Tag Archives: Toby Jones

W.-2008

W.-2008

Director Oliver Stone

Starring Josh Brolin

Scott’s Review #1,130

Reviewed April 7, 2021

Grade: B+

I’ve said it once, and I’ll say it again- the United States political landscape forever changed with the dastardly 2016 presidential election.

Presidents pre- and post-2016 are held to a completely different standard.

We didn’t see this coming.

That said, the film W. (2008) is a biography and satire of George W. Bush, the forty-third president of the United States, who held office during the deadly 9/11 attacks.

Thought by some to be a moron, director Oliver Stone is careful to ease up on the obvious mockery and barbs that are usually thrown at Bush. There is some of that, but surprisingly, the film contains some sympathetic moments.

For example, a clever addition is a complex relationship between father and son, something shadowed from the spotlight. At least I was never aware there was any friction between Dad and Son.

Fans who lean or are conservative may not like the film. It’s not exactly pro-Bush, but neither is it anti.

It simply tells a good and accurate story.

Stone wisely features an all-star cast and offers a retrospective chronicling the life and political career of George W. Bush, from his troubles as a young adult through his governorship of Texas and to the Oval Office.

It’s well-made because it provides the uninformed viewer with an important history lesson.

The lineup is juicy, featuring an array of elite Hollywood stars. Josh Brolin sinks his teeth into the title role while Elizabeth Banks is more low-key as former First Lady Laura Bush.

In support, James Cromwell and Ellen Burstyn play George H.W. Bush and Barbara, while Richard Dreyfuss is fantastic as Dick Cheney.

Finally, Thandie Newton is as delicious as Condoleezza Rice.

Flashbacks are key to his life events, revealing the rise of George W. Bush from ne’er-do-well party boy and son of privilege to president of the United States.

After giving up booze for religion, George mends his restless ways and sets his sights first on the Texas governorship, which he achieves, then on the presidency.

By a fluke, he achieved this too, but lost the popular vote, forever a bee in his bonnet.

However, the country’s involvement in the Iraq War affects his reign and decreases his approval rating.

The historical accuracy appears to be valid, and most details are taken from non-fiction books. That’s why the film is perfect for those who wish to brush up on their history or who are intrigued about the life and times of a modern president.

Just be prepared for a bit of comedy.

To be fair, there are moments in W. when it feels like a long Saturday Night Live sketch, and the characters are caricatures.

It’s not exactly a parody, nor is it a documentary either. Sort of a hybrid.

The heart of the film belongs to Josh Brolin (reportedly, he stepped in for Christian Bale at the last minute). Major props go to Brolin for a nuanced, spot-on characterization of the former president.

He’s got the mannerisms down and turns of the head, his walk, and speech patterns. He is careful to take a controversial public persona and portray him with both humor and humanity. Never completely silly, but not as a straight man either.

The real Bush always had a bit of a devilish ” aw, shucks persona.

Post 2016, it’s tough to care much about W. (2008), though. It’s a “of its time” film. Too much has happened since the Bush years, or even since 2008 when the film was made.

Donald Trump made so many things irrelevant. I can’t wait until a satire emerges about him.

You know one is coming.

Atomic Blonde-2017

Atomic Blonde-2017

Director David Leitch

Starring Charlize Theron, James McAvoy

Scott’s Review #857

Reviewed January 19, 2019

Grade: B+

Atomic Blonde (2017) is a female-empowering action/spy film directed by David Leitch, a former stuntman. The film plays similarly to James Bond, but with the genders reversed.

The film is visually stylish, featuring dynamic music and cold, crisp location sequences of Europe.

The story is not the main appeal and cannot always be followed, but thanks to a great performance by Charlize Theron in the title role, the film is pleasant and recommended for fans of either the spy or action genres.

Based on the 2012 graphic novel The Coldest City, the film is set in Berlin in 1989, and its central theme is the collapse of the Berlin Wall amid a spy story and the Cold War backdrop.

A grizzled female MI6 agent, Lorraine Broughton (Charlize Theron), is quizzed about events that occurred during her recent time spent in the German city investigating the death of a fellow spy.

She recounts her mission via flashbacks and the whereabouts of a mysterious list that reveals the names of MI6 and KGB Russian agents. Lorraine deals frequently with David Percival (James McAvoy), an odd colleague who may or may not be trusted.

The plot and subsequent story are hardly the finer points of Atomic Blonde, and the title—a play on the words “atomic bomb”—is too cute to be taken seriously.

The novice director is a former stuntman, so one should not expect high art or exceptional writing material. The largest issue besides the plot holes and implausibility of the story is that it is not engaging. After thirty minutes of trying to ascertain who had “the list,” I gave up and tried not to follow too closely, instead enjoying the film’s other qualities.

Theron is well cast as bleached blonde vixen Lorraine—harsh as nails and badass. With icy eyes and a sneer that makes the most formidable opponents cringe, the actress has the charisma to make the role her own.

The tall and fit woman endures too many fight scenes to count, but her pizzazz and wherewithal make the character believable. Her toned physique is not dissimilar to that of her character in Mad Max: Fury Road (2015).

Bisexual, Lorraine has a brief romantic escapade with Delphine Lasalle (Sofia Boutella), a young French agent, until the woman is murdered.

Any advEuropean adventurer can be enamored for, logistically speaking, the exciting locales featured heartily in Atomic Blonde.

Sleek and modern, the photography and cinematography departments do a fantastic job of giving the film authenticity and audacity to reveal the terrific nooks and crannies the best cities offer.

Given the number of high-speed car chase scenes and a fantastic underwater sequence, London, Paris, and Berlin are all given their just due.

The feminist overview that Atomic Blonde possesses is worthy of praise. Able to tangle with the best of them, Lorraine takes no prisoners and is determined to battle until the end or until she is too bloody to fight back. She is tough yet sensitive and puts up with no nonsense.

Still, she has a heart, as evidenced by not only the violent death of her girlfriend and her subsequent reaction but also her calm despair at being unable to save a drowning man’s life. Lorraine’s calm and resilience, instead of over-dramatic emotional outrage, make her a character that has developed very well and is a role model for young women everywhere.

McAvoy is cute as a button as David adds comic relief and sly witticisms to many scenes. He often appears shirtless, exposing his lean and muscular physique. As a fan of sexual dalliances, he is both combative and flirtatious with Lorraine, though he never beds her.

A yin to her yang and sparring partners throughout, David is a nice addition to a cast containing mostly serious characters.

The 1980s-themed musical score features nostalgic songs peppered throughout the film, seemingly every few moments.

Atomic Blonde plays like a bold music video with intelligently penned songs, not disposable crap. The inclusion adds a genuine celebration of the decade of decadence crafted thoughtfully.

Treats such as the masterful “Voices Carry” by ‘Til Tuesday, “London Calling” by The Clash, and “Der Kommissar” by After the Fire is placed perfectly during relevant scenes.

With a ballsy lead character and enough action to envelope a nearly two-hour action thriller Atomic Blonde (2017) is a gift in the atmosphere and great ambiance. Forget bothering to deep-dive into the complex story too much- it isn’t worth it.

Admittedly, the coveting style over substance can be forgiven because the nice elements overshadow the negatives.

Atomic Blonde (2017) best serves as a kickback and enjoy the ride experience.

Frost/Nixon-2008

Frost/Nixon-2008

Director Ron Howard

Starring Frank Langella, Michael Sheen

Scott’s Review #595

Reviewed January 8, 2017

Grade: B+

Adapted from a Broadway play, director Ron Howard creates a powerful film surrounding the infamous 1977 interview between former President Nixon and interviewer David Frost.

Frank Langella and Michael Sheen star.

For someone too young to remember Nixon or the Watergate scandal, the film was very enlightening and historical for me on a personal level.

Frost/Nixon is also a very human story and well-made.

The interview scenes are fantastic as the constant back and forth, cat and mouse, each man looking for an opportunity to either pounce, avoid, or gain the upper hand is rich with character-driven possibilities.

The scuttlebutt and the behind-the-scenes scrambling by Nixon’s men is good drama.

In particular, Frank Langella steals the show as President Nixon. He is confident, strong, yet vulnerable, and sad.

An acting Tour De Force by Langella.

Oscar Nominations: Best Picture, Best Director-Ron Howard, Best Actor-Frank Langella, Best Adapted Screenplay, Best Film Editing