Tag Archives: Linda Emond

Across the Universe-2007

Across the Universe-2007

Director Julie Taymor

Starring Evan Rachel Wood, Jim Sturgess

Scott’s Review #1,057

Reviewed August 27, 2020

Grade: A

Across the Universe (2007) is a film that some will deem sappy or trite or classify as a cliched love story, and admittedly, some of those elements exist.

But the film offers so much more. Truthfully, the romance genre is not usually for me, for those very reasons.

Somehow, the inclusion of The Beatles’ songs and the psychedelic backdrop of musical compositions makes the film beautiful, lovely, and charismatic.

The war effects and the healthy dose of chemistry by the lead actors make this a winner in my book.

I adore the pairing of lovebirds Lucy and Jude, played by Evan Rachel Wood and Jim Sturgess. The chemistry between them sizzles from the moment they appear together, though this takes a while to happen.

When it did, over a savory Thanksgiving meal and while bowling, I was hooked, and most audiences were too. The beauty is that we experience the characters separately first and get to know them well.

The love story is the meat and potatoes of Across the Universe. If the connection between Jude and Lucy were not there, the film would not work.

This is far from merely a love story, though. That is only one facet. A hefty thirty-four Beatles compositions are included throughout the film, all strategically placed cleverly to match the scene.

For example, when Jude is working in a Liverpool shipyard in the 1960s, he reminisces about a girl he has loved and lost to the tune of “Girl”.

In a matching sequence, Lucy frets about her current boyfriend heading off to the Vietnam War while singing “Hold Me Tight”.

The 1960s period is brilliantly placed to add not only a clear juxtaposition to when the Beatles ruled the world, but also during a frightening time in world history when many young soldiers died needlessly during the ravaging war.

The mixture of the war, the songs, and the hybrid of live-action and animation provides a magical, other-worldly quality that is perfect. It provides a feeling of escapism from the deadly war.

The visuals and the gorgeous colors are a complete contrast to the grey and dark war elements.

Julie Taymor takes an anti-war, activist stance through the main characters, as Jude and Lucy proclaim themselves revolutionaries.

This occurs when the war hits home after Lucy’s brother is drafted. They sadly realize they may never see Daniel again, and they are right.

Taymor gives a personal touch to the characters, and a political decision is made that shapes the film. I found the stance perfectly logical given the characters and their viewpoints, but some audience members could be turned off or feel slighted depending on their beliefs.

I love the point she makes that war is bad.

Twenty-five of the vocal tracks are performed by one or more of the six lead cast members. My favorite treasures are the new takes on classic songs, especially “Come Together” and “With a Little Help from My Friends,” which are unusual and elegant.

When Daniel is killed in Vietnam and Detroit, a young boy is killed in the 1967 riot (combined “Let It Be”), the moment is sentimental and powerful.

A dry eye will not be left.

Locales such as Greenwich Village and New York City show the creative artists who inhabit those streets. The riot-fueled streets of Detroit, Michigan, are featured, and finally, the dirty and jungle-killing fields of Vietnam provide a diverse slate of experiences.

The love story and musical soundtrack provide exceptional emotion to an important and timeless film.

Across the Universe (2007) is artistic and inspirational.

Oscar Nominations: Best Costume Design

The Big Sick-2017

The Big Sick-2017

Director Michael Showalter

Starring Kumail Nanjiani, Zoe Kazan

Scott’s Review #720

Reviewed January 29, 2018

Grade: B+

The Big Sick, a 2017 independent “dramedy” film, takes what could be a standard premise and turns it upside down, offering a fresh perspective on a familiar tale about a prospering relationship.

The screenplay is the standout as the writing is intelligent and crisp. Thanks to exceptional acting by all four principal characters, The Big Sick is a success and worth watching.

The story follows an interracial couple, Emily and Kumail, played by Zoe Kazan and Kumail Nanjiani, who have recently started casually dating. Kumail is a standup comic living in Chicago who meets the flirtatious Emily after a club performance one night.

They share a one-night stand and agree never to see one another again.

As the smitten pair break their promise and form a romance, a tragedy occurs, landing Emily in a coma.

Kumail must handle Emily’s parents, Beth (Holly Hunter) and Terry (Ray Romano), who are angry with Kumail for misleading Emily and not telling her about his strict Muslim parent’s intentions of marrying him off by arranged marriage.

The screenplay (nominated for a 2017 Oscar nomination) is loosely based on the relationship between actor/writer Nanjiani (who stars), and Emily Gordon (who co-wrote the screenplay).

Especially since Nanjiani stars, the film is sincere and authentic, as if Nanjiani is living the role.

The chemistry between Nanjiani and Kazan during their many scenes at the start is a significant plus to the film. Before the drama takes off, the audience will become fully invested in the pair as a couple.

Whether the couple flirts as Kumail drives Emily home or fights when Emily learns about his Muslim culture’s belief in arranged marriage, the couple has a tremendous connection, and it shows.

The story fabric takes an interesting turn about midway through when Emily is stricken with a debilitating illness.

A medically induced coma is needed, as Kumail is forced to pretend to be her husband, this opens up many moral and legal ramifications that the film chooses essentially to ignore, instead of dealing with the relationships between Kumail and Emily’s distraught parents.

Hunter and Romano are excellent in the parent roles. Hunter is the more showy of the two and has more meat, while Romano holds his own and powers a vital comedy club scene in which he defends his wife from a callous heckler.

Admittedly, the film decides to go the “happily ever after” route, this is hardly a surprise given that Judd Apatow is the producer.

Remember, this is the same guy who produced safe films such as Superbad (2007) and Anchorman 2 (2013). Still, the story within The Big Sick is an enjoyable, character-driven ride, if not unpredictable.

A darker-tinged affair might have set this film over the top as it contains many other credible film qualities.

The addition of comic talent in the supporting roles of Kumail’s comedy club buddies adds a good balance and nicely counterbalances the drama so that it does not become too dour.

Much of the film involves Emily in a coma, so comic talent such as SNL’s Aidy Bryant and Comedy Central’s Kurt Braunohler are suitable ads.

I enjoyed the inclusion of the traditional Pakistani custom of arranged marriages, but at times this seems played for laughs rather than being a significant obstacle to the couple.

Kumail’s controlling mother parades one young Pakistani girl after another in front of her son as a way of encouraging him to select one of them. Kumail’s traditional family is played as stereotypes and the lighthearted foils of the film.

The Big Sick (2017) succeeds with crisp, witty dialogue and a solid story that nicely complements the intended comedy.

A few too many stereotypes and goofiness keep the action light even when compared to the more serious parts—great acting all around.

Oscar Nominations: Best Original Screenplay

Independent Spirit Award Nominations: 1 win-Best Supporting Female-Holly Hunter, Best First Screenplay (won)

Julie & Julia-2009

Julie & Julia-2009

Director Nora Ephron

Starring Meryl Streep, Amy Adams

Scott’s Review #588

Reviewed January 7, 2017

Grade: A-

Julie & Julia (2009) is a darling film about cooking that centers on the legendary chef Julia Child. It is for the foodie or culinary geek in all of us.

The film is lighthearted and will ruffle no feathers, but it is a delicious, well-told treat.

The film tells of the life of Julia Child (Meryl Streep), at one time an aspiring chef, contrasted with the life of a young New Yorker, blogger Julie Powell (Amy Adams).

Julie is determined to cook all five hundred twenty-four recipes in Child’s famous cookbook, Mastering the Art of French Cooking, within one year.

The film, of course, would not be half as good without the amazing talents of Streep, who portrays Julia Child herself. All of Julia Child’s personality characteristics are portrayed exceptionally well by Streep.

Her laugh, voice, and zest for life are all perfect. Of course, since Streep is not nearly as tall a woman as Child was, liberties had to be taken by way of camera trickery.

Regardless of Streep’s performance, props for a nice performance by Adams, too.

Julie & Julia (2009) is a cute, charming, light, fun movie. I thoroughly recommend it.

Oscar Nominations: Best Actress-Meryl Streep

Oldboy-2013

Oldboy-2013

Director Spike Lee

Starring Josh Brolin, Elizabeth Olsen

Scott’s Review #97

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Reviewed July 8, 2014 

Grade: B-

Oldboy (2013) is a United States remake of the original South Korean film from 2003 that tells the story of a successful advertising executive named Joe Doucett, played wonderfully by Josh Brolin.

He is mysteriously kidnapped and kept prisoner in a private one-room facility, where he is served the same three meals daily for twenty years, while framed for the murder of his wife.

Through the years he is kept abreast of his daughter’s life events through videos. He is just as mysteriously released after twenty years and sets out to exact revenge on his former captors.

Brolin is quite charismatic and appealing (kudos for his multiple nude scenes) in the lead role and it is nice to see Michael Imperiolo in an off-beat supporting role.

The premise is interesting but the type of film where everything that happens is plot-driven, the villains completely manipulate events, and the film becomes implausible and, via flashbacks, reminds me of the CBS series Cold Case.

Forgetting that Brolin’s character becomes superhero-like and chiseled after twenty years in captivity, the film is a good, solid, fun, thrill-ride, and bloody at times.

It has aspects of a nice whodunit to a point.  It has so many plot holes that I lost count, but somehow it is enjoyable at the same time.

Oldboy is never boring and even unpredictable at times.

Many questions run through the viewer’s head. Who is the villain? What could the villain’s motivation be? Friend or foe?

Is the film unrealistic, and ludicrous at times, but also highly enjoyable?