Tag Archives: Jamie Dornan

Belfast-2021

Belfast-2021

Director-Kenneth Branagh

Starring-Jamie Dornan, Caitríona Balfe, Jude Hill

Scott’s Review #1,202

Reviewed November 28, 2021

Grade: A-

Belfast (2021) is a film that I wanted to see based solely on the year-end awards buzz that the film is receiving as of this writing. The trailer would lead you to believe that the film is a sentimental and heartwarming journey through the lives of a group of people living in Belfast, Ireland.

This is nothing but strategic marketing.

The film is so much better than the trailer reveals with a dark and raw exploration of a family torn between their current lives in Belfast and an opportunity to leave the troubled city for new prospects in England.

But it’s not all doom and gloom and in fact, Belfast provides enough humor, entertainment, and drama to please mass audiences. There also exists a lesson in kindness, decency, and respect that is so needed in the world today.

Belfast is a movie laden with real experiences from director Kenneth Branagh’s own life and this successfully provides realism and honesty to the picture.

The film is told through the eyes of a nine-year-old boy named Buddy wonderfully played by Jude Hill. He struggles to forge a path from childhood to manhood in a world that has been turned upside down. It is 1969 and battles over religion have overtaken his neighborhood with radical Protestants wanting the Catholics out.

Buddy experiences young love, loss, joy, laughter, music, and the magic of the cinema. He is surrounded by his family- Ma (Caitríona Balfe), Pa (Jamie Dornan), Granny (Judi Dench), Pop (Ciarán Hinds), and a brother. They each fill Buddy’s life with kindness and fun.

The film starts off slow for me despite an immediate wonderfully compelling slow-motion sequence in which Buddy is surrounded by violence and terror as he walks home from school one pleasant afternoon.

As I ponder Belfast I realize that much of the film is slow but rich with texture and goodness. Every so often an emotional scene erupts but then a great deal of it is Buddy’s everyday experiences.

The black and white cinematography is crucial to show the bleakness of the city of Belfast and how the residents do their best to add some life. Most are born and die where they live.

Branagh adds an occasional glimpse of color which is effective to show a burst of delight in the characters’ lives. This is most powerful when the family goes to the cinema and enjoys an afternoon watching Chitty Chitty Bang Bang.

The lighting and extreme close-ups of some of the character’s faces reveal their emotions and the landscape shots are smokey and bright in the appropriate places. This fits the mood perfectly.

The film features music by Belfast native Van Morrison, including eight classic songs and a new song Morrison wrote for the film.

The acting is superb by all the principal cast and Dornan and Balfe provide the emotional core. Both actors are incredibly good-looking and their performance of ‘Everlasting Love’ is simply delightful. Providing proper role models for their children Dornan’s Pa nearly had me in tears when he tells Buddy that a person’s religious beliefs are unimportant but their kindness is what truly matters.

He is a progressive man trapped in a traditional world.

In the end, the family chooses to reach for the stars and the moment is fulfilling for both the characters and the viewers.

Belfast (2021) did not completely win me over until it ended when I realized that I had witnessed a superior film. Branagh fuses heart and decency into a tale of a family’s struggles and their trials and tribulations.

It’s a message film that doesn’t scream or preach that message but rather gives a quiet lesson in humanity.

Oscar Nominations: Best Picture, Best Director-Kenneth Branagh, Best Supporting Actor-Ciarán Hinds, Best Supporting Actress-Judi Dench, Best Original Screenplay (won), Best Original Score-“Down to Joy”, Best Sound

Fifty Shades of Grey-2015

Fifty Shades of Grey-2015

Director Sam Taylor-Johnson

Starring Jamie Dornan, Dakota Johnson

Scott’s Review #262

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Reviewed August 5, 2015

Grade: B-

To quote a humorous phrase I once coined years ago, when I decided to give in and see Fifty Shades of Grey (2015), despite negative reviews, “I was not expecting Citizen Kane” fit perfectly with this film as I pondered my review after the conclusion.

Based on the titillating book series by author E.L. James, the film is sudsy, steamy, and poorly acted. However, something is charming and sexy about the badness of it.

It’s not a terrible film, but the negatives outweigh the positives.

Dakota Johnson, daughter of Melanie Griffith and Don Johnson, and granddaughter of Hollywood royalty Tippi Hedren plays a shy literature student named Anastasia Steele.

She is pretty and grounded and meets and becomes enamored with a twenty-seven-year-old billionaire named Christian Grey after driving to Seattle to interview him for a sick friend.

The chemistry between the two is palpable and an instant romance ensues.

Christian courts Anastasia mercilessly, becoming somewhat controlling, and she is willing to be his “victim” as she adores his attention.

As the two get to know each other better, it is revealed that Christian is “dominant” and desires Anastasia to sign a contract, becoming his “submissive” and “belonging” to him. Anastasia is conflicted by this notion.

She loves Christian but wants a traditional romance with flowers and chocolates, something Christian has admitted he does not do.

I confess to having gotten caught up in the kinky romanticism of it.

The film has a smoldering, dreamlike style. The scenes in the “playroom” are hot and the film does its best to make the entire production erotic, but not going so far as to make it pure smut.

Boy meets girl, girl falls head over heels, boy conquers girl.

The film makes sure to portray Anastasia and Grey as complete opposites. He is wealthy, sophisticated, calm, cool, and collected while she is a struggling, naive girl ripe for the picking.

Perhaps this was part of her appeal to Grey.

The acting is not great, especially on the part of Johnson.

I did not find Jamie Dornan (Grey) to be so bad and he is likable enough to me. For the most part, the character of Anastasia irritates me, and I find her quite unlikeable.

Anastasia becomes enamored with Christian, allows herself to be pursued, showered with gifts, considers, then more or less accepts his offer to be his “submissive”, then gets furious and dumps him.

Huh?

Fifty Shades of Grey is told from a female point of view as evidenced by the marketing and the strategic opening on Valentine’s Day weekend.

I sense that the character of Anastasia is made to be sympathetic while Grey is drawn to be the cad and the bad character.

A brief backstory is mentioned as to what turned him into a dominant male who likes to have females submit to his desires coupled with his lack of desire for any affection, but this was not too deeply explored.

The film does not want the audience to really “get him” or delve too deep into the psychological reasons, instead of going for the kinkiness and the female side of the story.

A poorly structured film that made a ton of money and will undoubtedly spawn at least another sequel, Fifty Shades of Grey (2015) is a guilty pleasure and one I shamefully confess to having somewhat enjoyed.

Oscar Nominations: Best Original Song-“Earned It”