Tag Archives: Tim Meadows

Mean Girls-2004

Mean Girls-2004

Director Mark Waters

Starring Lindsay Lohan, Rachel McAdams, Tina Fey

Scott’s Review #1,433

Reviewed July 21, 2024

Grade: B+

Upon its release, I doubt that the creators of Mean Girls (2004) knew how big of an influence the film would become. Not only becoming a box office hit it also became a Broadway musical with a reboot twenty years later.

It’s also one of those films everyone has heard of and immediately knows what it’s about.

After reading a self-help book about high school social cliques, Tina Fey, who stars in it, wrote the screenplay. The book also delved into school bullying and its damaging effects.

Mean Girls the film is intended to be a comedy and skirts over the horror and contempt that is the reality of vulnerable students being picked on by mean girls. I doubt that in real life ‘mean girls’ victims’ would appreciate a comedy based on their terror and ridicule.

A darker version while depressing would also be closer to reality. I took Mean Girls as a fantasy.

Nonetheless, the film is a roaring success if for no other reason than examining the insecurities and hierarchies of the high school (and middle school years) which ninety percent of adults would likely soon forget forever.

This is powerfully done via comedy so that we can all laugh at the over-the-top and hypocritical actions of the characters in different scenarios.

It’s fun to watch because it takes us back to a time in cinema when its star Lindsay Lohan was an up-and-coming sensation, and before co-stars Rachel McAdams and Amanda Seyfried were Oscar-nominated actors.

Cady Heron (Lohan) is a sophisticated yet naïve student, educated in Africa by her scientist parents. When her family moves to the suburbs of Illinois, Cady gets to experience public school and experiences the cruel laws of popularity that divide her fellow students into tightly-knit cliques.

She unwittingly finds herself in the good graces of an elite group of cool students dubbed “the Plastics,” but soon realizes how her shallow group of new friends earned this nickname. They are led by Regina (McAdams), a rich, popular mean girl.

Things quickly go south after Cady becomes smitten with Regina’s ex, Aaron (Jonathan Bennett).

Despite the title, the film is for anyone with teenage angst, a crush on a fellow student, or feeling either left out or part of a group at the expense of other unpopular kids.

The message of mean girls is universal and therapeutic since audiences can cheer along with Cady especially when she exacts her revenge on queen bee Regina in hilarious form.

The cat-and-mouse play between the two characters is merciless and delightful in the cruel measures to one-up the other in pure comical fashion.

Lohan and McAdams deserve kudos for energetically infusing the characters with likability even during scenes when they should be hated.

Cheering when Regina gets hit by a bus never felt so good.

The writing is astounding and surprisingly good with vicious quick wit and humorous scene after scene.

Wisely, the film ends after one hour and thirty-seven minutes which is a perfect length for a teenage comedy. Anything longer might have made it drag because the ending isn’t unexpected or a huge surprise.

Since we assume Cady will emerge victorious, which she does, the conclusion is satisfying and the event hints at a sequel.

The film is peppered with diversity which is also an enormous win. The principal of North Shore High School, Mr. Duvall (Tim Meadows) is black while other ethnic characters appear.

This provides a nice progressive message.

Watching the film twenty years following its release I never expected to enjoy it quite so much as I did. This is a testament to the power of Mean Girls (2004), director Mark Waters, and Tina Fey who create something that holds up well.

Jack and Jill-2011

Jack and Jill-2011

Director Dennis Dugan

Starring Adam Sandler, Al Pacino, Katie Holmes

Scott’s Review #1,171

Reviewed August 16, 2021

Grade: F

Typically, an actor playing a dual role is a challenging and rewarding experience for the actor and leads to accolades for a challenge well met. While Adam Sandler may have been challenged, it’s the audience who suffers tremendously.

I can think of no redeeming qualities to mention during this review.

Anyone who watches Jack and Jill (2011) will be made to ache for the duration of the running time or either scramble for the theater exit or pound the stop button on the remote control.

Jack and Jill (2011) is the worst film Sandler has ever made with a screeching over-the-top performance and terrible writing.

The additions of New York and Jewish stereotypes and every other stereotype in the book meant for laughs instead exude annoyance and disrespect.

To make matters worse, Al Pacino appears in a supporting role well beneath him and plays himself. And reaching an assured low, the actor is forced to rap. How embarrassing for him.

Poor Katie Holmes has little to do since she is trapped in the one-dimensional ‘wife role’.

Bad decision-making by writers, producers, and actors. Perhaps the makeup people enjoyed themselves.

The premise offers the possibility that the film could be hysterical or at least partially amusing. Well-known actors dressing in drag and put in uncompromisingly awkward situations is nothing new and has been met with success.

Some Like it Hot (1959) and Tootsie (1982) are classics resulting in kudos for Jack Lemmon, Tony Curtis, and Dustin Hoffman respectively.

The main issue with Jack and Jill is that the writing stinks.

Never a fan of the Sandler and director Dennis Dugan slapstick collaborations, let’s hope this drivel led to better acting choices for the actor.

He would later star in the superb Uncut Gems (2019) and miss out on an Oscar nomination by a whisker. I hope nobody saw Jack and Jill and revoked a vote for Sandler though I couldn’t blame them if they did.

Let’s hope Sandler learned his lesson with this film. He must have since his films vastly improved after this one.

Los Angeles advertising executive Jack (Adam Sandler) dreads the Thanksgiving holiday because his overbearing twin sister, Jill (also played by Sandler), makes her annual visit from New York City.

When Jack and his sister immediately butt heads, Jack feels guilty, and the only way to make it right is to invite her to stay through Hanukkah.

When actor Al Pacino (Al Pacino), whom Jack desperately needs to star in a commercial, becomes obsessed with Jill, Jack may be forced to extend his sister’s visit even longer to get what he wants. Jack’s gardener, Felipe (Eugenio Derbez) also takes a shine to Jill.

Everything about the film is pretty bad but let’s point out the highlights…..or lowlights.

Sandler plays Jill as obnoxiously as possible and in predictable form, Jack must disguise himself as Jill. Gee, I never saw that coming. Why any man, let alone two (Al and Felipe), would become enamored with her is beyond me.

Jack’s wife Erin (Holmes) and kids are as cookie-cutter as imaginable and possess every ‘neat and clean’ characteristic in the books. They are as white bread as wonder bread.

To match the stereotypes why does Felipe have to be Mexican? It’s as if Dugan and Sandler (who co-wrote the screenplay) wanted every cliche imaginable.

Jill conquers Los Angeles with appearances on The Price is Right, attendance at a Lakers game, and a cruise.

The film’s conclusion, after a myriad of expected misunderstandings between Jack and Jill, and Jill and Al, results in a silly New Year’s Eve high school reunion back in New York with classmates and bullies.

To confirm how bad Jack and Jill (2011) is at the 32nd Golden Raspberry Awards, it won all categories, a first in the thirty-two-year history of the annual parody event.

This is a film to be buried six feet under.

Trainwreck-2015

Trainwreck-2015

Director Judd Apatow

Starring Amy Schumer, Bill Hader

Scott’s Review #463

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Reviewed August 13, 2016

Grade: B

Trainwreck is a raunchy 2015 comedy/romantic comedy that lends its success largely to its star.

Amy Schumer makes this film as good as it can be (after all, she wrote it) and despite the raunchy girl power themes that are currently the popular trend in films of this genre, Trainwreck has some laughs and good times thrown in, thanks to Schumer.

Judd Apatow directs, who has successfully made a gazillion of these types of films in modern times.

The film does teeter off into predictability toward the conclusion. It has its moments of fun and is not boring.

Unapologetic, sexually promiscuous, and boozy, Schumer plays a successful magazine writer (Amy) given an assignment she despises- interview a sports medicine doctor, named  Aaron (played by SNL alum, Bill Hader).

Amy hates sports and knows nothing about them, she also goes from man to man, nothing serious, and is currently dating a sexy bodybuilder named Steven (John Cena), who she thinks may be gay.

Predictably, Amy and Aaron fall in love.

In typical fashion, Trainwreck contains stereotypical characters or characters who are merely there to bounce off the main action.

SNL alum Vanessa Bayer, and Tilda Swinton are the most obvious examples, as the loyal best friend and rigid, type-A boss, respectively.

Brie Larson and Colin Quinn co-star as Amy’s family members. Both give one-note performances that are fine, but unspectacular, and one surmises that Brie Larson agreed to this role before her Oscar-winning turn in Room (2015).

Despite the comedy clichés, I had some good fun with Trainwreck.

Schumer is likable as an ordinary girl, think of her as the new Melissa McCarthy, to whom many people can relate. I am not sure Schumer and Hader had the best chemistry, but the point was that she found love with a “regular” guy, a tad dull, to counter-balance her big, loud personality.

And they do make a charming pair.

Some scenes work. When Amy encourages a naked Steven to “talk dirty to her” in the bedroom and he attributes everything to bodybuilding, the scene is funny.

When Amy and Steven banter with an angry couple at the movie theater, fall flat.

Certainly not high art, for the raunchy comedy genre, Trainwreck is a treat and entertaining to watch, in large part due to the comedic talents of Amy Schumer.

More often than not, when the masses rave about a current comedy as being “great”, I am usually disappointed. While Trainwreck (2015) is not great, it is good, with some laughs.

Otherwise, it is a rather by-the-numbers film.