Tag Archives: Mary-Louise Parker

Solitary Man-2009

Solitary Man-2009

Director Brian Koppelman, David Levien

Starring Michael Douglas

Scott’s Review #508

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Reviewed November 3, 2016

Grade: B-

Solitary Man (2009) is an indie drama that has good points and bad.

Michael Douglas stars as a one-time successful, but womanizing, car dealership owner who hits rough times and loses everything.

Michael Douglas’s performance is very good and believable as a cad who hits a difficult stretch in his life.

As an actor, Douglas still possesses his good looks and charm despite being an older leading man by this time; he plays 60 very well.

The film centers around him, and wisely so, despite containing other notable actors. His character of Ben Kalman has swagger and is narcissistic, but yet lovable at the same time and this is unmistakably due to Douglas’s talents.

Annoyingly, the supporting characters played by Susan Sarandon, Danny Devito, and Jesse Eisenberg are quite one-note and not interesting, which is a shame in light of their immense talents.

The story is okay, but nothing fantastic.

I felt as though I had seen films like this many times before- the quirky edge and the attempted dark humor with laughs and some melodrama mixed in was forgettable.

However, as a character study, the movie succeeds.

Solitary Man (2009) is recommended for Michael Douglas’s performance only.

Howl-2010

Howl-2010

Director Rob Epstein, Jeffrey Friedman

Starring James Franco

Scott’s Review #491

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Reviewed October 9, 2016

Grade: B+

Howl (2010) is a compelling courtroom drama biopic starring James Franco, who is wonderfully cast.

This role, despite being in a small film with little recognition, cements Franco’s talents as an edgy actor willing to tackle challenging work rather than stick to mainstream safe fare.

Franco has become one of my favorite young actors. He is so diverse and believable in any role he takes on.

The story follows 1950s poet Allen Ginsberg and his trial to determine whether his poems were art or should be banned as indecent.

Much of the action takes place in the courtroom, and the film wisely mixes animation (in scenes of Ginsberg reading his poetry) with traditional scenes.

The film lets the viewer get to know Ginsberg’s character. He was troubled (his sexuality, delusions, stints in a mental hospital), for sure, but also had a true, authentic love of writing and poetry, which is inspiring in an age of digital technology.

Sometimes good old-fashioned words are the truest art.

Howl (2010) is an interesting little film.