Tag Archives: Will Brittain

The Forever Purge-2021

The Forever Purge-2021

Director Everardo Valerio Gout

Starring Tenoch Huerta, Ana de la Reguera

Scott’s Review #1,209

Reviewed December 18, 2021

Grade: B+

To date, I’ve seen two of the four installments of The Purge film franchise.

The first one, The Purge (2013), was an edgy, creative concept that brought fresh energy to the horror genre. The sequel, The Purge: Anarchy (2014), was a decent follow-up but nothing to write home about either.

I skipped the next two: The Purge: Election Year (2016) and The First Purge (2018).

My expectations were low for the latest effort, The Forever Purge (2021). I’ve seen way too many ‘part five’ of various horror films to be tricked into thinking anything different will be offered to me.

I was pleasantly surprised.

While the film doesn’t rewrite the rulebooks and sticks to a familiar formula for this type of film, a timely political plot surrounding immigration emerges, mirroring the deadly ‘Trump era’ that the United States is still in the midst of, ever since the 2016 presidential election.

After the film ended, I first chuckled, but then felt sad at the message that perhaps at some point, citizens of the United States will flee to Mexico instead of the other way around.

It’s a somber message worth taking seriously.

In the first scene, we see Adela (Ana de la Reguera) and her husband, Juan (Tenoch Huerta), crossing the border from Mexico to live in Texas, where Juan is working as a ranch hand for the wealthy Tucker family. We presume they are illegal immigrants.

Juan impresses the Tucker patriarch, Caleb (Will Patton), but that fuels the jealous anger of Caleb’s son, Dylan (Josh Lucas). The residents of the small town prepare for the annual Purge, where all crime, including murder, is legal for one night only.

On the morning after The Purge, a masked gang of killers attacks the Tucker family including Dylan’s pregnant wife (Cassidy Freeman), and his sister (Leven Rambin), forcing both families to band together and fight back as the country spirals into chaos and the United States begins to crumble around them.

The insurrectionist movement continues committing crimes and murders nationwide after the Purge’s ending. The gang and their supporters spread throughout the United States as a Civil War eventually erupts, causing many residents of Texas to flee to neighboring Mexico.

Unusual for a horror film, the premise and screenplay are well-written. The social message is a unique one, solidifying the importance of the action being taken. Rather than feeling superfluous, I instead imagined that the events could occur in the real-life current United States.

It was an unsettling feeling that made me focus on the film even more than I would have otherwise.

I love that James DeMonaco (director of the first three and writer of all five) is so heavily involved with the franchise. This consistency brings continuity and a good flow to the series. A sixth film is already in the works.

Too often in horror films, a new regime emerges and changes everything we knew from the preceding films.

The progressive slant of DeMonaco and director Everardo Gout won me over, and I champion that the Mexican characters are the heroes of the film. Not to be forgotten, the caucasian Tucker family is written as sympathizing with and supporting their Mexican friends, becoming strong allies.

Where The Forever Purge lags a bit is with the traditionally standard action sequences. Numerous occurrences of shootouts between the Tuckers and Mexican family (they are never given a last name) and the radical movement become tired and standard after a while.

I sometimes felt like I was watching an episode of The Walking Dead.

The insurrectionists are portrayed as your basic dumb rednecks with primitive ideals and racist viewpoints, but you never hear the current government’s side of the story. It is explained that the New Founding Fathers of America (NFFA) have regained control of the U.S. government; however, the explanations provided are limited.

It is supposed to be 2048, but this point feels silly since it is present times as far as hairstyles, clothing, and automobiles go.

I credit the thoughtful and forward-thinking approach that DeMonaco provides to The Forever Purge (2021). The political commentary is a huge win in an otherwise entertaining yet standard dystopian action horror film.

The film may be dated in ten or twenty years, but in 2021, the message is pretty damned frightening.

Everybody Wants Some!!-2016

Everybody Wants Some!!-2016

Director Richard Linklater

Starring Blake Jenner

Scott’s Review #585

Reviewed January 5, 2017

Grade: A-

A follow-up to the successful 2014 film Boyhood, directed by Richard Linklater, Everybody Wants Some!! (2016) is another slice-of-life story with interesting characters, trials, and tribulations.

It has a coming-of-age theme centering around the main character’s struggles to identify with themselves and others.

Like Boyhood, a timeline is used, but instead of taking place over seventeen or so years, it takes place throughout a long weekend preceding the start of the college semester, a blissful yet melancholy time for many.

The setting is steamy Texas in the late summer of 1980.

A few freshman baseball prospects, who were superstar athletes in high school but are unknown here, move into a large house inhabited by other baseball players, hoping to make it to the majors.

The college is fictional but set in Southeast Texas, with a Cherokee team.

The main character, freshman Jake (Blake Jenner), arrives to find a bevy of drunken jocks carousing for a good time.

He bonds with the other guys but is more introspective and complex, and he begins a flirtation with a theater student, Beverly (Zoey Deutch), while also connecting with various other jocks he lives with.

The film is successful because it is a quiet story. Like Boyhood, Linklater focuses on relationships and strong storytelling rather than big, bombastic moments or clichéd stereotypes.

We watch many acquaintances live their lives, get to know each other, and have fun rather than take life too seriously.

At the same time, they worry about their futures and choose to live for the moment, not knowing what tomorrow will bring.

They are stuck in a moment in time.

The musical soundtrack is fantastic, interspersing 1980s bands like Van Halen (known for the title song), Pat Benatar, Devo, and many others while mixing in classic artists like Neil Young and Led Zeppelin.

The film is a bonanza of rock’ n’ roll history.

Everybody Wants Some!! It is well-written and intelligent.

Fellow intellectual jock Willoughby (Wyatt Russell) and Jake don’t quite fit in with the other loud, self-centered jocks, so they forge a close friendship, discuss intricate aspects of Led Zeppelin songs, dissect arrangements, and talk about life rather than guzzling beer and chasing girls.

Ironically, Linklater has Willoughby diss Van Halen as a corporate rock band despite using their name as the film’s title.

One may argue that nothing happens throughout the film, but that is the beauty and what makes it work as an honest, truthful piece of filmmaking.

How novel that the film does not contain any contrived plot devices intended to create tension between the characters- the film is, and that is the beauty of it.

Everybody Wants Some!! It is intended to be observed.

The romance between Jake and Beverly is sweet and unassuming. They come from different backgrounds- he a jock, she a theater major, yet they connect innocently.

The film brings different social groups together, which is a significant accomplishment. We witness the jocks attend a theater-style party and enjoy themselves.

The film successfully merges different social groups into one, but the key is that it never does so in a contrived way. It simply happens organically.

Some complained about the age of some of the actors, many considerably older than teenage years, donning wigs, but that did not bother me. I enjoyed the maturity of the seasoned actors in these roles.

Linklater is a modern director who dares to tell interesting stories about ordinary individuals the audience can immediately identify with, making him a worthy talent today.