Tag Archives: Michael K. Williams

The Purge: Anarchy-2014

The Purge: Anarchy-2014

Director James DeMonaco

Starring Frank Grillo

Scott’s Review #466

70299747

Reviewed August 16, 2016

Grade: B

As a fan of the original The Purge (2013), a creative, fresh modern horror film with a distinct message, I did not expect the sequel to match expectations nor to be as powerful as the original.

I was right on both counts.

As a stand-alone film, though, it is a decent flick, having almost nothing to do with the original, save for the same premise.

I hesitate to call The Purge: Anarchy a horror film as it contains little blood, gore, or true horror elements- it is much more of a thriller.

The premise is simple- the Government sanctioned holiday of March 21st has come around again, meaning twelve hours of sanctioned mayhem, where murder, rape, and assault are all allowed without punishment to the criminals, and no police or rescue teams are available.

The period is 2023, though I am unsure why this is relevant since nothing distinguishes the year from the current year, 2016, in the story.

Several protagonists fearfully hunker down for a night of safety in their dwellings, but circumstances force them onto the streets.

A mother and her teen daughter, a young couple, and a vigilante are the characters. The backstories of these folks are not all that important or relevant to the film. They form a group and bond with each other.

Whereas the original kept the audience in one house, The Purge: Anarchy does anything but. As the group commences, the streets of Los Angeles serve as the backdrop for the action as they endlessly traverse the dark and mainly deserted streets, hiding in garbage dumpsters, tunnels, and other sources of protection.

The vigilante, who is revealed to be an off-duty police officer, has the motivation, as his son was killed one year ago today, not as a result of the Purge, but by a drunk driver. The police officer seeks revenge via the freedom the annual Purge allows him.

The film is purely plot-driven and little character development exists, however, the group is mostly likable, especially the mother and daughter.

Interestingly, the filmmakers feature multiple races and ethnic groups, giving it a dose of diversity, which gets big kudos from me.

I could not help but draw comparisons to the popular television series The Walking Dead (2010-2022), at several points of the film, as the group, brandishing weapons, continuously encounters thugs and enemies of every kind as they wander the streets.

A creative twist to The Purge: Anarchy involves a group of Anti-Purgers, all black, who have a following of people supporting them against the government’s protocol of allowing an annual purging.

It is made clear that the main victims of the purge holiday are the poor and the sick.

Correlating with this, our group finds themselves kidnapped and taken to a lavish party where wealthy folks arrange a night of champagne and hunting as the victims are lured to their deaths as the onlookers cheer and feast in celebration.

Think of an Oscar party with gruesome results.

The Purge: Anarchy (2014) is a fun, Saturday night popcorn film worth pondering. Would society succumb to a fetish such as the annual purge if the government condoned it?

Undoubtedly the film must have been influenced by the popularity of The Hunger Games (2012-2023) in tone and theme.

It is a decent film, no more no less.

Inherent Vice-2014

Inherent Vice-2014

Director Paul Thomas Anderson

Starring Joaquin Phoenix

Scott’s Review #255

80013545

Reviewed July 7, 2015

Grade: A-

Inherent Vice (2014) is a bizarre detective film noir-type experience, set in 1970 Los Angeles.

Directed by the superb Paul Thomas Anderson (Boogie Nights-1997 and Magnolia-1999), the film has weirdness and incoherence that is a marvel to experience.

Fans of a straightforward plot will not be thrilled with this film, but for fans of Anderson, this will not disappoint. It has a complex plot, but the payoff is grand and a thinking man’s film.

The protagonist is Larry “Doc” Sportello (Joaquin Phoenix), a stoner private detective, contacted by his mysterious ex-girlfriend Shasta. She is worried about attempts by her boyfriend’s ex-wife and new lover to kidnap him and have him committed.

Mickey, Shasta’s boyfriend, is a wealthy real-estate developer.

Doc is also hired by two other people- one a former heroin addict looking for her missing husband, and the other a former convict looking for a prison mate who owes him money and is a former henchman of Mickey’s.

All of the stories intersect and such oddities as a peculiar massage parlor and a ship named the Golden Fang come into play throughout.

The intersecting stories lead to the revelation of a drug ring. I had little idea what was happening but was still enthralled by it.

There is an unpredictability surrounding Inherent Vice that is so pleasing and captivating. Joaquin Phoenix is compelling as Doc, a damaged character whose past is unclear.

When Doc is, by all accounts, framed for the murder of a convict and interrogated by the police, we wonder what history he has with them and what led him to branch out on his own as a private investigator.

Detective “Bigfoot” Bjornsen, wonderfully played by Josh Brolin, is a rival of Doc’s, though it is unclear why. “Bigfoot” is frequently seen with chocolate-covered phallic objects in his mouth and is married to a severe, overbearing woman.

Most characters are peculiar and have strange nuances, yet are never fully fleshed out, instead of remaining curious and thought-provoking.

Reese Witherspoon, Benicio Del Torro, and Owen Wilson appear in small yet pivotal roles.

Quite reminiscent of Roman Polanski’s Chinatown (1974) and Robert Altman’s The Long Goodbye (1973), in both the California setting and the plodding, slow-paced, magnificent storytelling, Inherent Vice is a confusing gem, but by all means a gem worth seeing and reveling among the intrigue.

Just don’t try to make too much sense of it all.

Oscar Nominations: Best Adapted Screenplay, Best Costume Design

Independent Spirit Award Nominations: 1 win-Robert Altman Award (won)

12 Years a Slave-2013

12 Years a Slave-2013

Director Steve McQueen

Starring Chiwetel Ejiofor

Scott’s Review #62

70284282

Reviewed June 24, 2014

Grade: A

At the time of 12 Years a Slave’s (2013) release, a ton of buzz began circulating. Was it that good?

Considered the front-runner to win the Best Picture statue, it did go on to win the top honor.

The film is not easy to watch. It is brutal and heart-wrenching at times. I will spare the details, but the most intense scene involves a whip.

There are scenes of torture, degradation, and cruelty against the slaves by the slave owners.

While tough to watch, I applaud the film for not glossing over the atrocities of slavery. Some have criticized it for being a retread of similar films, but I disagree. It is worlds more intense than watered-down versions.

However, the film is not a downer.

Yes, a class of people is beaten down and victimized, but they also rise above and never give up hope. The fact that it’s a true story, and that the real Solomon Northup wrote a book about it, makes it all the more powerful.

The performances are outstanding (Ejiofor, Fassbender, Paulson, and Nyong’o).

The look and cinematography are sharp, and I love the distinctiveness of the North and South scenes. The setting is stifling hot and dreary.

There are at least two scenes where the camera pans on a shot and holds for what feels like an eternity until something happens, which makes the scenes effective.

While difficult to watch, 12 Years a Slave (2013) should be viewed by everyone to see how far society has come, not forgetting how far we still need to go to eliminate discrimination and victimization.

Oscar Nominations: 3 wins-Best Picture (won), Best Director-Steve McQueen, Best Actor-Chiwetel Ejiofor, Best Supporting Actor-Michael Fassbender, Best Supporting Actress-Lupita Nyong’o (won), Best Adapted Screenplay (won), Best Production Design, Best Costume Design, Best Film Editing

Independent Spirit Award Nominations: 5 wins-Best Feature (won), Best Director-Steve McQueen (won), Best Male Lead-Chiwetel Ejiofor, Best Supporting Male-Michael Fassbender, Best Supporting Female-Lupita Nyong’o (won), Best Screenplay (won), Best Cinematography (won)