Tag Archives: Rob Corddry

W.-2008

W.-2008

Director Oliver Stone

Starring Josh Brolin

Scott’s Review #1,130

Reviewed April 7, 2021

Grade: B+

I’ve said it once, and I’ll say it again- the United States political landscape forever changed with the dastardly 2016 presidential election.

Presidents pre- and post-2016 are held to a completely different standard.

We didn’t see this coming.

That said, the film W. (2008) is a biography and satire of George W. Bush, the forty-third president of the United States, who held office during the deadly 9/11 attacks.

Thought by some to be a moron, director Oliver Stone is careful to ease up on the obvious mockery and barbs that are usually thrown at Bush. There is some of that, but surprisingly, the film contains some sympathetic moments.

For example, a clever addition is a complex relationship between father and son, something shadowed from the spotlight. At least I was never aware there was any friction between Dad and Son.

Fans who lean or are conservative may not like the film. It’s not exactly pro-Bush, but neither is it anti.

It simply tells a good and accurate story.

Stone wisely features an all-star cast and offers a retrospective chronicling the life and political career of George W. Bush, from his troubles as a young adult through his governorship of Texas and to the Oval Office.

It’s well-made because it provides the uninformed viewer with an important history lesson.

The lineup is juicy, featuring an array of elite Hollywood stars. Josh Brolin sinks his teeth into the title role while Elizabeth Banks is more low-key as former First Lady Laura Bush.

In support, James Cromwell and Ellen Burstyn play George H.W. Bush and Barbara, while Richard Dreyfuss is fantastic as Dick Cheney.

Finally, Thandie Newton is as delicious as Condoleezza Rice.

Flashbacks are key to his life events, revealing the rise of George W. Bush from ne’er-do-well party boy and son of privilege to president of the United States.

After giving up booze for religion, George mends his restless ways and sets his sights first on the Texas governorship, which he achieves, then on the presidency.

By a fluke, he achieved this too, but lost the popular vote, forever a bee in his bonnet.

However, the country’s involvement in the Iraq War affects his reign and decreases his approval rating.

The historical accuracy appears to be valid, and most details are taken from non-fiction books. That’s why the film is perfect for those who wish to brush up on their history or who are intrigued about the life and times of a modern president.

Just be prepared for a bit of comedy.

To be fair, there are moments in W. when it feels like a long Saturday Night Live sketch, and the characters are caricatures.

It’s not exactly a parody, nor is it a documentary either. Sort of a hybrid.

The heart of the film belongs to Josh Brolin (reportedly, he stepped in for Christian Bale at the last minute). Major props go to Brolin for a nuanced, spot-on characterization of the former president.

He’s got the mannerisms down and turns of the head, his walk, and speech patterns. He is careful to take a controversial public persona and portray him with both humor and humanity. Never completely silly, but not as a straight man either.

The real Bush always had a bit of a devilish ” aw, shucks persona.

Post 2016, it’s tough to care much about W. (2008), though. It’s a “of its time” film. Too much has happened since the Bush years, or even since 2008 when the film was made.

Donald Trump made so many things irrelevant. I can’t wait until a satire emerges about him.

You know one is coming.

Sex Tape-2014

Sex Tape-2014

Director Jake Kasdan

Starring Cameron Diaz, Jason Segel

Scott’s Review #980

Reviewed January 15, 2020

Grade: C

Sex Tape (2014) is a cliched, by-the-numbers, standard romantic comedy that meets expectations, but does little to exceed them.

It is a raunchy affair, perhaps too raunchy for some, and riddled with juvenile moments.

The film contains good chemistry between the leads and is fun up to a point. The final sequence strays too far into dumb, situation comedy-style moments, with too many seen-before stereotypes, that take away most of the preceding fun.

With universally scathing reviews, I expected to hate the film salivating over the opportunity to craft a good, old-fashioned terrible review, but, Sex Tape is marginally fair to middling.

After reuniting again after starring in Bad Teacher (2011), Cameron Diaz and Jason Segel do what they can with the material given, offering strong convictions and fluid moments of enamored charm.

In a supporting role as the boss, Rob Lowe is fine in a stock role, and the child actors are abhorrent (what else is new in romantic comedy casts?)

The film treats the viewer to a brief backstory, narrated by Annie, about the fresh romance between twenty-somethings, Jay and Annie Hargrove (Segel and Diaz).

Much in love, they can barely keep their eyes off each other and have sex at the drop of a hat. Once they settle down and have kids, their romantic interludes must be balanced and scheduled amid bath time, feedings, and the necessity of sleep.

Annie writes a popular blog, expressing the challenges of being a mom, as she bucks for a well-paying job at a company run by Hank Rosenbaum (Lowe).

One day, while feeling naughty, Jay and Annie rapturously and spontaneously decide to record their session of hanky panky on video, to enjoy later.

Predictably, an error occurs, and their lovemaking session is inadvertently synchronized to video to several iPads the couple had given away over time, which is the entire cast.

They struggle to retrieve the iPads and erase their session while being blackmailed by an anonymous viewer.

The strength of Sex Tape is the pairing of Diaz and Segel because without them the film would be nonsense. Chemistry and antics are everything in physical comedy films, and these two have it down.

We accept that the married couple, despite it being ten long years, is still in love with each other, avoiding the doldrums. What they need is a spark and it is fun watching them come up with a sneaky idea.

Even when the film gets bad, the actors are a hoot.

The supporting cast is what one usually gets in a romantic comedy and the wonder is why these characters are always written as a “type” and not better fleshed out.

Examples are Jay and Annie’s best friends, Robby and Tess Thompson (Rob Corddry and Ellie Kemper), one-dimensional and offering merely extensions of the lead characters, with no character development of their own.

The same can be said for Annie’s mother (played by Nancy Lenehan).

The studio’s attempts to promote the latest technological tool, the iPad, to death is strongly evident. If one more iPad appeared on screen I would have screamed. And how is it possible to record yourself in numerous sexual positions with an iPad?

How did they move the iPad and get into those positions? Why did everyone and their brother have an iPad? A weak explanation alluded to Jay’s occupation being somehow responsible.

Sex Tape (2014) does not rewrite the comedy roadmap and will assuredly be forgotten over time- might this film’s bad reviews and the disastrous remake of Annie (2014) be why Diaz retired from acting altogether?

Regardless, for a pleasant Saturday night of silly laughs over a Cosmopolitan or two, this film is okay but for fans of Diaz, watch There’s Something About Mary (1998) instead.

The Way, Way Back-2013

The Way, Way Back-2013

Directors Nat Faxon, Jim Rash

Starring Liam James

Scott’s Review #40

70267400

Reviewed June 18, 2014

Grade: B-

The Way, Way Back (2013) is a cute, summery, “coming of age” story about a teen misfit struggling to fit in.

It has the basic stereotypical characters (boozy neighbor, overbearing stepfather type), but kudos to great performances by Allison Janney and Steve Carell, who make the film much more than it otherwise would be.

The film feels like something done many times before, but it has a charming, feel-good quality.

Still, I would have enjoyed it more if the film had taken more risks and the characters had delved deeper.

The Way Way Back (2013) is a one-dimensional film that ultimately disappoints.