Tag Archives: Dom DeLuise

The Cannonball Run-1981

The Cannonball Run-1981

Director Hal Needham

Starring Burt Reynolds, Roger Moore, Farrah Fawcett

Scott’s Review #1,204

Reviewed December 4, 2021

Grade: B-

The Cannonball Run (1981) is someone’s idea of collecting big film and television stars of the time and throwing them into a film with a pointless plot about cross-country road racing.

Truth be told, it’s a pretty bad film.

But it’s a fun way to spend 90 minutes seeing a multitude of celebrities in both cameos and leading roles. Otherwise, The Cannonball Run should be skipped.

Taking a glance at the list of players, we have Burt Reynolds, Farrah Fawcett, Roger Moore, Sammy Davis Jr., Dom DeLuise, Peter Fonda, Dean Martin, Jamie Farr, Jackie Chan, Bert Convy, and Terry Bradshaw.

Hopefully, the actors had a good time making the film.

The acting is not stellar, and one wonders if many of the cast phoned it in or even read much of the script. The out-takes look like everyone was having one grand old time.  And whether some were even sober during the shooting is debatable.

The film is loosely based on the 1979 running of an actual cross-country outlaw road race in the United States, beginning in Connecticut and ending in California.

It was one of 1981’s most successful films at the box office, which is a scary realization. It was followed by two forgettable sequels- Cannonball Run II (1984) and Speed Zone (1989).

Feeling very thrown together, director Hal Needham is most known for collaborations with Burt Reynolds involving cars and car chases, so the plot, if one wants to call it that, is right up his alley.

Race teams gather in Connecticut to start a cross-country car race. One at a time, teams drive up to the starters’ stand, punch a time card to record their departure time, and then take off.

The reward for the winner is one million dollars. A representative of the “Safety Enforcement Unit” tries to stop the race due to its environmental impact and safety concerns.

Various teams are shown either evading law enforcement, most of which deal with talking their way out of a possible ticket, or concocting crazy schemes to outmaneuver their opponents.

The winner of the race is rather unimportant.

It’s all silly and not to be taken seriously. There are plenty of stereotypes, like Jamie Farr’s Middle-Eastern wealthy sheik driving a Rolls-Royce and the inevitable scantily clad females in tight wear.

Despite The Cannonball Run being riddled with enough negative aspects to make me hate the film, it’s kind of fun.

The bevy of different vehicles, like an ambulance, an Aston Martin DB5 (driven by Moore’s James Bond, imitating the character, of course), a Ferrari, and a Chevrolet Malibu, are all entertaining.

There is no character development, nor are there any characters with any depth, so the only reason to see the film is for the speedy cars and the competition.

And to see which celebrity will appear next.

A slapstick film that makes even the similarly penned Smokey and the Bandit (1977) seem like high art, The Cannonball Run (1981) is a must-see only for genre fans or those who are willing to watch and perhaps even be entertained by any movie.

I haven’t seen the film in eons, but I can imagine it’s a film only meant for its time and now would feel incredibly dated.

Oliver & Company-1988

Oliver & Company-1988

Director George Scribner

Voices Joey Lawrence, Natalie Gregory, Billy Joel

Scott’s Review #818

Reviewed October 8, 2018

Grade: B

Oliver & Company (1988) is a darling animated film released by Walt Disney Pictures, the 27th Disney feature film produced.

The film is based on Charles Dickens’s novel Oliver Twist, but Oliver is now a homeless kitten who joins a gang of dogs, and the setting shifts from London to the dangerous streets of New York City in the present day.

We meet Oliver (Joey Lawrence) as he huddles with other homeless kittens in a cardboard box, chilly from a driving New York rain.

As all of the other kittens are snatched up by adoring animal lovers, Oliver is inexplicably left on his own.

He eventually meets up with Dodger (Billy Joel), a mongrel with street smarts, and the duo steals hot dogs from an abrasive food vendor.

When Dodger swindles Oliver out of his share, the kitten follows the dog to a barge, which turns out to be the hideout of Fagin (Dom DeLuise), a human pickpocket. Fagin houses a gang of assorted dogs as loan shark Sykes bullies him.

As Oliver bonds with the miscreants, his life suddenly takes a positive turn when he is rescued from the streets by a kindly, wealthy little girl named Jenny and her bumbling butler, Winston.

Jenny’s parents are on holiday in Europe, leaving her and Winston running the house.

Along for the ride is Jenny’s sophisticated and spoiled pet poodle, Georgette (Bette Midler), who takes a dislike to Oliver.

By the 1980s, Disney films were hardly the hot commodity they once were, and the small budget is evidence of that. Oliver & Company is not on par with classic, lovely offerings such as Pinocchio (1940), Fantasia (1940), or Dumbo (1941).

The film has a severe and decidedly “1980s quality”, mostly due to the upbeat soundtrack, which decades later makes the film feel rather dated.

Speaking of the soundtrack, the highlight is a treat entitled “Why Should I Worry?”, a tune sung by the ensemble cast and impossible not to hum along to.

The film features an array of famous voices that are perfectly cast.

The filmmakers wisely cast plenty of native New Yorkers, which results in a huge measure of authenticity. Brazen voices like Midler’s, Joel’s, and Cheech Marin’s, as feisty chihuahua Tito give credibility to their characters.

The odd romantic pairing of Georgette and Tito, on the surface completely mismatched, gives a good dose of comic relief to the story.

The story written for Oliver & Company is the best part of the entire production.  Anyone familiar with the famous Dickens novel or Oliver! (1968), the most famous of the film incarnations, knows how the story will end.

This did not hinder my enjoyment of the animated film, though, which was a compelling and charming experience. Sykes makes a great villain, drawn with a long face and enormous chin, interesting, but not too scary to frighten young children.

One conspicuous omission is the elimination of the important character of Nancy. As fans know, Nancy played a vital role in the original story. Perplexing is the decision not to include her, but perhaps her ultimate death would have made the story too dark, so this can be overlooked.

Surely not the best in the Disney bunch, Oliver & Company (1988) is nonetheless a decent offering, sadly overlooked by fans and critics alike.

The film is nearly forgotten and suffers from a dated quality, if not for the widespread knowledge of the classic novel. The film is not one of the storied Disney treasures, nor should it be dismissed altogether.

The result is a darling, innocent experience meant for pure enjoyment.