The Black Phone-2022
Director Scott Derrickson
Starring Mason Thames, Madeleine McGraw, Ethan Hawke
Scott’s Review #1,296
Reviewed September 7, 2022
Grade: B+
The Black Phone (2022) is a compelling horror offering that delivers some effective frights and jumps. It merges classic horror with a supernatural element that walks the line very well, never straying too far into either territory.
It doesn’t redefine the genre, but nor does it feel stale or like a tired retread of other modern films. This is because of merging other genres into the action.
Some question marks surface, but the movie is an above-average effort by director Scott Derrickson, who is surprisingly most known for the superhero vehicle Doctor Strange (2016).
The 1978 cloudy suburban blue-collar United States setting works remarkably well, and Ethan Hawke is delicious as the evil ‘Grabber’, a demented masked man who snatches neighborhood boys and hides them in a dank basement.
And I’d be remiss if I didn’t mention the brilliant inclusion of the Pink Floyd song ‘On the Run’ during the final sequence.
Wonderful is how snippets of The Silence of the Lambs (1991) peek in now and then, without ever feeling like a carbon copy or even a source material.
The Black Phone feels quite like a coming-of-age story, as it revolves around a conflicted teenage boy and his numerous insecurities, from bullying to blossoming romance.
Finney, played by newcomer Mason Thames, is a shy but clever thirteen-year-old boy. He and his younger sister, Gwen (Madeleine McGraw), live with their alcoholic father and take turns looking after him.
Neighborhood boys bully Finney, but also has a protector in his friend Robin, until Robin goes missing.
Eventually, Finney is abducted and finds himself trapped in a soundproof basement where screaming is of little use. When an old disconnected black phone on the wall begins to ring, Finney discovers he can hear the voices of the killer’s previous victims.
The Black Phone was adapted from a 2004 short story of the same name and has a similar feel. Events flow quickly, and the film doesn’t drag, though I was ready for it to end when it did.
Since the film was a commercial success, rumors of a sequel or prequel are swirling. I vote for a prequel because there is a lot left to tell regarding the Grabber. The character’s backstory is barely touched, leaving many questions unanswered.
He only kidnaps and kills teenage boys, the suggestion being that the Grabber is gay. At one point, he announces that he wants to look at Finney. The suggestion is uneven, though, because it’s never revealed if he rapes the boys before killing them or what his motive even is.
The Grabber has a brother, who plays a key role in the story, but their relationship is not explored in detail. What about parents, kids, or jobs?
In a nutshell, I wanted to know more about the killer, and I was left unsatisfied.
Speaking of the Grabber, here’s where the Silence of the Lambs comparison comes into play. The villains are similar since both are presumably gay and disguise themselves in one way or another, either by creating a ‘women’s suit’ or donning a creepy mask.
Both lure their victims into a grimy van and keep them tucked away underground before killing them.
But Buffalo Bill beats the Grabber by a landslide. The line ‘it rubs the lotion on its skin- it does this whenever it is told’ will forever give me a chills.
I’ve droned on long enough about the Grabber, but only because he is a fabulous villain and I am intrigued beyond measure at the possibilities.
The editing and continuity are a win, especially in the final twenty minutes. The rescue/escape scenes are powerful and emotional without being hokey or overly predictable.
The psychic dreams are pretty good, and McGraw is a superb child actor, but those sequences didn’t enamor me as much as the scenes with Finney and the Grabber or the voices on the telephone.
I’ll bet casting Ethan Hawke against type in The Black Phone (2022) supercharged audiences into seeing the film. The independent film style and edge-of-your-seat pacing ultimately make the film a winner, even if I was left with tons of questions.
