Tag Archives: Dana Carvey

Halloween II-1981

Halloween II-1981

Director Rick Rosenthal

Starring Jamie Lee Curtis, Donald Pleasence

Top 250 Films #135

Top 40 Horror Films #23

Scott’s Review #505

569099

Reviewed October 31, 2016

Grade: A

The follow-up to the surprise 1978 cult classic, independently made Halloween- directed by legend John Carpenter,  Halloween II (1981) was made in 1981.

In real life, it is three years later. Still, the film picks up immediately where the original left off in a chronological sense- the infamous night Michael Myers came home to brutalize the town where he killed his sister years earlier.

This is an excellent plot point that makes the film successful, as it immediately takes the viewer back to that infamous night.

Halloween II is one of my favorite film sequels.

Despite not directing Halloween II, John Carpenter, along with Debra Hill, both wrote the script, so they are, thankfully, heavily involved in the production, giving it authenticity and familiarity.

So much so that Halloween and Halloween II can be watched back-to-back, like one long film.

Michael Myers’s path of destruction continues in the sleepy, suburban town of Haddonfield, Illinois. This point looms large in this fantastic sequel, and we are treated to a direct transition from the original.

The events switch from babysitter territory to the community hospital as new characters- mostly doctors, nurses, and ambulance people are introduced to the story, Laurie’s friends are sadly deceased.

Laurie Strode (Jamie Lee Curtis) and Doctor Loomis (Donald Pleasence) are the main stars of the film, and by the climax, they take center stage.

As a recap, the determined Loomis shot Michael Myers several times as he tumbled off a balcony to his presumed death. Spectacularly, the original Halloween brilliantly set the stage for a sequel, as Myers survives and disappears into the night, whereabouts unknown.

Now hours later, Laurie is transported to Haddonfield Hospital for treatment.  While there, the hospital staff do their best to protect her but are subsequently offed one by one by the crazed killer, who finds his way into the (conveniently!) deserted hospital.

The great quality of Halloween II is that it is gorier than its predecessor. More characters are sliced and diced in an unceremonious, brutal fashion.

One has her blood drained, and another is stabbed in the eye with a syringe. Yet another is repeatedly dunked into scalding water. And then there is the traditional knife in the back.

In contrast to many other slasher films, the supporting cast of characters is quite likable, and they are given little backstories of their own- a great touch.

Bud- the wise-cracking ambulance driver is dating Nurse Karen. Jimmy, a handsome orderly, takes a shine to Laurie.

Mixed in with the heavy horror are nice comic moments, such as when Nurse Janet ineptly tries to assist the hospital security guard, the bumbling Mr. Garrett, with a walkie-talkie, or when Head Nurse Mrs. Alves scolds the staff for being tardy.

We grow to care for these characters, in their little night-shift family, so that their inevitable demises hit home.

The chilling music- so instrumental to the success of the original- is slightly modernized into more of a keyboard-style sound. This gives a slicker, more commercial appeal.

Not to take away from the brilliance of the original score, but it is nice to hear a change that gives a fresher, more contemporary sound, rather than simply copying the same music.

Admittedly, Halloween II (1981) is not quite on par with Halloween, but that is asking the impossible. Halloween is a masterpiece, but Halloween II holds its own and is more than adequate as a sequel, having large shoes to fill.

Thanks to many of the same creators involved, it has not lost its edge or relevance all these years later.

Jack and Jill-2011

Jack and Jill-2011

Director Dennis Dugan

Starring Adam Sandler, Al Pacino, Katie Holmes

Scott’s Review #1,171

Reviewed August 16, 2021

Grade: F

Typically, an actor playing a dual role is a challenging and rewarding experience for the actor and leads to accolades for a challenge well met. While Adam Sandler may have been challenged, it’s the audience who suffers tremendously.

I can think of no redeeming qualities to mention during this review.

Anyone who watches Jack and Jill (2011) will be made to ache for the duration of the running time or either scramble for the theater exit or pound the stop button on the remote control.

Jack and Jill (2011) is the worst film Sandler has ever made with a screeching over-the-top performance and terrible writing.

The additions of New York and Jewish stereotypes and every other stereotype in the book meant for laughs instead exude annoyance and disrespect.

To make matters worse, Al Pacino appears in a supporting role well beneath him and plays himself. And reaching an assured low, the actor is forced to rap. How embarrassing for him.

Poor Katie Holmes has little to do since she is trapped in the one-dimensional ‘wife role’.

Bad decision-making by writers, producers, and actors. Perhaps the makeup people enjoyed themselves.

The premise offers the possibility that the film could be hysterical or at least partially amusing. Well-known actors dressing in drag and put in uncompromisingly awkward situations is nothing new and has been met with success.

Some Like it Hot (1959) and Tootsie (1982) are classics resulting in kudos for Jack Lemmon, Tony Curtis, and Dustin Hoffman respectively.

The main issue with Jack and Jill is that the writing stinks.

Never a fan of the Sandler and director Dennis Dugan slapstick collaborations, let’s hope this drivel led to better acting choices for the actor.

He would later star in the superb Uncut Gems (2019) and miss out on an Oscar nomination by a whisker. I hope nobody saw Jack and Jill and revoked a vote for Sandler though I couldn’t blame them if they did.

Let’s hope Sandler learned his lesson with this film. He must have since his films vastly improved after this one.

Los Angeles advertising executive Jack (Adam Sandler) dreads the Thanksgiving holiday because his overbearing twin sister, Jill (also played by Sandler), makes her annual visit from New York City.

When Jack and his sister immediately butt heads, Jack feels guilty, and the only way to make it right is to invite her to stay through Hanukkah.

When actor Al Pacino (Al Pacino), whom Jack desperately needs to star in a commercial, becomes obsessed with Jill, Jack may be forced to extend his sister’s visit even longer to get what he wants. Jack’s gardener, Felipe (Eugenio Derbez) also takes a shine to Jill.

Everything about the film is pretty bad but let’s point out the highlights…..or lowlights.

Sandler plays Jill as obnoxiously as possible and in predictable form, Jack must disguise himself as Jill. Gee, I never saw that coming. Why any man, let alone two (Al and Felipe), would become enamored with her is beyond me.

Jack’s wife Erin (Holmes) and kids are as cookie-cutter as imaginable and possess every ‘neat and clean’ characteristic in the books. They are as white bread as wonder bread.

To match the stereotypes why does Felipe have to be Mexican? It’s as if Dugan and Sandler (who co-wrote the screenplay) wanted every cliche imaginable.

Jill conquers Los Angeles with appearances on The Price is Right, attendance at a Lakers game, and a cruise.

The film’s conclusion, after a myriad of expected misunderstandings between Jack and Jill, and Jill and Al, results in a silly New Year’s Eve high school reunion back in New York with classmates and bullies.

To confirm how bad Jack and Jill (2011) is at the 32nd Golden Raspberry Awards, it won all categories, a first in the thirty-two-year history of the annual parody event.

This is a film to be buried six feet under.