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Belfast-2021

Belfast-2021

Director Kenneth Branagh

Starring Jamie Dornan, Caitríona Balfe, Jude Hill

Scott’s Review #1,202

Reviewed November 28, 2021

Grade: A-

Belfast (2021) is a film I wanted to see based solely on the year-end awards buzz it is receiving as of this writing.

The trailer would lead you to believe that the film is a sentimental and heartwarming journey through the lives of a group of people living in Belfast, Ireland.

This is nothing but strategic marketing.

The film is significantly better than the trailer suggests, offering a dark and raw exploration of a family torn between their current lives in Belfast and the opportunity to leave the troubled city for new prospects in England.

However, it’s not all doom and gloom, and in fact, Belfast offers enough humor, entertainment, and drama to please a broad audience. There also exists a lesson in kindness, decency, and respect that is so needed in the world today.

Belfast is a movie rich in real-life experiences from director Kenneth Branagh’s own life, which successfully lends realism and honesty to the picture.

The film is told through the eyes of a nine-year-old boy named Buddy, wonderfully played by Jude Hill. He struggles to forge a path from childhood to manhood in a world that has been turned upside down.

It is 1969, and battles over religion have overtaken his neighborhood with radical Protestants wanting the Catholics out.

Buddy experiences the joys and sorrows of young love, loss, joy, laughter, music, and the magic of the cinema.

His family surrounds him- Ma (Caitríona Balfe), Pa (Jamie Dornan), Granny (Judi Dench), Pop (Ciarán Hinds), and a brother. They each fill Buddy’s life with kindness and fun.

The film starts slowly for me, despite an immediate, wonderfully compelling slow-motion sequence in which Buddy is surrounded by violence and terror as he walks home from school on a pleasant afternoon.

As I ponder Belfast, I realize that much of the film is slow, yet rich in texture and goodness. Every so often, an emotional scene erupts, but then a great deal of it is Buddy’s everyday experiences.

The black-and-white cinematography is crucial in portraying the bleakness of Belfast and how its residents strive to add some life. Most are born and die where they live.

Branagh adds an occasional glimpse of color, which is effective in showing a burst of delight in the characters’ lives. This is most powerful when the family goes to the cinema and enjoys an afternoon watching Chitty Chitty Bang Bang.

The lighting and extreme close-ups of some characters’ faces reveal their emotions, while the landscape shots are appropriately smoky and bright. This fits the mood perfectly.

The film features music by Belfast native Van Morrison, including eight classic songs and a new song Morrison wrote for the film.

The acting is superb by all the principal cast, and Dornan and Balfe provide the emotional core. Both actors are beautiful, and their performance of ‘Everlasting Love’ is simply delightful.

Providing proper role models for their children, Dornan’s Pa nearly had me in tears when he told Buddy that a person’s religious beliefs are unimportant, but their kindness is what truly matters.

He is a progressive man trapped in a traditional world.

In the end, the family chooses to reach for the stars, and the moment is fulfilling for both the characters and the viewers.

Belfast (2021) did not completely win me over until it ended, when I realized that I had witnessed a superior film. Branagh fuses heart and decency into a tale of a family’s struggles and trials.

It’s a message film that doesn’t scream or preach that message, but instead gives a quiet lesson in humanity.

Oscar Nominations: 1 win-Best Picture, Best Director-Kenneth Branagh, Best Supporting Actor-Ciarán Hinds, Best Supporting Actress-Judi Dench, Best Original Screenplay (won), Best Original Score-“Down to Joy”, Best Sound

Legend-2015

Legend-2015

Director Brian Helgeland

Starring Tom Hardy

Scott’s Review #405

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Reviewed May 24, 2016

Grade: B+

Tom Hardy is one of my favorite modern film actors (he should have won the 2015 Oscar for his riveting performance in The Revenant, in my humble opinion), and in Legend (2015) fans get a dual role from the handsome Brit.

Hardy portrays Reggie and Ronald Kray, two of London’s most feared and brutal gangsters.

The film belongs to Hardy in every way, shape, and form; the London locales are fantastic, and more than one scene is jaw-droppingly violent, but the film meanders quite a bit, and Ron Kray’s vocals are hard to understand.

Still, it’s a impressive effort overall.

The time is late 1950s London. Reggie Kray, the more mainstream of the Kray brothers, is a feared member of the organized crime community.

His mother coddles him and can do no wrong in her eyes. This makes any relationships difficult as his mum disapproves of his mates.

He falls in love with Frances Shea, a young woman who narrates most of the film, so it is told from an outsider’s perspective. Reggie’s brother Ron has recently been released from a mental hospital and, if off his medications, is certifiably crazy and very volatile.

He is gay and makes no bones about it.

Ron and Reggie have a love/hate relationship, and this dynamic is the most interesting aspect.

Thanks to Hardy, and because the writing isn’t Legend’s strongest suit, we see two very different characters, even though they look alike.

In the many scenes shared between the brothers, it seems two actors are playing the roles, to Hardy’s credit.

An important scene emphasizes their relationship. When a rival dares to mention Reggie’s wife’s name disparagingly, he points a gun and fires at the man’s head.

Fortunately, the gun is unloaded, and the audience breathes a sigh of relief. Yet, a worse fate awaits the victim.

After the deed is done, Reggie whispers in Ron’s ear that he killed the man “because I can’t kill you.”

This means Reggie would kill Ron if he could- shocking since they are brothers. To add to this, it is implied that he would kill his brother with the same savagery as his victim.

This makes the audience ponder.

Ron’s sexuality is impressive, especially since he isn’t written stereotypically. He is brutal, masculine, and hardcore. It’s important to note that Ron Kray was a real figure.

His entourage of boyfriends follows him around out of devotion.

Who can blame them? His charisma oozes; think of an unstable James Bond.

The twins’ relationship is the best part of the film, but as a mob film, Legend meanders quite a bit, so much that it becomes hard to see the point, if not for Hardy.

Aside from Frances, none of the supporting characters are interesting and are all rather forgettable.

The wonderful Chazz Palminteri is wasted in the role of Angelo Bruno, head of a Philadelphia crime family and friend of the Krays. His role has little meaning or interest.

A mediocre story, but with deep leading characters, Legend (2015) is an interesting film that flies under the radar and gets little notice.

Hopefully, if nothing else, it continues the success that Tom Hardy is currently achieving in modern film.