic and humanity making for a perfect harmonious blend. Who would have thought a film about Barbie would be so important?

Oscar Nominations: 1 win-Best Picture, Best Supporting Actor-Ryan Gosling, Best Supporting Actress-America Ferrera, Best Adapted Screenplay, Best Costume Design, Best Production Design, Best Original Song-“I’m Just Ken”, “What Was I Made For?” (won)

Elf-2003

Elf-2003

Director Jon Favreau

Starring Will Ferrell, James Caan

Scott’s Review #846

Reviewed December 20, 2018

Grade: B-

Elf (2003) is one of the few lasting Christmas hits of recent memory or at least one that many fans make a regular viewing experience each holiday season.

The film is light and unarguably a safe, feel-good experience mixing a hopeful Christmas message with comic gags and romance. The key to its success is Will Ferrell who possesses wonderful comic timing.

More wholesome than my tastes and lacking plausibility the film does succeed as a family-friendly, ready-made, fun experience.

The story revolves around one of Santa’s elves (Ferrell) named Buddy who learns he is human and was orphaned as an infant. Revealed that his biological father Walter (James Caan) resides in New York City, Buddy embarks on a trip to find the man and spread Christmas cheer in a world filled with grizzled and cynical human beings.

In predictable comic form, Buddy has trouble adjusting to the human world and the fast-paced lifestyle with misunderstandings arising repeatedly. Buddy eventually wins over his father and family finding love with downtrodden Jovie (Zooey Deschanel).

Hot on the heels of his Saturday Night Live stint ending in 2002, Ferrell was primed to embark on a successful film career. Elf is a great role for him as it capitalizes on his comic timing and energy and the setup works.

At 6’3″ who better to play an elf for laughs than a hulking middle-aged man?

Due to his talents, Ferrell makes the role of Buddy fun, appealing, and the highlight of the film. With a lesser talent, the character would have been too annoying (as it is there are too many hug jokes) and the overall film would have suffered.

Other than Ferrell the supporting roles are nothing memorable other than Caan’s part. The once dashing star of films such as The Godfather (1972) Caan still has the charm and charisma to appeal, though the balding and dyed head of hair does nothing for him.

A small role by television star Bob Newhart as Papa Elf is fine, but Deschanel’s role and Mary Steenburgen’s role as Emily, Walter’s wife, could have been played by many actresses and nothing is distinguishable about either part.

Lesser roles like Walter’s secretary, Walter’s boss, and Gimble’s store manager are stock parts with no character development.

A major high-point is the New York City setting and the exterior scenes are aplenty. Filmed in 2002 and released in 2003, the location shots were completed not long after 9/11, and showcasing a city with such recent decimation adds to the film’s appeal.

Scenes in Rockefeller Center, Central Park, and the Empire State Building are prominently featured making the film festive and merry.

What greater city is there at Christmastime than New York?

Elf remains an entertaining experience with enough shiny ornaments and fun moments in the department store and Walter’s office to hold interest. The luster wears thin at the conclusion as all the traditional elements come together.

Jovie leads a chorus of strangers in “Santa Claus Is Coming to Town”, Walter quits his job without concern for paying bills, and everyone happily rides off into a sparkling winter wonderland.

This may satisfy some, but I wanted more conflict than a troupe of Central Park Rangers chasing Santa through the park.

A film that might be paired nicely with holiday favorites of similar ilk such as National Lampoon’s Christmas Vacation (1989) or Christmas with the Kranks (2004), Elf is an energetic affair with a charismatic lead actor.

Containing silly moments, but a spirited and worthwhile message nestled nicely within, the film is worth a watch if in the mood for slapstick.

More thought-provoking holiday films with deeper merriment and stronger flair exist, but for a chuckle or two Elf (2003) works well.

Bachelorette-2012

Bachelorette-2012

Director Leslye Headland

Starring Kirsten Dunst, Isla Fisher

Scott’s Review #22

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Reviewed June 17, 2014

Grade: D

I’m not sure how to pinpoint exactly what is wrong with Bachelorette (2012) except for just about everything.

It tries to be a Bridesmaids (2011) meets Hangover (2009) copycat but fails miserably. What made those films entertaining was that they were funny.

This film attempts many jokes and falls flat almost every time. The set-ups are there, but there is no follow-through.

Almost every character is unlikable and hateful to everyone else and there is nobody to root for.

Worse yet, the film is bland. Dumb comedies are not my favorite genre, but this was lackluster.

I adore Kirsten Dunst, but sadly she picked a dud she’s likely soon to forget. Isla Fisher seems to always be in films like this and the male actors (James Marsden, Adam Scott) have little to do.

The talented cast is wasted and Bachelorette (2012) is not worth seeing.